Black Butterflies (2011)

Black Butterflies, a picture of the life of Ingrid Jonker (Carice van Houten) in South Africa during the years of Apartheid is a movie that leaves many impressions. She was a poet & the daughter of a South African MP or representative of an electoral district. Born to privilege, her mother died in an asylum she herself would later be admitted to herself. She showed signs of mental illness all her life & spent many of her days self medicating with sex & alcohol. Yet her talent with words is well documented in her poems.Being in conflict with her father's political beliefs she suffered an estrangement from him even when in the same room. It is well known that daughters who fail to receive the love they need from living fathers often turn to other men for love & approval. Sex, being the mechanism they try to use to obtain that that they lacked growing up, creating unstable relationships in their adult life too. They become a burden to those around them & not the first person you'd seek as a friend. Her choices as an adult leave a lot to be desired. Even her own daughter who she chose to leave motherless was used more as a crutch than an object of love & responsibility.She lived a life of mental turmoil in a country of extreme prejudice & hated that inequality. Unable to forget or assuage the pain of her circumstances, that pain grew over the years to choke her. Yet she became the voice of those that were declared less than human by her father's beliefs. A poem of hers was read at the first democratically elected South African Congress. It begins, "The child is not dead" She took her own life after having withstood all the pain & confusion she could in this life & that will always be controversial in this world. Who is to judge how a person that retains constant contact with mental agony so that it builds in them year by year with little or no relief is to be seen? We call those that overcome such circumstances heroes & hope we are like them. Yet those that see the inequities in this world & summarily reject such things for themselves while seeing them clear enough to describe them in verse, having those things enter their mind through their eyes on a daily basis, what can we say of them. Ingrid was a load to carry if you knew her & quite frankly I'm glad I didn't. I'm no fan of suicide either but I find more sorrow than condemnation in her passing. It is for certain that the people of a South Africa free of Apartheid see her as worthy of praise.Carice van Houten is excellent in portraying a life made of & lived by confusion. Rutger Hauer as her father & Liam Cunningham as her main love in life are strong in their roles as well. There is little in this movie that is shot as pretty or engaging scenery with the exception of the ocean. It's not intended to be pretty either in appearance or portrayal. Nudity is included but it is tastefully done. I was tempted to turn this off early on while they were displaying Ingrid's choices in life. It was a difficult watch to get through because of my dislike for her personality & life but I was glad I hung in till the end. I give it 4 out of 5 Amazon stars overall. 5 out of 5 for making me think through my reactions to it.It only rates 6.2 at IMDb but I think a lot of people quit on this one & rated it anyway.

After the death of their grandmother, young Ingrid Jonker (Carice van Houten) and her sister Anna were given to their estranged father Abraham (Rutger Hauer). He is an overbearing father and becomes the minister of censorship. She has a baby and can't get rid of her clingy husband. One day, she's rescued by writer Jack Cope (Liam Cunningham) and they begin a stormy affair.Maybe there is a compelling story in this person's bio. They didn't find it in this movie. Director Paula van der Oest has put in a lot of poetry and made a boring melodrama. The story has no excitement. Rutger Hauer plays domineering father well but he lacks menace and screen time. Ingrid Jonker's life is a mess and that's really all I got out of the movie.

"Black Butterflies", a biographical drama imagining the life and times of famed Afrikaner poet Ingrid Jonker (played with a distracting non-afrikaans accent by Carice van Houten), ventures through uneasy territory of a manic-depressive egocentric leech, who happens per chance to also be a brilliant poet. Focused mainly around her tentative affair with acclaimed novelist Jack Cope (Liam Cunningham), it also features subplots regarding her promiscuous behaviour and romance with Eugene Maritz (Nicholas Pauling), de facto a cryptic Andre Brink, and her conflicted relationship with her father Abraham Jonker (Rutger Hauer), who headed the censorship department of the Apartheid government.Through her tribulations (without much trials) the audience in swept into the demented and self-absorbed world of the poet with destructive tendencies and little more than a fleeting regard for anything outside of her own virtual obsessions and hyperbolized melodrama. Director Paula van der Oest and scriptwriter Greg Latter leave little sympathy for Ingrid Jonker, portraying her as compulsive, impulsive, bordering on alcoholic, accusatory in nature, morally repugnant with overwhelming inclinations towards destroying everything around her during her turbulent emotional whirlwinds, including overwhelming contemptuous disregard towards her own child. Nonetheless Ingrid remains fascinating and magnetic as a poet epitomised by her internal contradictions and fragility. If this movie was aimed at being an elegy towards the revered writer, than sadly it has failed. But as a character study of a troubled and turbulent individual, which by teasing brilliance ends up spiralling into despair and manic annihilation, it is a captivating experience.Despite her obvious issues with keeping an accent and the resulting meandering articulation Carice van Houten still manages to convey the obsessive Ingrid with her crippling character disorders. Nonetheless, despite much more limited screen time, she is indiscriminately overshadowed by Liam Cunningham and Rutger Hauer, who come en force in their respective roles. Nonetheless, script-wise the interactions between father and daughter feel dauntlessly underlined, not following through on the key importance of this relationship to Jonker's writings. Filtered through some brilliant cinematography and restrained direction with a touch of poetic artistry, the overall experience was extremely enticing, even if the divisive character of Ingrid Jonker is bound to push all the wrong buttons for many viewers.

Butterflies tries to show us the hardship of the poet Ingrid Jonker in the 50's and 60's in South Africa; her social and mental struggles and the clashes with her family. Striving for equality between the races, she finds herself opposed to her father who heads up a government censorship board. This could have been a good backdrop for some decent drama and the portrayal of a country raped by apartheid. But besides shoving an unlikable protagonist down our throats (Jonker), the film offered very little in the way of plot and dialog. What was presented in stead was a 90 minute volley of uneasy situations with Jonker interacting with characters who turned up whenever the script required it without a plot-inspired narrative flow. The connections to her surrounding characters are never really explored and the development of situations felt awkwardly and needlessly rushed. The interactions between Jonker and her father for example, which should have been key scenes in the film, lacked any additional purpose besides the very obvious. Screenwriter Greg Latter, who did much better when he wrote the screenplay for the 2007 movie Forgiveness, also set in South Africa, really missed the mark here by only serving up predictable dialog for a historical drama that already lacked a discernible outline.Neither van Houten nor Hauer were particularly convincing in their roles and the acting by Liam Cunningham made their performances pale in comparison. But it was most of all van Houten who clearly wasn't up to the task. Her crass Dutch accent was particularly annoying, especially considering how easy it should be for a Dutch actress to get the S.A. accent right. Her acting also felt a bit labored at times which was compounded by her role mostly being fed dramatic clichés.There's a good soundtrack however, accompanying some very beautiful imagery but the movie as a whole is a rather lackluster and exasperating watch. 45/100