Geppetto (2000)

I watched this because on Whose Line is it Anyway they always brought it up to mock it. Before I finally sat down to see it, I read the reviews here on IMDb and was surprised to find that virtually everyone seemed to love it so much. I had no idea what to expect going in.The story is essentially the plot of the 1940 Pinocchio except told from the point of view of his father, Geppetto. It's a parable about the hardships of parenting, which isn't as easy as the toymaker had hoped it would be once he gets a son of his own. Believing Pinocchio is somehow defective since he doesn't listen to the rules or wish to be exactly like him, he tries to get the Blue Fairy to correct her "mistake", causing the puppet to run away. The rest of the plot concerns Geppetto's quest to find him and make things right, learning about parental love along the way.It's not a bad premise; actually, it's quite interesting, however, I just didn't care for the execution. If the 1940 animated film was a watered down version of Collodi's original book, then Geppetto is a watered down version of the 1940 animated film. It felt rather cloying to me.. I didn't find the musical numbers that memorable save for a scene where Geppetto and the Blue Fairy seem to be channeling Fred Astaire and Ginger Rogers, though I will admit Drew Carey has a pretty good voice. It's not technically perfect, but he lends the right amount of emotion. Most of the acting was quite good too, though I did find Julia Louis-Dreyfus as the Blue Fairy to be grating. The production values are wanting, but I didn't expect anything too elaborate as this is a television movie after all.Geppetto is not a terrible movie; it's a cute little musical that's not too elaborate, and judging from everyone else's reactions, they really enjoyed it. I'm just probably missing something.

If you can get past seeing and hearing Drew Carey in a serious role, a sickly sweet British accent used by Julia Louis-Dreyfus, and a horrible makeup job on Pinocchio, this a a fun movie for the older crowd that remembers Pinocchio. Younger kids will like the film for the songs and dance numbers. You might say that this is a prequel to the Wicked genre - a familiar tale told from an alternate point of view. You'll find bits of sharp with below the surface at times, and they'll smack you in the face with it at other times.Once you get past the negatives, this is - as other reviewers have mentioned - a return of the old style musical. The rest of the cast is fantastic, with engaging performances from practically all the supporting roles. While I'll admit the music can be pretty sugary, the big production numbers lots of fun, and Geppetto's ballads very lyrical. There's no Defying Gravity in this libretto, but there are a couple of tunes you might catch yourself humming (Toys, Satisfaction Guaranteed, Pleasure Island).I'm torn between a 6 and a 7 for this film. I think, as a traditional silver-screen musical, it works well enough to be a keeper. I happen to like Drew Carey (though not in this role) so I'm going to round my score up. I think with a better effect budget (or simply better executed effects) and two new leads, this could be a solid 8-9.

What's wrong with "Geppetto ?" I may be blindly faithful as a Drew Carey fan, but this is his best dramatic talent and first family film that I know of, but I think he does a great job. His singing may not be Madonna, but would you want your kids watching "The Drew Carey Show" with its humor on sex, drinking and abuse in the workplace. Julia Louise Dreyfuss also shines in this as a cross between Glinda the Good Witch and Tinkerbell. Rene Auberjonais plays an eccentric inventor blind to Drew's true wishes, and Brent Spiner plays the human version of the animals in the cartoon who kidnapped Pinocchio. Drew's buddy, Wayne Brady, makes a cameo, but a lot of gumption has to got to the young actor ( I forget his name ) who had to endure all that body make-up. He should have a fairly successful career ahead of him or at least a supporting role on Drew's TV show.I don't know about you, but this movie counts in my list of top children's movies along with "Mary Poppins," "Chitty Chitty Bang Bang," "Willie Wonka and the Chocolate Factory," and "The Wizard of Oz."

The Disney Company has rediscovered the magic of the live action musical (a magic that seemingly vanished toward the end of the 60s); although, it might have considered the wide screen a better source for the release of "Geppetto."In simple terms, this is a motion picture-sized musical extravaganza for the small screen that depicts the tale of "Pinocchio" from the eyes of his "father" Geppetto. Starting with his "son's" creation, Geppetto quickly learns that children are not perfect; what he fails to understand is that such imperfections may be derived from the parent. Subsequently, when Pinocchio runs away with the evil gold-loving Stromboli and then to Pleasure Island, Geppetto requires lessons in parenthood and of the heart and inner soul. In hilarious fashion, the Blue Fairy assists Geppetto on his journey to eventually find both understanding and Pinocchio.Drew Carey is surprisingly strong in a title role that relies more on emotion than one-liners. Brent Spiner's Stromboli is evil personified, although in a comical light that should not leave the kiddies afraid to go to sleep in the dark. Julia Louis-Dreyfus initially appears over-animated as the Blue Fairy. We discover later how this plays into her role when she displays her magic powers to Carey in a series of hilarious dance sequences. Usher is ever-so-sly as the singing Ring Leader in Pleasure Island. Seth Adkins is the penultimate Pinocchio, reminiscent of the 1940s animated version. His extensive makeup leads one to believe that this talented boy is genuinely made of wood.The rest of the cast play their roles with abundant energy and warm-hearted feeling that transmits beyond the screen and directly into the hearts and minds of the audience. These feelings are intensified by Stephen Schwartz's highly enjoyable musical score and songs, with no less than two showstoppers: in "Toys" three tracks sung by the parents, children and Geppetto run simultaneously yet we clearly understand each one. "Satisfaction Guaranteed" sung by Rene Auberjonois and a chorus of golden-voiced youngsters adds exuberant, vibrant energy to an active and complex choreographed sequence; the townspeople and their "perfect" children create a visual delight with their routine.Equally incredible is the scenery in the Pleasure Island sequence, a colorful, attractive yet eerie amusement park of sorts where Pinocchio connects with the "bad" children of the world. Particularly funny are the run-ins that Stromboli has with the Pleasure Island children as he races against Geppetto to find and catch Pinocchio before he can suffer the fate of all Pleasure Island kids.Monstro fans, take heart. The giant whale makes a cameo appearance. Kids especially will laugh at Pinocchio's idea to hopefully save Geppetto and himself from that mighty stomach.Finally, the live action musical extravaganza has come back to the screen, albeit a smaller screen than for major musicals of the past. Before viewing "Geppetto," one may wish to watch the original Disney animated version of "Pinocchio" to become familiar with the story and characters. Consider that an optional homework assignment, not a necessity as this film can and will stand on its own for future generations of families.