Journey's End (2018)

This is definitely one of the best war movies I have ever seen. No Rambo actions in this one. The title really depicts what the movies is all about A Journey's End. The brutality of war. Good men die like that . In times of war orders are orders. It is sad. I wonder all this potential gone to waste . Over 60 million people died in world wars. Countries destroyed. I wonder how the world would have been liked if only ... I recommend you see this movie with high quality video . The sound is amazing& the cinematic . The acting is superb . If you think that war is exciting . Think again . You ought to see it. Deserves a better rating.

Amazing war movie showing events on WWI, british against german. The acting is excellent, specially from Sam Claflin which shows the massive amount of pressure an officer gets from fighting in the war.

On first accounts you are immediately grabbed between a british war film and the lack of consciousness of American films. The film holds no relevance if it was original theatre form as a trench wouch perfectly suit the "walls closing in" feeling of a filthy rat infested trench.The rats are over looked, here are men preparing for battle and they cannot kill a rat. At there greatest moment of dehumanising the characters are turned inside out, like a mirror they see their inner consciousnesses. Interesting Bettany was going to play Claflin, but the director found Bettany's display of strength for all the men altering the story. Only at the end when Bettany cuts himself shaving and begins parting with his most important items during a routine raid does one see him begin to ravel. His is the archetype of love in the film, as not as just joung Ask Butterfield quickly bonds with him Claflin the unit commander stating death in the eyes breaks down after Bettany dies and lets his teats pour down Ask, his nephew who he has barely said a word too, Bettany has transcended the fact he will died in that muddy disgusting trench, who the Unit Commander, holding onto hos last threads of sanity, still believes in his drunken delusional state he willl survive. Seems mentally unconsciously safe in the bunker, his only 2 moments of "love" remove him from the setting of the war but won't pivotal plot moments. The mood, the atmosphere, the foreboding the dark walls reflecting of a grim reaper all sum up what the Nolan brother's could have served up in Dunkirk, instead of a rubbish American we all hours of our lives on. The gorgeous Ask Butterfield, Trotter, Mason, and weakling soldiers are allowed character development, evn the stern General you see three brief times, one is allowed he is "I couldn't really give a damn. Two majors errors that ruin movie, calling it"Journey's End" meant as well knew before it started the outcome, even if your knowledge of the Spring German Offensive, and in no army in the world is a soldier allowed to ask the division he wishes to join, especially as such a young age, the alter ego of a brush care-a-less General who know the Germans where attaching in 3 days times would not send his grandson his grave. Paul Bettany such an established actor now is a waking academy award. It is time he receives that award.

I want to start by saying that this film should not have been given the R rating. There is less fighting than in most superhero movies and no gore. It is, however, very distressing. Because it's very very good. It left me shaken and stayed with me for a long time. I felt it work not only on mental and emotional, but also on sensory level. There is no title and no credits in the beginning. The soldiers and officers start marching towards the front line, the camera focuses on faces, such melancholy in the eyes. And the music comes in - a low string melody that filled my whole being with the sense of dread. It never lets go. The score is absolutely brilliant. As is the acting. Especially the acting. Sam Claflin plays Captain Stanhope in whose PTSD "P" stands for not just "post", but "present", "persistent", "pervasive". The horror he's seen in 3 years at war is compounded by responsibility for those under his command with very little control over their fates. He barely eats or sleeps, but drinks practically all the time and lashes out at those closest to him. Yet it gradually becomes clear that while other officers and higher ups have detached themselves from those underneath them, he can't and won't. His decency and guilt is what's tearing him apart. It's a heartbreaking, riveting, Oscar caliber performance. But to be fair, if there's ever a film deserving a SAG Best Ensemble award, this is the one. Paul Bettany is great as calm and calming Osbourne. Asa Butterfield - perfect as naive Raleigh. Ditto Tom Sturridge as falling apart ex-playboy Hibbert, Stephen Graham as simple, always eating Trotter, Toby Jones as Mason the cook, much more than a comic relief as he witnesses what wasn't meant for him to see, Andy Gathergood as Sergeant Major who has barely any lines, but whose eyes say so much. In fact, everyone's eyes. This is something that cannot be achieved on stage - close ups on the eyes that silently scream what societal norms don't allow to be said out loud.There is a saying that goes something like this, "When one person dies, it's a tragedy. When thousands do, it's statistics." The power of this film is that when "Spring Offensive" statistics appear on the screen in the end, it feels like 700,000 tragedies.