My Piece of the Pie (2011)

Karin Viard is a major star, and Lellouche comes across well too in this social comedy, which is not really a satire. Viard is a girl of the soil who worked in a solid factory all her life, only to have it ruined by resurgent China and the container business. She tries to kill herself, and her three daughters and sister rally round her until she decides to try her luck in Paris, at a school for cleaners where she pretends to be foreign. She ends up working for a complete tosser, in fact the stock speculator who destroyed her factory without giving a thought to the workers. It takes her a long time to find out, and when she does, she is in bed with the jerk and they've just had tremendous sex, something he of course jokes about on the phone, overheard by her. When his toddler son disappears she has the idea of kidnapping him off to Dunkerque to get the tosser over there and face the music. Both actors perform extremely well and the film sweeps you away with the goodness of "France" and the cynical wickedness of "Steve". Thoroughly recommended.

Apologies for the short review but I felt I needed to react to the few other reviews.I really loved the movie and recognised Klapish's style straight away. The actors act just right and give a really good depth to the characters. The dialogues are excellent and especially the conversations at the boring drinks with other financiers/traders were as if they were taken from my own experience! My only criticism, SPOILER, is that I thought the end was a bit too fast and a bit too much of a shortcut. I am not sure if it is laziness but a few more minutes would have been good.That said the fact I didn't want it to end just shows how enjoyable this movie is!

Puzzled by the negative reviews of this truly amazing movie about class issues - the way wealthy people live in a "virtual world" where real people are somehow not affected by their decisions to make more money based on the flick of a button on a computer. The film is about how poor people have a necessary need to come together and fight back. Her decision to take the child to Dunkirk in order to get him to face what he has done (buying a business in order to destroy it; shades of Mitt Romney at Bain Capital) allows the community to come together to try to protect her. It's also important to notice that the police are used for repressive purposes to help those in power and not to help those who are hurting.The performances are top-notch, especially Karin Viard as France. She is bold, impulsive, not always nice, bright, intuitive, curious - a fully rounded woman trying to cope with dire economic circumstances.Far from lazy, Cedric Klapisch does a fantastic job of moving back & forth between two very different worlds of haves and have-nots - in fact, I found myself completely engrossed in both worlds inhabited in this film.My interest didn't lag for a single moment. I highly recommend that you see for yourselves and look at it from the p.o.v. not of "reality", but of possibility. I absolutely loved this movie!!! (: Enjoy!

I had not great expectations for 'Ma part du gâteau'. France, 42, raising her 4 daughters alone, loses her job and goes on to work as a maid for a big bad trader. The premise seemed interesting and Klapisch certainly knows how to tell simple stories in a lively manner. But the title is really dumb and dull and I was unable to remember it for the couple of weeks prior to release. Klapisch's trademark is to use simple titles borrowed from popular phrases, but My Piece of Cake/Taking My Cut is not a visually stimulating simple idea, it's only a flat commonplace.Directors back in the Studio System could moan about not being responsible for a bad title. Klapisch, after a decade of well-deserved success, enjoys total creative control, so the title is his mistake. And it perfectly stands for the big flaws, the failure to build up something really engaging on this interesting premise.Lazy comes to my mind, yet that may be too harsh on Klapisch. He excels at brisk light comedies and may well have gone out of his league here in this attempt at social satire. If you look back at Klapisch movies, starting with 'Le Péril Jeune', you realize their strength is simplicity and rhythm. He tried his style on something more serious and under delivers. Worse, he totally misses the mark.Lazy is however the right word for an 'auteur' who earned his spot at the top, with the power to shoot whatever he wants. OK, fashionable 'auteurs' like Cédric Klapisch end up working with too many yes-men, leaving them with little challenging creative opportunities, but that's laziness all the same. Laziness to come up with such a flimsy script on such a challenging subject matter, and laziness to cast the bland Gilles Lellouche as the hyper-realistic financial shark that should have been too fascinating for our own good.If it's not laziness, that means Klapisch has risen to his level of incompetence and will only be able to dish out the same youthful light comedies again and again.