The Seafarers (1953)

Struggling filmmaker Stanley Kubrick ("Fear and Desire" & "Flying Padre") follows the failure of his feature debut with this promotional film for the Seafarers International Union in order to recoup some of the losses and raise funds for his sophomore feature.The film, supervised by the staff of union magazine "The Seafarers Log", the promotes the work of the Seafarers International Union Atlantic and Gulf District with shots of the hiring hall, the canteen, the bar, the print shop and a union meeting at their New York head quarters.Secretary-Treasurer of the SIU Atlantic and Gulf District Paul Hall emerges from the ranks with a powerful speech extolling the virtues of the union which are all meticulously illustrated to the dulcet tones of news reader Don Hollenbeck who also bookends the membership-drive.The future filmmaking legend may be only in it for the money but he nonetheless allows a few flourishes in his colour debut, such as the extended, sideways-dolly shot of the canteen, and the film provides a curious insight into a union in its heyday."Call it a dream fulfilled."

Seafarers, The (1953) ** (out of 4) Overly long and dreadfully boring promotional film for the Seafarers Union, which basically tries to teach people why they should join. This is historically interesting only because it's Stanely Kubrick's first film in color. The rest is pure boredom and it's no wonder Kubrick doesn't want this film seeing the light of day.Day of the Fight (1951) *** (out of 4) Kubrick's second short shows us a day in the life of a middle-weight boxer as he prepares for a fight. Even with the boring narration, this film here moves a lot better and the fight scene is rather interesting because it's shown complete as it happened. You can spot Kubrick in a few scenes with his camera.Flying Padre (1951) ** (out of 4) Stanley Kubrick's first film is a documentary about a priest in New Mexico who needs a plane to keep up with all his people. This is a really boring and flat film even with its 9 minute running time. The priest really isn't that interesting and the narration is flat and stiff. God knows better things were to follow from Kubrick.

As soon as this short film ended I wanted to sign a Union Card and join The Seafarers International Union. Great benefits package by-the-way.. Produced for the SIU, Atlantic & Gulf Coast District, which is head-quartered in Sir Stanley's birthplace & then home, New York City.Yes this is Sir Stanley's (not knighted yet & will never be, because he only lived in England for almost 40 yrs & is American born--for shame Gov's)), ANYHOW, its his first colour film, his second was Spartacus. Kubrick never actually wanted to do this film, in the first place, but he needed the money - that was the motivation for this film. As usual, it was not up to Sir Stanley's standards and is why it remained 'buried' for so long until it resurfaced in the early-80's--but only the VHS copy survives. I guess dee prints are somewhere in Sir Stanley's vault outside London? Anyhow, his first feature FEAR & DESIRE, suffers the same fate, no prints available, because in the early-80's, Kubrick took the film prints out of circulation, only two copies of F&D, survive - at George Eastman House archives (Rochester, NY); but those can't be screened publicly.I love THE SEAFARERS, you see Kubrick's love of the camera showing through every grain of colour. The narration track is very traditional Kubrick, this is only his third film, and had only been making films for three years & a still- photographer for about 13 years at this point in 1953. He never went to film school, never actually finished high school (it bored him), and was self taught as a filmmaker by reading both Pudovkin's FILM THEORY & FILM ACTING.Religiously attending MONA film screening in late forties (Jay Leyda, was a curator there), was all he needed, to propel him into dee film world and abandon photography - more-or-less!!!This film was used by SIU as a membership-drive tool. They let workers know the benefits of organized labour and why the SIU in particular. The benefits package alone was worth the monthly union fee. Sir Stanley did a bang-up film here. The seafarers were the men & women that worked on the ships, and not to be confused with the longshore men. OK, now go out and get a copy for yourself!!! GO.....Gio.

'The Seafarers' was a half hour documentary made for the Seafarers International Union in 1953. It's actually more of a promotional film than a documentary, urging sailors to join the union & extolling the benefits, etc etc. The 1950s equivalent of a corporate video or an infomercial.There is absolutely nothing remarkable about this film. It's competently made, but it's not the sort of project where a director would have the opportunity to exercise any sort of creativity. Kubrick was a hired gun on this, he did the job he was paid for & that's it.Any attempts to look for trademark Kubrick touches or innovation would be pointless.There are only two things noteworthy about 'The Seafarers' - it was directed by Stanley Kubrick, and it happened to be his first film in colour. Other than the title reading 'Directed by Stanley Kubrick', I found nothing of any interest whatsoever. There's nothing wrong with it, but it would be utterly forgotten & ignored if it had not been directed by someone who went on to much greater things.Darth Nub