Little Accidents (2014)

"You gonna be the big shot that closes down the Bonford Coal Company? We lost men in there. I'd keep to myself, if I was you. Just keep telling them you don't remember. Try to get back to work, back to being productive."You made plans for a cozy movie night ? Are you sitting all comfortably in your seat buried under bags of chips and a bottle of Coca-Cola at your fingertips? Then I advise you to put on another movie than "Little accidents" because this movie won't make you happy. Not even a little bit. It shows a series of truly sad and depressing circumstances and occurrences. A fatal mine accident leaving 10 miners dead, an unfortunate incident with consequences, the wrenching dilemmas, the immense grief after losing a loved one, not knowing what's the fate of a missing person and the misunderstanding within a marriage. It's all included in this social drama, set in a dying town that looks so gray as if it was covered by a layer of coal dust. A story about two people in this "village without a future" whose lives run parallel, without them realizing it, with several points of contact : a dramatic event, the grueling truth that they keep secret and the decision whether or not to reveal it. Eventually, these parallel lines intersect and end in the same way."Little Accidents" is a melodrama in which various interest groups are diametrically opposed to each other. On the one hand you have the working people whose lives depend on whether or not they close the Bonford Coal Company. And on the other you have the representatives of the victims and the unions who want to sue the company for negligence and pursuit of profit on the back of the underprivileged workers, making them work in hazardous conditions. Just like Amos Jenkins (Boyd Holbrook) did. He's the sole survivor of the mine accident. After a rehab, he returned to his town in West Virginia and finds himself immediately confronted with this dilemma. He's constantly harassed by both interest groups. At the same time we meet Owen Briggs (Jacob Lofland), son of one of the victims in this mine disaster. His mother Kendra (Chloë Sevigny) tries to pick up the thread again, while Owen takes care of his younger brother James (Beau Wright), an endearing little boy who has Down syndrome. Although Kendra overwhelms both boys with electronic gizmo's, Owen is still struggling to integrate into the community and seeks the company of a group of young people who in the end only bully and exploit him.The central figure of this group of young people is JT Doyle (Travis Tope), son of Bill (Josh Lucas) and Diane Doyle (Elizabeth Banks), leader and the one who turns up to be missing one day. The only one who knows the true facts about this disappearance, is Owen. But anxiously he keeps his mouth shut about it. This ensures the parents of JT facing a period of long waiting for the outcome of the investigation. The reason why this secret remains with Owen, is the fact that JT's father is one of the board members of the coal mine, who could be responsible for the fatal accident. Probably Owen thinks he could be accused of acting in an act of revenge. The moment the statement of lightning will be seen as untrue, his position as a director of this company will be practically untenable. Diane suffers the most under the disappearance of her son, while father Bill launches himself entirely into his work, and feels more and more neglected which leads to a surprising affair. The result is that the lives of Amos, Owen and Diana get intermingled because of these circumstances. It's a pretty depressing film. Don't expect smiling faces. It feels more like a competition in "who looks the most depressing". Holbrook plays a surprising role as the half-crippled laborer who's facing a difficult choice. The choice between the relatives of the victims and the non-affected who still benefit from the fact that the only industry in their town still exists. The helplessness and at the same time the shame of being the only survivor, is written all over his face. "It was a waste to save me,if you think about it. I ain't got no family, no kids."as he admitted himself. Also Lofland (known for his role as a helpful teen in "Mud") plays an outstanding role. That intolerable burden he's carrying is played by him in a masterful way. Even in the quiet moments you can see that suffering. Elizabeth Banks (known as Effie Trinket in "The Hunger Games" and as Lydia Mercer in "Man on a Ledge") manages to bring a difficult role to a successful conclusion. She has no problems to bring a mix of diverse emotions: pride, despair, reconciliation, loneliness and dejection. All in all a talented cast. "Little accidents" isn't a perfect film and has a tendency to become cheesy. It's only sadness you witness and some used themes aren't very original. After a while I got the feeling that it surely was overly packed with gloomy events. But in retrospect you can only admit that this is just part of everyday life. However, the lived through renditions and worked out characters ensure that this gloomy and dark film still makes a good impression. In other words, a wonderful film that shows how disaster can strike mercilessly. More reviews here : http://opinion-as-a-moviefreak.blogspot.be

Saw premier of Little Accidents last night at Marquee Cinemas in Beckley WV. This movie was filmed locally and is a deeply moving story of the aftermath of a mining accident. The emotional punch of the character's stories is gut felt and stays with you long after the movie has ended. We in Raleigh Co WV are so excited that director Sara Colangelo wrote and directed such a poignant, realistic view of the locale and personality of the characters without staging "hillbilly" attributes. The locations are real and so are the actor's portrayals of the characters. Excellent acting by cast. This director has talented eye for the artistry of a scene as every scene was beautifully staged. We were dumbfounded she chose to attend the premier here, where she worked directing! Definitely a winner!! R. Absher

This could be the title. Although this title would seem a bit trite. It would still be accurate. There are several unfortunate little accidents in this tale. The first involves the mine collapsing on top of the 11 miners. At least, this is called an accident on the surface.......lol...Sorry I couldn't resist. But once you get to the...bottom...of the matter...you learn that Management's tale was definitely not very sturdy....It's difficult to identify the protagonist of the story at first, but you ultimately settle on Jenkins. He was the only one who survived the "accident". He does get some action from the slutty cheerleader Mom, whose son died in the first five minutes...Any way, it's a sad story all around. Working in a mine can be very...dreary....

"What do you think it's like to die?" Owen (Jacob Lofland) It's a given that tragic death in a small town stays forever, impinging on virtually every life now and hereafter. First-time writer-director Sara Colangelo's Little Accidents, set in a coal town, echoes The Sweet Hereafter's frozen aftermath of children's deaths aboard a bus plunging into a pond. Both involve decisions to reveal or not the culpable parties; both intercut among those players who are most affected by the tragedy.Young Owen (Jacob Lofland) witnesses the death of JT (Travis Tope) and hides the truth. JT is the son of manager Bill Doyle (Josh Lucas) and Owen is a deceased coal miner's son. The accident that killed his dad and nine others is under investigation as the union fights to suppress testimony from conflicted survivor Amos (Boyd Holbrook, who reminds me of Keith Carradine) that would incriminate the coal company and shut down the mine.You can see the inter-connections, as is true in any small town, and the inherent conflicts, exacerbated by the closeness and the sometimes illicit connections, such as JT's mom, Diana Doyle (Elizabeth Banks), and Amos. Colangelo keeps the plot slowly moving ahead while some characters and events border on the formulaic. When Owen helps Diana with her garden, the plot takes an unfortunate contrivance tack. Yet the drama is still effectively bound to us as figurative for communal responsibility and domino-effect relationships and tragedies.Cinematographer Rachel Morrison effectively creates the working-class milieu, much as in Out of the furnace, in part because she uses a great deal of natural light reinforced by old-fashioned 35mm film. It's not a gloomy world, just one dominated by grey skies and dim futures. No sunshine can mitigate the sense of loss pervading the town. These Accidents are hardly little.