EVA (2011)

This one was like a soft wine, or a good book. As an entry-level sci-fi, it was balanced in all aspects. The logic is sturdy, the special effects are amazing, but not opulent, the dialog and acting are just so natural. If You've seen a few dramas, and love stories, it will probably not make You weep, and if You've seen a bit of sci-fi, it will not blow Your mind with mindfokk concepts. It will not keep You on the edge of the seat all the time either, but it has pleasant pacing and fluctuations appropriate for the concept. In the end, like a story well told, it will leave You with an induced state of thoughtful emotion. And I think, that is what art is all about.

Eva is an amazing story about Artificial Intelligence and technology.The future it takes place in is not so far away, as we already made huge progress in artificial intelligence.It's a wonderful story of a little girl who assist a guy who design intelligent robots.The landscape is beautiful, the storyline is perfect, and the suspense is kept until the end.And at the end, you know that...Well, watch the film for a huge surprise ! :)This movie can be watch by anybody in the family, to daughter to grandma.It's a good idea of where the technology will take us, without being dramatic as Terminator.

The moment I saw the trailer I knew where the writer and director were going with this. I knew how it would end and what the big reveal would be. Yet I liked the visual and I wanted to see a non-Hollywood film, so I gave it a try. Boy, was this a painful experience.First of all, we learn nothing about the characters from the beginning or even in what year the film's taking place. If I don't know who the characters are and there are not even hints about their relations, why should I be invested? Why should I care? Imagine you walk into a store and a cashier looks at you for 20 seconds. Is that supposed to mean something? Should I care? No, because it's not someone you met before. The moment you turn around that cashier will be forgotten. And that's just what is going on in this film. From the very beginning there's nothing but long shots of people looking at each other. It might mean something to the characters, and it probably does, but that means nothing to the viewers watching the film. There is a scene where the main character is looking at a woman for 20 or 30 seconds. We don't know who she is, what their history is and their relationship. We don't even know whether there is one. By the time I learnt anything about the characters, I was not interested anymore.Then there are long exterior shots. Do we really need to see someone drive a long way on an icy road, parking their car, turning off the engine, getting out of the car, locking the door and walking to a building? All that in about 3 minutes of time? What is it supposed to accomplish? Or long shots of the town the film is taking place in? OK, it's nice and covered in snow. What else did you need to say about it that you repeated the shot several times? I won't spoil the big twist, but if you've ever seen a film regarding creation of androids, you'll know it by the time the trailer finishes.The acting is OK, but the main male lead is just dull and irritatingly boring. I couldn't stand him. The rest of the cast do their jobs well, but they are basically forgettable. And yes, that includes the character of Eva.I couldn't wait for the film to end. It's tedious, painfully slow and unoriginal. It's got pretty visuals, but that's about it.I respect independent filmmakers for their efforts and not so rarely they succeed. But this film just felt like a Hollywood production that's trying to pretend it's artsy by having long slow camera movements. A bit faster pace would have helped this time.

A Febiofest screening of this 12 Goya Awards nominated film (with 3 minor wins, includes a BEST SUPPORTING ACTOR win for Lluís Homar, an interesting pick, and a NEW DIRECTOR win for Kike Maíllo), a so-called robot drama has its own glossy moments with a snazzy demeanor of the artificial intelligence simulation gambits (from an engrossing opening credit, an extremely cute robot cat, an efficient robo-servant, Mr. Homar it is, with an adjustable intelligence range). But a prototype of sentimental love triangle gives away its cheeky bathos, eventually all the zeal gathered in the first half falls flat, noticeably with an unexplained motivation of Adam's escape from the previous scientific project. So all the rekindled chemistry is just as willful and affected as some TV-drama schlock.How the director tackles with the intriguing human Vs. machine topic? A father-daughter affinity is equivocally evocative and claimed to be the best the whole team behind could conspire. With a cutting-edge technology advance located in the unknown future, the film itself is clearly outdated with a least-favored 1990's narcissism in its histrionic screenplay. The opening sequence has betrayed the imminent repercussion in an unwise way, the so-called secrecy of the film has been hinted several times and brainily doubted in a bathtub scene, which could be the only spark in the plot. The cast is doing well considering nothing extraordinary is laid there, with regard to Homar's winning, a career-achievement accomplishment is the only reasonable speculation by far.A tangible moment arrives when David Bowie's Space Oddity which is thrillingly fitting for the whole scenery being played during a bar scene, after that, the film leaps into an abyss of sloppiness and bereft of novelty and it's a point of no return.