Every Day (2010)

This movie is a waste of time. The script is sophomoric, Helen Hunt is wooden and unconvincing. Schreiber tries, but he also falls short with a script that tries too hard to be contemporary and relevant.The sick dad is a running cliché. Schreiber's siren is equally stiff and unbelievable. The scene with her in the swimming pool towards the end is flat out stupid. By this point the wheels had come off the film.The move is primarily a vehicle for convincing us how normal it is in our changing society to come out as gay in high school. The male on male sex is difficult to watch, it wasn't necessary and American audiences will still be largely turned of by it, imo.

this movie is listed as a comedy and there are a few comic moments. but i found most of the laughs in some of the overdone dramatic scenes. couldn't believe this as a real family. their daily life is almost to the point of being a 'pot boiler'.the acting is good and nicely cast, but something is missing. a sweet story being told by some rather over done characterizations - in my opinion. but i enjoyed the movie as a whole. it's just sort of a hollow feeling when it's finished. emotionally the viewer expects something more solid.my favorite scene is in the parking lot after Ned has his blowout at the staff meeting. and i appreciate having the son realize he made a mistake deceiving his parents - thus his reaction at the club.very watchable story but .....!

Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel. The ugly. Nothing.The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".

"Every Day" may feel a little stale because isn't that how life is supposed to be when everything is the same routine? The family dramedy is an over-worked genre, but this film overcomes the monotony with some clever humour and great performances.Ned (Liev Schreiber) is just yet another lead character who is having a hard time dealing with his teenage son, losing connection with his frustrated wife, and getting annoyed with his demanding boss. But Schreiber is a good actor, and despite all these rather dull character traits, he made Ned quite likable and enjoyable. The implied depth to Helen Hunt's stressed-out wife, is more than made up for with the wonderfully comedic and sympathetic Ezra Miller. He plays their teenage son who has recently come "out of the closet". Similar to his role in "City Island", he's a scene-stealer with a bright future in the comic drama genre. Eddie Izzard as Ned's demanding boss is more outrageous than you would expect him to be and adds some life to this film about life's problems.I was impressed enough with the sharp comedy that rose above the flat story lines, and with the accomplished actors who rose above the tedium of the characters, that I can recommend "Every Day". It's independent, but not original, but significantly better than how it comes across.