Blunt Force Trauma (2015)

The most annoying part of the entire movie is the annoying songs they play every now an then at the most random times without any feel to it, and the lyrics itself doesn't even match, and throughout the entire movie i was more frustrated listening to those songs that i couldn't even focus on the movie, the movie would have been rated 5+ if all they had was subtitles!!!! and as for the rest of it what annoyed me the most was the ending, all that hype and in the end they just ended it without any decent conclusion or at least something that points to it, there are some movies that have open endings like this, but this..... is just a complete failure. i know he lead character wins as shown in that video during credits, but for the way the story was going this is just a disappointing ending in my opinion

Pistol duel in wild west is always enigmatically and brutally interesting, "Blunt Force Trauma" transitions that rugged charm to the modern era with Kevlar and Colt. This is one simple theme used in pretty exciting way, also delivered by adequately dependable leads, yet the pacing isn't as rapid as the flying bullets.John (Ryan Kwanten) is a participant in underground pistol duel, he rises up in ranks fast in order to challenge the legendary Zorringer (Mickey Rourke). Along the way he meets up with Colt (Freida Pinto), a woman trying to avenge his brother against a man allegedly cheated in the duel. The set-up is good, the unique game-like quality gives an roguish appeal to the character and South American setting.Ryan Kwanten is a capable lead, he looks psychically impressive and certainly brings the rowdy cowboy persona. Freida Pinto as his counterpart is a good match, they have a nice chemistry and quite believable as two person taking a hazardous trip together. The romance angle works out fine as well, not undermining the serious tone or become too cheesy. The rest of the cast, sadly, are not given too much screen time, including Mickey Rourke, and it makes the scale seems too small.Dialogues can be rough around the edges, it tries to be poetically engaging but only succeeds half of the time. Some of the lines are too awkwardly put together, not to mention the momentum halts in the midway point. Its gunslinging parts are intriguing, mostly because it's simple and effective in grabbing people's attention. This could've been done more stylish by introducing outlandish characters, but the movie feels a bit restrained to capitalize on its premise.The act of two persons in duel is primal and basic, a nifty way to engage viewers and the leads cater to such effort, however the pace is unable to reach the full velocity.

If you get bruises, it means you felt something. For the longest times in this, it feels like ... nothing. While our main character struggles to explain what can not be explained, we get a second story line with the gorgeous and talented Freida Pinto. The ensuing love story is not the most believable you'll have seen. But it serves its purpose (killing time and establishing another character besides our main man).Unfortunately not many things work in its favor here. The ending (which seems blurred, but I guess if you look closely enough you might be able to see something and if you still care have an opinion about it) will split the opinion many viewers will have. Rightfully so I think. Watch it if you don't expect much ...

The concept was wonderful.A strange combination of Hard Times and Quick and the Dead, with a touch of Mad Max ... hard to mess up.But mess up they did.There are two schools of film criticism. The "auteur" school insists that, before taking pen to paper, you understand everything about the director and writer, to better appreciate what was intended.The second school does not care what was intended, just what shows up on screen.Using the yardstick from the second school, I see a film that almost goes out of its way to detract from its own power, to minimize its own kick, to alienate the audience at every opportunity.The dialog is wretched. The direction so bad as to be perverse and peevish. Ironically Ryan Kwantan and the stunning Freida Pinto are well cast, and in the proper circumstances could have delivered the goods. But like sacrificial pawns in a chess game, their efforts are hampered at every turn.The sound director in particular should be ashamed. The director chose for unknown reasons to have the characters speak softly all the time, possibly to generate "realism." All this generates is a headache, especially since the soundman allowed every possible noise to block out what the characters were actually saying.This reviewer almost never looks at a film and wonders aloud how much better it would have been if the Hollywood machine had gotten hold of it...? This one is the exception to the rule.