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Blade

Blade (1998)

August. 21,1998
|
7.1
|
R
| Horror Action

The Daywalker known as "Blade" - a half-vampire, half-mortal man - becomes the protector of humanity against an underground army of vampires.

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Reviews

a_chinn
1998/08/21

At this point, I'm painfully bored with superhero films (I'm a huge Joss Whedon fan and I can't even bring myself to watch his Avengers films), but if more film adaptations took a tone like "Blade" I'd probably start showing interest and showing up to the theater again. Almost 20 years before audiences flipped out over the hard-R superhero movie "Deadpool," the lesser Marvel Universe superhero Blade smashed onto the scene with with this ultra bloody tale of modern day vampire hunting. Wesley Snipes plays Blade, a half human/half vampire who can walk in sunlight and uses that to his advantage as he hunts his vampire quarry. In this vampire universe, vampires have an underground secret society, who use their wealth and power to hide their existence and keep themselves well fed. That is until upstart vampire Stephen Dorff decides vampires should come out from the shadows and should claim their rightful place at the top of the food chain. It's a cool story set up, but what makes this film great is Snipes as Blade, the ultra slick direction by Stephen Norrington, and the unapologetic gore that made this movie standout at the time (though it still manages to stand out to this day among superhero films). Sure, "Deadpool" and "Kick-Ass" were super violent, but they were done with a a fair amount of humor. "Blade" is a humorless and completely serious of film, mixing action and horror. In many ways, it's more of a hybrid of "The Matrix" and "The Hunger" and is less similar to any other superhero film of the past 20 years. "The Crow" is probably is probably the most similar of comic book movie to this one, although I don't know if I'd really consider "The Crow" a superhero movie either. Ang Lee's "Hulk" may be the only other superhero movie since Blade to take what I'd consider a serious tone that wasn't afraid to embrace downbeat themes and not worry about being a wide audience crowdpleaser. I think Ang Lee intended his film to be a crowdpleaser, but it ended up not, although I think "Hulk" is highly underrated and I would argue is the best of the recent big budget Marvel films (even if they rebooted the series and do not consider Lee's film part of the Marvel Cinematic Universe). But back to this film in particular, Wesley Snipes commands the screen as Blade, in what' is likely his most memorable onscreen role. His stoic low-voiced man-of-few-words demeanor does border on parody and will admittedly come off as silly if you're not into the spirit of the film, but it worked for me. Also, Snipes, a trained martial artist, has some of the best fight sequences of his career. In terms of story, writer David S. Goyer took the unique approach of not making the movie about Blade's origin story and instead the audience finds themselves thrust into the middle of a long simmering war waged by Blade agains the hidden vampire world. The audience's is introduced to Blade and his secret war by way of N'Bushe Wright, an innocent human who finds herself suddenly caught up in fight when she's attacked by a vampire. Director Norrington, as well as director of photography Theo Van De Sande, get a lot of credit for the film's slick look, with tightly edited action sequences and a cold austere vampire world bathed in cool blues and blacks (until it explodes in blood red). The film also greatly benefits from its' supporting cast, which includes not just Dorff, but also Kris Kristofferson as Blade's human helper, making all his weapons and gear, Donal Logue as Dorff's primary henchmen, Udo Kier as an establishment vampire opposed to Dorff, and even Traci Lords shows up as a vamp. There's also a fine atmospheric score by the always great Mark Isham. Also worth noting are some excellent practical special effects, particularly a memorable sequence with a Jabba the Hutt-like vampire is tortured by Blade's ultraviolet flashlight. However, there are some significant downsides to this film. The main one is that the film's best scene, the vampire rave blood bath, is the first scene of the movie and nothing that follows lives up to it. It really is a dynamite scene, with New Order music blasting, sexy vampires cavorting, and blood spraying down from the ceiling where the vamps have rigged blood to rain down from the ceiling fire sprinklers. That is until Blade shows up and mows them down in his trench coat with guns, stakes, high kicks, and samurai sword. Also to the film's detriment are that the characters are all rather underdeveloped. Sure they all have a backstories, but they are more archetypes than relatable or empathetic characters. The story also meanders a bit and loses momentum at times. There's also a rather lackluster and disappointing climax that didn't seem consistent with the rest of the film's slick modern setting. Writer Goyer has a pretty hit or miss track record and his best films included either co-writing credits by others or were made by strong directors like Christopher Nolan, Alex Proyas, or Guillermo del Toro, the director of the far superior Blade sequel. Left to his own devices, I'm not sure Goyer is that good of a write outside of developing solid story set-ups. Another complaint is that while the films did feature some excellent practical special effects, the CGI is consistently awful throughout the film. The CGI blood looks like Magic Marker, the vampire disintegrations from stakings and whatnot look like a bad TV show superimposed images, and when the vampires swell and explode the CGI just looks completely off. The CGI was distracting and takes you out of the film. Still, despite these fairly major deficits, "Blade" manages to be a memorable horror/action film hybrid that is well worth watching flaws in all, although Guillermo del Toro's terrific sequel should have been the first film to launch this franchise and is the high point of the series.

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Cihan Pocan
1998/08/22

A tragic story of a night club running young entrepreneur named Frost who is having socio-political conflicts with his traditionalist and short-sighted shareholders in the company which actually is an extremist occult organization previously invented immortality at an expanse of death risk under UV light when exposed and regularly being in need of consuming human blood. Frost has to eliminate his opponents and expand his propaganda using by myths and ancient texts (even he is a modernist sort of guy...) to resurrect some kind of vampireocalytic event and yet he needs his arch enemy, Blade alive to complete his political agenda. An amazing all time classic, action pumped blood-splatter motion picture, nice romantic side story with a mother-a-like character insertion to the text, fulfilling narrative of two honest guy with the same heart but the different M.O.: "cleaning the scums of the earth"

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jacobjohntaylor1
1998/08/23

This a great horror movie It has a lot of action. It has great story line. It also great acting. It one of the best movies ever. See it. Blade II is better. Still great movie. Very scary. were are there spoilers you silly computer

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maxmages
1998/08/24

In itself a super cool movieBlade is definitely super cool money for the movie as well as for the main character. However, the film has little '90s troops that are quite outdated and take something out of the sails of the wind, the same goes for the' 90s CGI effects, but instead kicked 3 annoying action movie cliches as it should be.I love to watch movies that stand out from the others. I love it when I do not know who in that time a surprisingly big part and I love R rated comic book adaptations (Blabe came first).But there are many things about this movie that bother me, such as the constant shaky cam, is a tripod really that expensive? The back and forth intersect between the normal dialogues, not everything has to be presented excitingly high 10, because that makes the really exciting something bland. The main villain is just as old as muscular and looks as cool as the hero, so it would be better if he stings out more, especially as he is in a wheel full of old men who look like they are having children's souls to fight to the top as he represents the new kind and the new danger. Then do it too dangerously enough: if your rogue is not cool, then make him ... huge and scary, scary, super strong, diabolical, or at least entertaining enough that it does not interest you like boring.Seriously Deacon Frost just does not say it out and behaved like that until the climax, I wonder why we and the ever wasting our time with him, at least if he was super pretty and always well-dressed, you could at least to conclude that he served only as their figurehead and that would explain his motivation but unfortunately no! Nothing like that!Or we just change a few character traits and attributes in this movie because Frost's right hand, his asshole, was so nasty and so annoying that she always wanted to clap her hands when Blade missed one, her jokes were damned funny and his whole character so exhausting that you're just waiting to satisfy the feeling of salvation when he finally dies. (Unfortunately, a fight as well as his death like sex with a tuna can is painful, disappointing and totally anti-climactic.But those are the mistakes in the script that was probably stretched to double length (with over 10 minutes of filler), an amateur music video editing and post credit scene which for some reason was inserted after a blackout but before the credits, there are only a few plot Holes in the bad plan but otherwise there is not much to find worthy in this movie.The fights are exciting, so the characters are super interesting the whole movie has a cool look, only half of the movie is night city and even the scenes that take place at night are neatly photographed and lit up so you can see enough and that Film has enough stuntwork for about 50 trailers.

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