The Taking of Tiger Mountain (2014)

Positive: Good CGI, enough to make it a barely believable background and action scenes, but not great. Loosely based (meaning embellished for entertainment purposes) on post WWII varying factions vying for power in China as Japanese occupiers were being driven out. Neutral: Interesting tie in with contemporary descendant revisiting and re-imagining that period. Acting, dialogue, script, filming, all acceptable and pretty standard, straightforward, but nothing jumps out as being incredible. It almost felt as if it was a Communist Party sponsored politically correct promotional film. Rather than being a serious historical docudrama it seemed more like a lighthearted fantasy story. Negative: If looking for historical accuracy, then other than someone infiltrating a gang to spy with some sort of positive outcome for his efforts, it came across as an imaginative fantasy which may be all that a viewer is interested in. Misleading cover art.

Taking Tiger Mountain by Strategy 3D directed by Tsui Hark has been released in mainland long ago, while it is going to be released in Hong Kong on May14th.Reproducing a model opera of the Cultural Revolution, the skilled are bold.The movie began with "New York 2015" and I supposed I had come to the wrong cinema. It turns out that it had something to do with Tsui Hark's affection, that he first got to know the Beijing opera Taking Tiger Mountain by Strategy in New York, therefore, the movie is arranged with some foreign citizens of Chinese origin singing karaoke and the television mistakenly showed Taking Tiger Mountain by Strategy, on the screen a person asked contemptuously, "What's that?" Actually, the movie had been playing nice. If it comes into reality, the person must have yelled out loudly.Tsui Hark was very clear about this of course, so I was wondering how he would reverse negative impression of those people (exactly we audiences) on Taking Tiger Mountain by Strategy—strong political complexion,old-fashion and out of date.Tsui Hark chose 3D.But 3D is not a panacea. Ring 3D in Japan suffered a crushing failure.Bullet passing through slowly and stop in a moment, then the scene circling back have been applied in Matrix in 1999. The 3D of Taking Tiger Mountain by Strategy would not make any better. When ravens were flying over indoors, I could not help laughing out, for it was too similar to the owls in Harry Porter series.By the way, I could not recognize Tony Leung who acted as a bandit "Hawk". But wearing a fake nose is actually again a copy from Nicole Kidman in The Hours.In the end, I found it was only my own wishful thinking that Taking Tiger Mountain by Strategy 3D would make a breakthrough apart from 3D. I can accept the protagonist is National Liberation Army and the dialogues are full of northeast dialect, but I cannot accept the movie "sticks to the original" to consecrate characters to serve politics. On the side of the protagonist, even girls and little children were loyal and courageous, having excellent marksmanship and extraordinary skills. They could catch a bandit standing guard on high by throwing up a rope; and the protagonist could fly to a snow mountain of thousands meter high by a rope.It is really not worshiping and having blind faith in foreign things. James Bond has extraordinary skills, but he can manages to make the impossible possible, to make me believe, make me stop querying and engage to movie world. Furthermore, though he has extraordinary skills, James Bond has his weakness, which makes him more human.

Every December, in the China mainland, is the protective month for Chinese productions in local multiplexes, practically all the foreign tent-poles are pushed back and it is also the most profitable period for this vastly booming market. This year, the two main contenders are GONE WITH THE BULLETS (2014), Wen Jiang's much-hyped follow-up to the massively successful LET THE BULLETS FLY (2010, 8/10) and this Hark Tsui's latest offer of a 3D spectacle retelling a legendary battle during the period of Chinese Civil war. Nevertheless the former receives some unexpected backlash from critics and audience, which prompts me to pick the latter, plus I am bringing my parents, who will feel more related to the story since they know the original tale very well. Much exceeding my expectation, this is by far the most amazing 3D Chinese film I have ever watched in the theater, breathtakingly sets out the vast North East snowfield where the story unfolds, without compromising the luminance of the screen. Despite that the film starts with a modern-day prologue in New York, which inconveniently enforces a weird sense of incongruity with the main event, the first impression is pretty awesome, however, this subplot will continue to distract viewers out of the picture every so often and largely banks on heart-throb Gen Han's presence. The story takes place in 1947, a Communist detachment named 203 lead by Jianbo (Kenny Lin) fights against the bandit chieftain Cinereous Vulture (Leung), who takes over the Tiger Mountain with his eight warriors and thousands of bandits, plus heavy arms left by Japanese after the Anti-Japanese War (1937-1945), including artilleries, cannons and a tank. Hogging the vantage point, they constantly attacks the villages nearby and becomes a major threat in the turf. Whereas the detachment has only 30 soldiers altogether with much lighter weaponry. There is only one way to win this battle against heavy odds, to circumvent the head-on confrontation and outwit the enemy by an audacious sneak attack. So Zirong Yang (Hanyu Zhang), a singular soldier, proposes an undercover scheme, he volunteers to infiltrate into the gang and look for a weak link in their defense system, so they can capture them all at one swoop. The mission is an adventurous one full of pitfalls and any small slip will cost Yang's life, Hanyu Zhang embodies this lone hero bravura with enthralling excitement and poise, confidently delivers bandit's cant and liberates his masculine charisma as a military man. Hong Kong veteran Tony Ka Fai Leung, almost unrecognizable here as the villain, easily stands out with his flashy and distinctive outfits, so is his eight warriors, all have been upgraded with eye-popping apparel and apparatuses. By contrast, the Communist soldiers are far more plain and conventional. Kenny Lin outstrips his youthful greenness, strenuously leaves an impression of being mature and serious. With six screenwriters credited, they enrich the film with adequate suspense, sporadic humor, the routine sacrifice and female presence (e.g. Nan Yu owns her dramatic outburst in a crudely sketched characterization). Hark Tsui has ventured into 3D technology since two DETECTIVE DEE films and the dismaying FLYING SWORDS OF DRAGON GATE (2011, 3/10), so finally he reaches the benchmark with this one, along with the dashing bullets and grenades slo-motion, he also schemes a prolonged alternative ending after the credits, just to show that now the industrial special effects craftsmanship is no interior compared with the Hollywood criterion. One can grudge about the final coup de main is way too easy to accomplish, but for anyone who is familiar with the current status of Chinese cinema, it is a good relief we can dish up such an entertaining blockbuster independently, and its box-office prospect is quite promising too, a sure-fire to reach a career-high for the maestro Hark after 35 years in the line.

There used to have a very pop nostalgia song, named: where the \flowers\ GONE?IT'S to describe the girls ever took some good or bad past of the boy's love,and love..at the first place.But IN China, the NATION's name CHONG HUA(Beauty flowers) upon to describe the HEROES OF THE LAND. who ever lived. Fight.Smile.Blood.Die...IS IT beautiful ?I think so..Whatever Those /heroes/ fight for,die for..Come back to this Director XU's new stunt Movie, IT'S GOOD.IT'S a movie can hold your attention all the two hours. it's quite hard to do that now days. Especially for a Chinese movie..THAT'S ALL. for a movie. And for C.LEO's Review.