The Man Who Loved Cat Dancing (1973)

The most romantic Burt Reynolds I've ever seen is the Burt that heads the cast of The Man Who Loved Cat Dancing. He's also dangerous and deadly when he has to be.Reynolds like James Garner is usually comic and cynical in his best remembered films. But in this one he becomes quite the romantic hero, almost like out of a romance novel especially to the object of his affection Sarah Miles.Burt heads an outlaw gang that consists of Bo Hopkins, Jack Warden, and Jay Varela and one fine day while they're robbing a train Sarah Miles crosses their path. She's running away from her husband George Hamilton, her rich husband who's paying a lot of good wages for a personal posse. Caught in the middle of all this is Wells Fargo man Lee J. Cobb.Reynolds and Miles make such a great romantic couple rarely seen in westerns. Jimmy Stewart and Debra Paget in Broken Arrow come closest to mind, but Stewart was an unabashed hero, not like Reynolds the outlaw.The title refers to the name of Reynolds's Shoshone wife Cat Dancing who died years earlier. That story is essential to understanding how Reynolds's character developed as it did. Miles is a woman who finds true love, but also gets a lot of romantic notions knocked out of a silly head.For fans of westerns and romance.

I always liked Burt Reynolds, but have generally seen him in self effacing roles that allow his humorous and devilish side come through; that's probably why "The Longest Yard" is my favorite Reynolds film. I think he handles his movie Western roles well enough, but it's not the genre I prefer seeing him in. In "The Man Who Loved Cat Dancing", Reynolds' character is a driven man on the trail to retrieve his two children from a Shoshone tribe, left behind we come to learn, after he killed the man who raped his wife, the 'Cat Dancing' character of the film's title. That he also killed his Indian bride in a jealous rage is a point that seems to be glossed over in the story, and doesn't square with the sense of honor and justice that Indian tribes maintain for their own personal conduct. I was left wondering why Jay Wesley Grobard (Reynolds) was even allowed to return to the Shoshone camp, and once there, why he wasn't called on to atone for his past. In fact, Grobard wasn't even an honorable character at the start of the movie, but a train robber who's gang is disrupted by the intrusion of a woman on the run from her husband. The story's twist is that her own name is Catherine/Cat, thereby completing the connection with the title character.Of course, Catherine's (Sarah Miles) husband hires on a tracker (Lee J. Cobb) to find his wife who he believes is kidnapped. You never get the impression that Crocker (George Hamilton) isn't a decent enough guy in his own right, only that his wife doesn't love him enough to want to stay married. With Grobard's gang, Catherine gets more than she's bargained for, having to fend off the lecherous likes of Bo Hopkins' Billy, and Jack Warden's Dawes. Dawes in particular turns out to be the vile snake of the bunch, just check how many kidney shots he gives to old Billy Boy. Reflecting back on that now, the arrival of Catherine turns out to be the undoing of just about everyone in the picture.It was cool to see Jay Silverheels in one of his last movie roles, but gee, they went kind of heavy on the old warrior makeup to portray him as Shoshone Chief Washaki. The Chief had one of the better lines in the picture as he parleyed with Grobard - "The cigar was one of the white man's good ideas" - an interesting observation. But probably the best was Billy's description of Catherine after she cleaned herself up on the trail - "Well, if she don't look as fresh as a daisy next to an outhouse"! What wonderful imagery.

The kind of cynical '70s western that might have turned John Wayne's stomach: runaway wife Sarah Miles (as Cat, née Catherine) hitches a ride with a gang of scurrilous train robbers, and ends up falling in love with their leader. Overwrought picture gives Miles in particular an insulting role (she can't even mount a horse without falling off), and Jack Warden's scummy Dawes gets a bullet wound he'll never forget, but leading man Burt Reynolds slides right through this without ever leaving a trace he was here. Outdoor locations and colorful support from Lee J. Cobb gives mangy, depressing film a slight boost. *1/2 from ****

A western that is equal or better than others westerns of its era. A strong cast with excellent performances by Jack Warren and Lee J. Cobb, it is the only Burt Reynolds movie I like. The scenery is outstanding and all the characters fit nicely in the roles and are believable. It reminds me of McCabe and Mrs. Miller but with more action The plot although not unique has its moments as the dynamics of the "gang" are played out. Burt has never been better and clearly missed his calling as a western hero, he plays the strong silent type much better than road he went down in his career.