Krabat (2008)

When you hear the word "Krabat", you will probably wonder first of all what is that. If you think, it has to do with the Moroccan city, you are completely wrong. If you think it includes the German word for raven, you are much closer, but most of all the film is simply named after the film's main character played by David Kross. This movie has some of the most known younger German actors in its cast. Apart from Kross, who you may have seen in "The Reader", there is also Daniel Brühl, Robert Stadlober, Anna Thalbach, Hanno Kofler and my personal favorite Charly Hübner. I'm usually not too big on Kross, Stadlober and Brühl, but at least the latter impressed me occasionally here. I would say that this is mostly a kids movie, although a fairly dark one, but adult audiences can also have a good time watching.The main antagonist is played by Christian Redl, who is also the only older actor in the cast. He plays an evil sorcerer, but as he seemed to be a bit of a father figure to the boys for quite a while, it was initially unclear how evil he really is and I even considered for a moment that Stadlober's character my be the main villain because of Krabat's dislike for him. The movie is written and directed by Marco Kreuzpaintner. It is an adaptation from the late Otfried Preußler's (one of Germany's most famous children's book authors) novel. Kreuzpaintner already worked with a few cast members like Kofler, Stadlober or Paula Kalenberg, the female main character and love interest to Krabat. For the director it is the return back to Germany from Hollywood after making a film with Kevin Kline one year earlier. He is still fairly young, was 30 when he made this film, so we may get many more films from him and I hope they won't be worse than "Krabat".The film won a handful awards and also scored nominations at the German Film awards in the smaller categories. There really wasn't much wrong with this movie. The thing that maybe bothered me the most was the choice of the song "Allein, allein" for the soundtrack. It was a huge hit here in Germany, but I felt that it did not suit the film or the topic at all. Apart from that, it's not a good song at all in my opinion. Really bad choice. They simply should have gone for some gloomy tune without lyrics in my opinion. But back to the more positive factors: I liked how, with the introduction of Krabat's childhood friend, Krabat turned into Brühl's character and the young boy was pretty much Krabat when he freshly joined the group. The fact that the boys are the ravens was clear from the very beginning and it is a good idea although I wish it could have surprised me or they would have added more to that subplot except the ending scene with the girl choosing the correct raven. The 20th Century Fox intro with the ravens was pretty nice as well. However, I wondered what the whole leaving your body plot was about. Brühl's character and Krabat were doing it when Krabat meets his girl the first time. And what was behind the whole thing that they should not have a girlfriend? I guess it was the sorcerer's fear that he could not fight love and that he may lose all his boys just like he did at the end of the film. But one or two more scenes could have helped in my opinion. They could have cut some of the less significant scenes for that. The film runs for pretty much exactly 2 hours and they could have done without 5-10 minutes, because it is already very long, especially for children. Most German kids movies these days do not cross the 100-minute mark.Anyway, as a whole I liked this movie and finally I would also like to mention explicitly the good work with the aging makeup for Redl's and Brühl's characters. The film has some nice fairytale and fantasy elements which made sure it did not drag at all or only once or twice which is very acceptable given the runtime. Very atmospheric too. Recommended.

Krabat, boring??? How can that be? I just don't get it - Preussler s novel would have made a wonderful script, if they stuck to his idea instead of changing most of it. didn't they see it? In an age when fantasy works like the Lord of the Rings are made into fantastic movies, it is inexcusable that the screenwriters changed so much of the original storyline, and killed so much of its beauty and depth. The movie was shallow at best Yes, the basic story is about love being the only thing that can overcome the darkness. the biggest crime that was done here was to change the characters: The deep bond between Michal and Merten, which leads to Merten trying to run away and finally kill himself. Lyschko not a bad guy in the end, the betrayal played down to nothing... I really like Daniel Brühl, but Tonda? Also, whatever magic there was, it didn't come through.It was all about power over people, why not lighten the story up as Preussler had done magnificently in the book and send them off to the market or show how the master - and therefore the devil whom he served - manipulated the politicians of this time? could it have been a matter of budget? Or is it just impossible for us Germans to dive into the spiritual side of things? I don't think any of the changes made to the story were really necessary - it was perfect as it was written, and the screenwriters changed it into a mediocre, lenghty dark tale, nothing more or less. Definitely not what the book was: A story that captured generations of readers. I predict that this movie will be forgotten very quickly.

Went to see the movie yesterday.I have been a fan of the krabat-book since i was young and the film ,made by Zeman, made me some kind of fanatic and it seems i am not the only one.I read a lot of critics about this films. Other people like me, being disappointed what they made of the book, but as a real fan you have to see it all, even if it breaks your heart. In fact i cannot share most of the bad reviews about it. It is not a literature film, but i does not intend to be it. When you keep that in mind it was entertaining, more like the "Hollywood"-Version of the book.OK! The behavior in the film of the boys is not affected by fear, as described in the book and they are more like individuals, than a band of lost souls. The acting could have been better of some actors, but Daniel Brühl and some others kept the level very high to the point of his characters death. For the rest the story was very close to the book, so it held itself. I think it is important to show their despair and they did with the suicide scene, which is also in the book. The only thing i really did not like was the fighting scene in the middle of the movie, which is not in the book. I could hardly watch it. Very fast and the picture seemed to be broken. It was very eye- and mind hurting for me. Some funny, important scenes from the book are left out, which might have done the movie good. Why they use Magic is not explained in the movie and the master is more like a father figure, then the all evil in the book. If they did, then movie would have been a mess. The book tells, that they learn Magic to trick other people, to rob them, to betray them, to gain power over them, which is very tempting. It is more like an allegory for the youth in the third Reich. The movie is more like the youth in the 30-years war and their search for a home, a base, at all costs.But they kept the main aspect. Power can lead you on the wrong way and everything has its price. This is important.

"Krabat" has been one of the classics of youth literature in Germany for almost 40 years and one wonders why nobody tried to make a movie out of it earlier. Actually, it is not that hard to answer this question since "Krabat" is a very grim and dark tale with some gruesome deaths, an ending that comes across as rather anticlimactic and above all an incredible amount of religious symbolism (even though the book is no sappy Christian novel) that would make it hard to market it. Parents would not go and see this movie with their kids and young people might not find it cool enough. Fortunately, the producers were smart enough to think of another target group: grown-ups who read the book in their youth and have been haunted by it ever since.Some changes have been made. The symbolism is reduced, the role of the "Kantorka" is slightly expanded, which makes the showdown a little more exciting and Tonda's love to Worschula plays a bigger part than it does in the novel. Make no mistake, though, both women still have small roles. The story is shortened by one year (so that it now covers only two years instead of three which ultimately saves the life of one of the boys - and to those who only watched the movie but haven't read the book: It is not the guy you think it might be) and the story centers even more on Krabat than in the book, which means that all scenes that explain more about the master such as the sorcerer's duel and the trip to the Elector in Dresden were left out.I don't mind these changes too much. While the trip to Dresden was in my opinion one of the most memorable scenes of the book I can understand why it had to go. There are some other minor changes which I won't go into. But even with the shortening of the story, Kreuzpaintner still had a lot left in his hands that he had to press into two hours. And I have to say that he does not entirely succeed. Kreuzpaintner does something Preußler does a lot in his book: He only hints at many things and hopes that the viewer will link the parts together. But Preußler had a much bigger story than Kreuzpaintner does and often this makes the movie feel rushed or incomplete. But still, the story is touching and gripping and in my opinion totally satisfying.The cinematography is outstanding. The images are truly beautiful, and the aerial shots even allow the viewer to see the entire set. Incredible work has been done here. Now, in most big German productions there is one scene in which the director decides to go totally Hollywood and usually this ends in a disaster. The same thing unfortunately happens here when the boys get into a fight with some marauding soldiers. Kreuzpaintner tries to out-Scott Ridley Scott here and the picture is so distorted that not only can you barely see what is happening but it also really hurts the eyes. What makes this even worse is that this makes it look like they tried to cover up bad fighting stunts with these scenes even though I am sure that they were in fact done well.The actors are mainly well cast. Brühl, Redl (especially Redl!), Stadlober all act well and make us forget the actor behind the role (Brühl and Redl succeed better than Stadlober) Hanno Koffler, whom I usually like a lot, does some over-acting which seems annoying at first, but since he plays Juro that might have been a deliberate choice. Unfortunately, David Kross is a little weak, but this seems to be the curse of title characters who, after all, are supposed to serve as models for identification. The guy I actually liked best was Moritz Grove, who plays Merten as thoughtful, caring and in the end almost tragic. All in all,it has to be said that the casting agents really did their job well in making these guys distinguishable, even though some of their parts are rather small.While I liked the set design and the costumes, I was not too pleased about the make-up. Smeering some black paint on strategic places on the actors' faces so that they look dirty but still pretty gets on my nerves when it happens through an entire movie. It really looks fake after a while and when you get to scenes where the actors show their shaved armpits, you cannot help but laugh at this pseudo-historical mess.I have to say, in spite of some criticism I really liked the movie and I will recommend it to everyone. To people who read the book it will bring back great childhood memories and others who have not read it will find the movie entertaining, thrilling and maybe even scary.But just like the movie ends on a big "f--- you" to the audience I will end this review with my biggest gripe about the movie: Who on earth made the decision to put such a terrible song at the end of the movie? The picture has such an incredibly beautiful score and does everything to set the mood right and they actually decide to put some electro dance track over the credits!!!! This must be one of the worst choices of a film-promoting song in film history! The people behind this decision should really lower their heads in shame!