Under Suspicion (1991)

This British mystery film starred Liam Neeson and Laura San Giacomo (Pretty Woman) in an early the 1990s. While the film is set in Brighton, England in the late 1950s, the film has a startling mystery to solve as to who killed a famed art collector and the private detective's wife. I was stunned by the ending of the film itself. While the film steers the audience to one direction, the absolute truth wins in the end. I have to say that the film haunts you long after you watch it. Laura San Giacomo is an under-appreciated actress who wasn't utilized much as should have been. When she is on screen, she is captivating even in the end. Liam Neeson also does a fabulous job in this role as the private detective accused of murder. You should just have to be surprised!

A great cast of British actors in this colour film noir style thriller from the early 90s. Neeson plays a private eye in Brighton in the early 50s when they needed evidence of adultery for divorces. I won't spoil the plot but it is a good movie and very nostalgic for those who love the old British films of the 50s. Has a bit of Hitchcock about it with a hint of Albert Finney's "Gumshoe" without the black comedy. I watched this movie being shot on outside location Portmerrion of "The Prisoner" fame in 1990/1. It is a good plot and one of Neeson's early meaty roles before he hit the big time as Schindler. I guess I must invest in a DVD player that can show region 1 and I can enjoy this movie again.Unfortunately not out on DVD in the UK which should be rectified.

Under Suspicion seems OK until the end, that's when they break with a film making (or indeed story telling) tradition and screw with the viewer in order to create a twist.A twist that you don't see coming, not because there isn't evidence for it, not because it's not obvious, but because of the audiences POV in the film.While the twist is for this reason unexpected it also loses the audiences trust, they have been lied to and cheated. This also has the effect of making the ending an unhappy one.Before the ending it's enjoyable enough although we are asked to swallow some rather unlikely things including possibly the closest life and death 'save' in movie history. (not to mention a justice system that seems extremely speedy)There would also seem to be a plot hole in that an extremely valuable and lucrative piece of evidence (possibly the reason for the crime) is seemingly sacrificed to save someone when no doubt other evidence could have proved effective.Another hole is Angeline seeing both sides of a building while seeing fine detail far away in the dark.

Liam Neeson is "Under Suspicion" for murdering his wife and a client in this 1991 little known film also starring Laura San Giacomo. This is one of those films one rents and all too rarely realizes that they have found an unsung treasure.Set in England in 1959-60, Neeson plays an police officer, Tony Aaron. While on assignment with his partner Frank guarding the home of a wealthy man who is out of town, Tony takes time out to have a dalliance with the owner's wife. In the fray that erupts when he's nearly caught by her husband, another officer is killed. Tony is pressured to resign and when he leaves, he only has one friend left - his partner Frank. Tony becomes a low-life private detective who helps clients fake adultery in order to have grounds for divorce. To do this, Tony uses his own wife, Hazel, the woman of the above dalliance, as the "other woman." One night, he does the usual thing of entering the hotel room with a camera and surprising the client and Hazel in bed when he discovers that both have been brutally murdered. He immediately becomes a suspect, though he trails along with his ex-partner during the investigation and discovers some other suspects - not only who had a reason to knock off the artist, but who had plenty of reason to frame Tony for the crime.This is a very well produced and directed film with brilliant construction. The detail in evoking the atmosphere of the late '50s is wonderful, and if there were ever a film that deserved a "best costumes" nomination for an Oscar, this is it.The acting is all around very good, with a good deal of the film's budget going to Liam Neeson, who back then was a prolific actor two years from superstardom. Neeson is terrific as a loser who has made one mistake after another so that a noose around his neck seems appropriate. Yet there's something likable about him, and earnest, too, so that the audience feels that though he may not have been able to keep his pants zipped, at heart he's not a bad guy. Laura San Giacomo, who has enjoyed an okay film career but is now best known for her work in the TV series "Just Shoot Me" is very effective as the mysterious mistress whom Tony suspects may have had something to do with her boyfriend's murder. Kenneth Cranham, a very familiar face in British productions, is excellent as Tony's loyal ex-partner, who risks his own job protecting his friend. An absolutely gorgeous woman, Alphonsia Emmanuel, plays Stasio's wife and does a good job in a role that, were she not so beautiful, would probably not have been noticed.Any film that has me yelling out loud at the screen at 3 a.m. is a good movie in my book. That's the level of suspense that "Under Suspicion" has - if you have a weak heart, take medication first. It's absolutely thrilling.