Cast a Giant Shadow (1966)

Luther Adler played David Ben Gurion but isn't listed as such; Golda was in the U.S. raising arms money, but is not represented in the film. At least Adler resembles Ben Gurion. Golda Meir doesn't mention Marcus (Douglas) in her brilliant 1975 autobiography, 'My Life,' which I have read. Berger and Dickinson are merely wallpaper. Wayne will overact miserably in any role in order to make money, but he never served in any form of military, much less combat. Sinatra was drunk and the battle scenes show soldiers dropping like zombies in a bad horror flick.Golda Meir raised an incredible amount of money for the Israeli cause. She liked to visit the U.S., especially Milwaukee, where she grew up. Before she could return with the arms money preceding her, the NYC 'cabbie' was in an accident and her leg was broken. She was hospitalized but still raised money there. A movie about the Arab-Israeli war is 'duffus' without a character named Golda because no single leader did more for Israel achieving statehood than Golda Meir, who was prime minister from 1967-72 and to whom I am not related and never had the pleasure of meeting. I did, however, stay at a Holiday Inn Express in Milwaukee one night.(By the way, the Arabs didn't attack until immediately after the statehood celebration, not before as depicted. That's a small inconsistency amongst many glaring ones. Golda left to raise funds in the U.S. right after the scroll signing. She raised over $50 million which matched the sum of an earlier fund-raising trip).

Excellent cast, intelligent script, heart-warming scenes of loyalty, determination, re-discovered faith, sobering scenes of the cost of freedom, wow! I was completely engrossed watching this film, the story of General David "Mickey" Marcus (Kirk Douglas), who in 1948 became the first Israeli general since Joshua of Biblical times. This film came out when I was 14 and I have somehow missed seeing it all these years. I had no idea what I was missing. What I don't understand is the grumbling and complaining about what a "bad" film this is. Huh? I loved it! Kirk Douglas, John Wayne, Yul Bryunner, Senta Berger and Frank Sinatra were perfectly cast in their roles. The script covered the highlights of the War of Independence during the brief time time Marcus was involved, and I don't know what more you could expect for a feature film. To tell the story of the war completely and thoroughly would take a miniseries of 20 hours or more. Yes, the special effects look dated now, but you can't fault something because it doesn't use technology that hadn't been invented yet. Also, learning that Senta Berger's character was fictional and apparently only inserted to make a good story, was a disappointment. However, her character was a wonderful metaphor for Marcus' newly found love for Israel and re-discovery of his faith, after living as a secular American Jew for his entire life. (At one point Marcus says he hasn't been to temple since his bar mitzvah). Also, I must say that I think the person who complained here on IMDb about John Wayne's reaction to seeing the Dachau concentration camp in the World War II flashback is completely off the mark. Wayne, as Pattonesque American general Mike Randolph, struggles to keep his emotions intact as he looks at the horror of the camp his troops have recently liberated. He orders his adjutant to give Marcus whatever he needs to tend to the Dachau survivors and turns away, his back to the camera. He leans against a fence, head down, physically and emotionally overcome. What would you want him to do in such a situation? I suspect the objecting person just doesn't like John Wayne no matter what the film or what his role. His son Michael Wayne was co-producer with the film's director and screenwriter Mel Shavelson, and Wayne's Batjac Productions is one of four production companies listed. Another reviewer here has cynically suggested most of the budget went to Wayne's salary and I say balderdash! I'm quite sure the Wayne family's interest and participation in this film was not merely financial. I'm equally sure they wanted to help tell this story of the Israeli struggle for freedom they thought the world should hear. Then and now, for that matter.I want to thank the Showtime networks for airing this film in the USA on May 16, 2009, which happened to be two days after the 61st anniversary of Israeli independence day. Nice touch, and a terrific weekend to see this film.

Earnest, well-mounted but essentially dreary epic about the real-life involvement of an American Jew in the post-war struggle for Israel's independence – thus sharing its theme with EXODUS (1960), and clearly aiming (but failing) for a "Marcus Of Israel" feel! Kirk Douglas stars as Mickey Marcus – perhaps chosen due to the character's similarities to another historical figure forced by circumstances into leadership, Spartacus, whom Douglas had portrayed in 1960. He's supported by an eclectic cast which includes Angie Dickinson as his neglected(!) wife, Senta Berger as the Israeli girl he falls for, Topol as an ill-tempered Arab sheik, Luther Adler as a local politician, a plethora of reliable British character actors – and even guest appearances by Frank Sinatra (which doesn't amount to much), a glum Yul Brynner as a fellow freedom fighter, and John Wayne as a U.S. General whom Douglas initially falls foul of but the two eventually end up respecting one another (still, seeing Wayne at the liberation of the Dachau concentration camp is about as incongruous as his stint playing the Roman Centurion at Christ's crucifixion in THE GREATEST STORY EVER TOLD [1965]!).Despite a sharp script and good individual sequences, the film is compromised by its necessity to be both a spectacle and a message picture (the WWII flashbacks, for instance, are unnecessary and merely render the film overlong); unsurprisingly, it works best during the action highlights (complemented by a typically fine Elmer Bernstein score). Apparently, the events have been partially fictionalized – I wonder whether these embellishments concerned the romantic complications and the Hollywood-style ironic ending. For the record, Shavelson had started out as a scriptwriter (and later director) of Bob Hope and Danny Kaye vehicles; this was his most serious effort – a brave try, but not quite the 'giant' film he clearly intended...

Cast a Giant Shadow was a neat movie to watch on Satellite Television. The fight at the Jordanian fort was a good attempt. Here is another readback form Moon 168 Artevan that I skipper. "Opponents of Olmert and Dice must be dub checked L on the Beach Holodeck." David "Mickey" Marcus was the first General of an Independent Israel. Marcus was buried at Arlington National Cemetery with full military honors. I always wondered if Marcus had faked his death so he could operate from the shadows. Marcus used his D-Day experience to describe Israeli held territory as a beachhead and that offended some Israeli Officers but Marcus was correct to fight like that. Seeing Israel get Independence in a film is a special Hollywood moment. My Jewish Fiancé would never throw a first punch at someone because she doesn't want to be viewed as the aggressor like Israel before the Yom Kippur War of 1973. Get it? Check out Kirk Douglas in 200 leagues under the sea as well.