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Endgame

Endgame (2009)

January. 18,2009
|
6.2
|
PG-13
| Drama Crime

The time is the late '80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.

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Reviews

Emmy Woodhouse
2009/01/18

I enjoyed this. It was interesting to see how a PPE graduate can use h's knowledge of politics as well as philosophy to approach a peace settlement negotiation. However, what the film missed out was the crucial role of such an undertaking. It failed to highlight precisely and factually what really happened in the mind of the regime before reaching the settlement and how concretely these meetings were related to that decision, I wish there had been more dialogue and explanations from Micheal Young's side and how he was brought to conjur up such meetings. The writing was not as dramatic as the circumstances allowed them to be . However,there were good actors, but Jonny Lee Miller played his role perfectly in that he portrayed Micheal Young in a dedicated and yet a humble player in the meetings. It was right for him to have a low profile in amongst the others, but it would have given the film more punch had he been given more dialogue in putting forward the importance of such meetings with a terrorist group. After all, the film was as much about Micheal Young's initiative as it was about the end of Apartheid. A good film on the whole.

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Roland E. Zwick
2009/01/19

"Endgame," a British film that premiered on PBS' "Masterpiece Contemporary" but also played briefly in theaters in America, provides us with a behind-the-scenes glimpse into the waning days of South African Apartheid.The time is the 1980s. While political prisoner Nelson Mandela languishes behind bars and violent uprisings rend the fabric of the nation, the white-minority Afrikaner government led by President P.W. Botha has declared the ANC (the African National Congress) to be an illegitimate terrorist organization run by communists and therefore unworthy of a seat at the table in any negotiations concerning the role of blacks in the future of South Africa. Into the breach stride a number of crucial players who are attempting – at great personal risk to themselves and their families - to bring the two opposing sides together through secretive talks being held at an estate in the English countryside. Present at that event are Michael Young (Jonny Lee Miller), a British businessman whose company has vital interests in South Africa and who sees the eventual abolishment of Apartheid as a good and necessary thing on both a professional and moral level; Thabo Mbeki (Chiwetel Ejiofor), a representative from the ANC; and Willie Esterhuyse (William Hurt), a philosophy professor who seems to see both sides of the issue and can therefore serve as an honest broker between the two factions (though the government also sees him as a potentially useful spy for its own side). Mandela (Clarke Peters) and Botha (Timothy West) also appear as characters, with the latter trying to convince the former to denounce the ANC's acts of violence, using subtle tactics of persuasion to do so.Written by Paula Milne and directed by Pete Travis, "Endgame," which is based on the book "The Fall of Apartheid" by Robert Harvey, strikes a careful balance between conversational sit-downs, where agreements are reached and terms hashed out, and the kind of breath-bating, cloak-and-dagger espionage sequences that are a crucial part of any political thriller. The characters are all thoughtful, three-dimensional men who have strong opinions on matters but who are also open to new ideas and compromise and who often have to contend with their own fears, prejudices and self-doubts before they can finally come to a workable resolution. The movie manages to be intimate in tone while, at the same time, never neglecting the broader political and social canvas against which this small-scale drama is taking place. The result is a well-acted, informative and dramatically compelling re-creation of recent history.And beyond its purely academic function, "Endgame" serves as an inspirational reminder that it sometimes takes just a handful of brave, morally decent and right-thinking people willing to forget their differences and to come together in a common cause to make the world a better place.

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egress63
2009/01/20

Well, my knowledge of Apartheid is limited to my knowledge of a personality called Nelson Mandela and that he led a non-violent struggle for equality. That's about it. So, when I saw this title and the good reviews that it had received - I decided to try it out.Unfortunately for me, I was thrown into South African history (this was expected) and I was surrounded with over 20 character (this was not expected). Botha, Thabo, Mbeki, Alie Sachs, Wille Esterhuyse, some gold consolidations organization, a PR agent - within the first twenty minutes, my head was spinning. And thus, whenever a new character came on screen, I had to press the pause button and look up Wikipedia. That is how I watched this movie.So, for the first 35 minutes or so, I spent an equal amount of time reading Wikipedia (which was not bad, I got a lot of info) but what this means is that Endgame is not meant for the viewer who is not ready to break a sweat. Unless your knowledge of South African apartheid is not up to scratch, Endgame will make little sense by itself.However, once you know the characters and their motives the movie turns into an extremely compelling drama and a case study of how negations are done. This would make a terrific add-on to a history course. It is a very educational movie and the acting by William Hurt and Chiwetel Ejiofor was excellent and very convincing. The direction was also very well done and the script writing was very effective (considering the nature of the subject).In the end, this should have been a 3-4 hour miniseries. The treatment of Apartheid with proper introduction to the major characters ought to get that much time. Unfortunately Endgame is all that we get. Go ahead and watch it - it is worth the effort.

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intelearts
2009/01/21

Shot in a manner very resonant of Frost/Nixon with outstanding editing Endgame is a fittingly unsentimental and very nicely played drama of the last days and brinkmanship of the apartheid negotiations in South Africa.With competent performances from all involved this is not overacted but rather relies on the relationships and the materials. Cutting between South Africa and the UK it tells the story of the two sides: the Afrikaans government on the one, and the ANC and Pan-African parties on the other. How they came to find a path in what was probably the most volatile of all post-colonial politics to not lead to civil war is the story. Through the efforts of an Afrikaans philosophy professor (William Hurt) and a British troubleshooter for the gold mines (Johnny Lee Miller, who is in excellent form, less manic suits him very well indeed) the players first arrange to meet, meet, and work through the issues. Filmed in South Africa (A lot of outdoor shots) and the UK, this has more story than you'd think on first sight. It has some action scenes, but in the main it is a nicely poised political drama.The film scores points for exceptional use of camera and again I have to mention the editing which is outstanding: rarely missing a beat and playing its focus on both the players and the reactions this is a first-class lesson is how film editing can make the story better and worth watching on that basis alone if film-making is your thing.For those of us who remember the marches, the cause, and Mandela walking through the prison gates with Winnie, this films not only gives meat to the bones of the background to that history; it is evocative without being sentimental.This is a film that needed to be made; and I for one wish that we could see more of this ilk - it is a strong reminder of the best that humans are capable of.

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