Sommersby (1993)

As has been mentioned by other reviewers, "Sommersby" is a copy of the French movie "Le retour de Martin Guerre" from 1982, starring Gerard Depardieu. While other such copies leave a lot of the original feeling and acting quality behind, "Sommersby" stands and holds well on it's own merits. See them both, and for once you may discover that the Hollywodized copy is the better one.While the original French story ends in the clear, the real Martin Guerre arrives in the last second of the trial, the real Jack Sommersby does not return. Instead, the drama plays around if "Jack" will hang for the crime of impersonating the real one or hang for a crime that the real Jack committed. That conflict, and his final choice is vastly more interesting than that of Martin Guerre. Martin Guerre never gives up his fight, he has all to loose. "Jack Sommersby" takes a stand and denounces his past but pays the price for it. The role of the wife, as played masterly by Jodie Foster, is much more important in "Sommersby" than in "...Martin Guerre".The acting is sensitive and expresses the persons inner agony in every blink of the eyes. This is a movie I have seen three times, and I am sure that I will see it several times again.

One of my favorite films. Just a note to the viewers who have questioned the role of a "black judge" during this period of history. They certainly existed and handled all manner of cases. A note from an article in the NY Times follows: Special Correspondence THE NEW YORK TIMES.February 8, 1903, SundayPage 34, 859 wordsCHARLESTON, S. C., Feb. 5. -- During the reconstruction period in South Carolina, which followed the close of the civil war, the management of State affairs for a time was left to the tender mercies of the Negro. Officers who served with the Governor were Negroes, there were Negro Judges, and practically every county in the State had its black representatives in the General Assembly. [ END OF FIRST PARAGRAPH ]

This is an okay film romance set in the South just after the Civil War. A husband returns from the war but he doesn't seem "right"--he looks a tiny bit different and acts too nice to be the same man. Eventually, this all comes to a head in a confrontation that might lead to the man's incarceration or execution. The sad thing is, his wife prefers this new man and would rather have him than the man who left for the war.Technically, this is a pretty good film but certainly not a great film. The problem I have with it, though, is that this is a remake of the French film THE RETURN OF MARTIN GUERRE--a TRUE account of a story like SOMMERSBY that occurred several hundred years ago. This Gérard Depardieu film is better acted and written, but also less "glossy". I recommend that if the story sounds interesting, why not just see the original since it is the better film.

Part of why this movie resonated so much with me was that I saw it right before I got married, and I thought, now THAT'S the kind of commitment a marriage needs. This is a rather sweet tale of love and sacrifice. Admittedly, it's a bit far fetched at times, but if you buy into it, it is a rewarding movie.John Robert "Jack" Sommersby (Richard Gere) went off to fight the Civil War, as did many plantation owners in the South, leaving his wife, Laurel (Jody Foster)and son (Brett Kelley) behind. Laurel is a resourceful woman, and she manages the farm on her own. When Jack is presumed dead, Laurel starts a relationship with her neighbor Orin (Bill Pullman). Consequently, neither of them is particularly happy when Jack turns up at the plantation after the war, Laurel because Jack didn't treat her very well, and Orin because he wants Laurel. Still, Laurel feels she must honor her marriage vows, and breaks things off with Orin, who, being a rather poor sport, remains a continual thorn in Jack's side. However, Laurel starts noticing that Jack is much different than when he left for the war. He is kinder, more loving, treats her and their son much better. She actually starts to fall in love with him. The farm prospers and Laurel gives birth to a baby girl that they name Rachel. And then one day, Jack is accused of murdering someone during the war. Suddenly the question of his identity becomes all important, because Jack Sommersby is guilty of murder, of that there is no question. But if this man is someone else pretending to be Jack Sommersby, then he is innocent. Of course, if he isn't Jack Sommersby, then Laurel's reputation is shot, as is Rachel's. Who is this man that has been living with Laurel? Who will he choose to be?It's a rather intriguing premise, as by the end of the movie, Jack is in a no win situation, and his choice may not be what the viewer would expect. Still, the story is presented in such a way that you understand both Jack's choice in spite of what he must sacrifice and Laurel's willingness to stand by him in spite of what she must sacrifice. This makes for a most satisfying ending.The acting was excellent. Gere gives a moving portrait of a man who discovers love, and discovers that love requires a nobility that he hadn't realized he was capable of. Foster's performance shows Laurel's quiet determination to get through whatever she has to and survive as best she can. Pullman's Orin comes off as increasingly whiny and spoiled, which works well for the character he creates. James Earl Jones' judge is an excellent rendering. Of the smaller roles, the most notable is William Windom as the Reverend Powell, showing us that once again, no matter how small the part, he will give it his all.Admittedly this is a tear jerker. I choke up just thinking of the ending. But it is ultimately a tale of nobility and sacrifice showing that sometimes we must sacrifice all to safeguard those we love.