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The Wrong Arm of the Law

The Wrong Arm of the Law (1963)

April. 02,1963
|
6.7
|
NR
| Comedy Crime

The crooks in London know how it works. No one carries guns and no one resists the police. Then a new gang appears that go one better. They dress as police and steal from the crooks. This upsets the natural order of the police/criminal relationship and the police and the crooks join forces to catch the IPOs (Impersonating Police Officers), including an armoured car robbery in which the police must help the gangs to set a trap.

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Leofwine_draca
1963/04/02

THE WRONG ARM OF THE LAW is an ensemble British comedy courtesy of writers Galton and Simpson, the duo most famously responsible for STEPTOE AND SON. It features Peter Sellers as the leader of a gang of robbers who are being driven to distraction by the arrival of some newcomers who have been dressing up as policemen in order to carry off their too-successful raids.This is a farcical black-and-white comedy in which everybody is a rival and even your own gang members can't be trusted. Sellers holds the thing together but the one who really shines here is Lionel Jeffries as the stuffy copper who becomes an unlikely ally during an uneasy alliance. The film is chock full of famous faces like Bernard Cribbins, Nanette Newman, John Le Mesurier, Arthur Mullard and Graham Stark, and they all seem to be having a good time. You will too.

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Spikeopath
1963/04/03

London's crooks are finding that no matter what job they pull, the London Constabulary are waiting to feel their collars. All of which comes as a great surprise to the police as they know nothing about it. It appears that a new firm of antipodean crooks are on the manor, who are not only stealing from London's finest thieves, they are also impersonating police officers in the process. There's only one thing for it, the constabulary and the villains must unite to restore the standard police/criminal workings in London!The British Crime Crooks Caper, when it comes to film, is a long and distinguished list, comprising of brilliant stuff like Ask A Policeman 1938, much loved stuff like The Italian Job 1969 and enjoyable fare like Too Many Crooks 1959. The Wrong Arm Of The Law 1963 falls into the latter category, hugely enjoyable with sharp scripting and performances to match. Boosted by the considerable writing talents of Ray Galton & Alan Simpson, the picture manages to steer well clear of being overtly twee, something that Crooks In Cloisters was guilty of the following year. The humour on show here by and large comes courtesy of the unlikely alliance between London's good and bad elements, a code and adherence to rival ethics brings about some delightful mirth. Both parties are fierce rivals but there is still unwritten rules that both sides must follow, and thankfully the astute pen scribbling from Galton & Simpson creates some smashing set pieces and quite ridiculous {in a good way} scenarios. All of which would have gone to waste if the cast did not fulfil the scripts potential, but when you got Peter Sellers, Bernard Cribbins and a quite fabulous Lionel Jeffries fronting your movie, you are definitely in good hands. The Wrong Arm Of The Law is highly recommended to anyone who loves an old fashioned British comedy. 7.5/10

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ShootingShark
1963/04/04

Pearly Gates and Nervous O'Toole, the two biggest villains in London, suddenly start finding their blags are being rumbled by a trio of Australian con-artists posing as coppers. Unable to stop this gang, they team up with Inspector "Nosey" Parker of Scotland Yard to see if their combined forces can restore much-needed order to the criminal way of life.One of the funniest British movies of all time, written by no fewer than seven men, including two of the best comedy writing duos; Ray Galton and Alan Simpson, and John Warren and Len Heath. The great charm of this picture is the way it presents London gangland as a bunch of lovable clods who don't mean any harm but who take their jobs and their workers' rights very seriously. Pearly is one of Sellers' greatest creations, who tries to encourage professionalism amongst his men (he's showing Rififi, The Day They Robbed The Bank of England and The League of Gentlemen as "training" films) and there's a wonderful sequence where he chairs a villains' union meeting, complete with agenda, motions and procedural points of order ("The Chair recognises the bird on the front row."). The real star for me though is the wonderful Cribbins as befuddled, eye-twitching Nervous, complete with brothel creepers, pork pie hat and too-small suit, chastising both his men and his kleptomaniac nephew Kevin ("Ya teeving little nit !"). Jeffries, saucy Newman and gifted Aussie actor Kerr are all terrific as well, and the whole shebang rattles along at a terrific pace with buckets of funny dialogue and inventively daft situations. Don't miss an unbilled cameo by Dennis Price, as Educated Earnest of Leamington Spa. Sadly, they really don't make them like this anymore.

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philcald
1963/04/05

This film is full of many wonderful characters from the mainstream 50's British cinematic comedy era. The film centres on the criminal gangs of London being double crossed in their criminal activities by a bunch of foreign criminal gang members who impersonate Metropolitan Police Officers.They turn up at the scene of the crime and then disappear with the stolen goods leaving the criminals in limbo waiting to be arrested by the real police.Arthur Mullard, Peter Sellers, Lionel Jeffries, Bernard Cribbens and many more make this a gem of a title to watch. Some of the film was produced around Teddington, South West London, the scene of the mass arrest at the railroad level crossing was filmed in a Teddington street called Fairfax Road.The crossing was taken out of use many years ago but the building on which Peter Sellers and his cohorts sat observing the proceedings is still in place adjacent to the point where the crossing was.The area where the Jaguar car driven by Mullard screams over the bridge is the railway road bridge at Strawberry Hill (not far from Teddington).I humbly give this film 9 out of 10, but then maybe I'm biased as I just love old British comedies such as this. Produced by Romulus Films and distributed by British Lion Films, what could be better?

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