Black Nativity (2013)

This is almost a musical, in several cases characters break out in song where we would normally expect dialog. But it isn't excessive and it works well.I saw this on DVD, now I wish I had seen it during the Christmas season for its message. A teenage boy in Baltimore with an unavailable dad and a single mom unable to pay the bills. So he is sent to stay with his grandparents in New York (Harlem). His grandfather happens to be a charismatic preacher, but with issues of his own.I became interested in seeing this for the superb cast, mostly actors I have seen and enjoyed in a number of roles. Forest Whitaker is the grandfather, Reverend Cornell Cobbs. His prize possession is a gold pocket watch with an inscription, a gift from MLK. The grandmother is Angela Bassett as Aretha Cobbs.But my favorite is Jennifer Hudson as the single mom, pregnant at 15. Naima is working at a couple of jobs but needs to come up with $5000 to avoid eviction, and has no way to get it legally. Her acting is spot-on and her singing superb as always.The 15-yr-old son is played well by 16-yr-old Jacob Latimore as Langston. The movie's title refers to a Christmastime Black Nativity presentation at grandpa's church. The ending and reconciliations work a bit too easily at the end, but the message of family and forgiveness is clear. Good movie, better then its IMDb rating (4.0 right now) would indicate. But it has a religious theme so people who object to that will not like it.SPOILERS: When Naimi became pregnant she became a family outcast, and the Reverend paid the dad $5000 to agree to never see her or the baby again. All this alienation ended up with Naimi in Baltimore and not speaking to her parents. At the end of the movie the Reverend confessed his "sin" to the whole congregation and his family, they forgave each other.

I really would have given it a higher rating but I wasn't 100% crazy about all of the singing. I loved the story line and the cast was phenomenal. Overall everyone did a really good job with the acting and singing. So many of my favorites in one film is really a treat. I will be telling everyone I know about this movie.It should be watched by all who value family and faith. This situation plagues many minority homes. Holding on to the anger, hurt of misunderstandings for years when it can be fixed with communication, respect, honesty and forgiveness.I wasn't sure about whether it would be good in the beginning but very pleased I stuck it out and even got my hubby-to-be to watch it with me and he liked it also.

For one I can't believe such racial titles and movies are even allowed these days. Secondly - the same cast/crew that did this movies past movies have bombed beyond belief so - WHY is everyone shocked?This is certainly no surprise.Let's actually take a moment to analyze this...1) The obviously unnecessary racist title - REALLY guys? The very ones always stating "let the past go", etc is the ones who keep bringing it up and even throwing into the title of a movie - major shock there. Where's Asian Nativity, Caucasian Nativity? Oh that's right, that would be a law suit.2)Casting - Jennifer Hudson? PUKE!!!! she can't even sing much less act. Mary J? SAME THING hahahaha she has what 2 good songs and trying to act? PUKE AGAIN!!!! and yeah the list goes on and on.Just reason after reason for disaster on this abomination of a wannabe movie.

Going in I knew this was a movie with music and that's what it is, versus a "musical" like Les Miserables, where there's singing throughout opera-style. The goodAll the actors stand out and do their characterizations well. Especially Jennifer Hundson as Naima, the single mom raising a boy-child on her own without help and estranged from her parents. Especially Tyrese who really shows his gentle side as Tyson. His body and face marked with scars, he looks like a thug but has a worldly view as he tries to steer young Langston to the right side of life. Especially Forrest Whitaker who characterizes the Reverend Cobb. Stern, unyielding but with a soft side. Especially the music that soars and transforms the screen into a gospel show near the end. Director Kasi Lemmons ("Eve's Bayou") integrates stage show with movie set ala "Rent". The story of a young boy struggling to find answers and being pulled toward wrongful ways is simplified and strikes just the right tone with spirituality and religiousness. The bad Near the end the drama is laid on thick.See it! This is the only "live" action musical of the year and while it is based on a little known play written by Langston Hughes, it's a triumphant interpretation on film.