All That Money Can Buy (1941)

This is the classic Stephen Vincent Benet story of a man who has nothing but bad luck. Because it's hard to feed his family and no prospects in sight, he makes a deal with the devil (Scratch, played by Walter Huston). He will have successful crops and live like a king for a period of time, but, like Faust, he must pay for it with his immortal soul. Unfortunately, his happiness is tainted and he has that day of reckoning coming. The man's name is Jabez Stone and he feel helpless. But take heart. One the scene is the great lawyer/politician, Daniel Webster. It will be his job to find a way to oppose the devil in court. The jury is made up of ghosts of murderers, traitors, thieves and other evil kinds. This is not going to be easy. One of the most delightful films you will ever see. Just watching Walter Huston, with that sly smile and twinkling eye (covering incredible evil) is worth every minute.

Shades of Citizen Kane! This little-known gem was made at RKO about the same time as Citizen Kane, and utilized the same outstanding composer, Bernard Hermann, and the same incisive editor, Robert Wise--and every so often a shadow, a rapid cut, a mood will echo the Orson Welles classic.Though not in the same league, this little-seen gem is a classic unto itself, as Webster battles the devil for a man's soul. Angelica Huston's grandfather, Walter, gives the definitive portrayal of a modern rustic Satan ("Scratch"), fiendish craftiness personified, who tempts Jabez Stone with "All That Money Can Buy" (one of the original release titles of the film). James Craig, usually wasted as a second fiddle in MGM romantic roles, here gives his definitive performance as a justifiably Jabez, a jumpy hero, and Edward Arnold, Jane Darwell and Anne Shirley are memorable in this strange early American saga, an often haunting mix of distinctive cinematography, haunting music and memorable performances.

I know that this film has a wonderful reputation and the other reviews are all very favorable, but somehow I couldn't get very excited about this film. Perhaps I felt the material was just too familiar, perhaps the movie just opened up the trauma I experienced when I was forced to read "Faust" while in college (this was 25 years ago and I STILL cringe at the thought of reading all 25,000 lines of Goethe's rambling tale). All I know is that I wasn't caught up in the story and to me, with a few exceptions, seemed rather unremarkable. Here are the exceptions. First, there were some very nice performances--Walter Huston was very good as was Edward Arnold. Second, the film had very nice cinematography and just looked lovely--with a nice mythical quality about it. On the down side, the main character seemed like an idiot and I didn't care that the Devil was going to get his soul. The film did nothing to create sympathy for the jerk. In addition, the film really went on too long and the wonderful courtroom scene was way, way too short. Overall, an interesting time-passer but it hardly seemed like a classic to me.

New Hampshire husband and farmer in 1840, deeply in debt and stressed to the breaking point, absentmindedly calls out to the Devil in his humble frustration; he's quickly visited by elfin-like codger Mr. Scratch, to whom he sells his soul in exchange for seven years of good luck. Walter Huston's Oscar-nominated performance as the exaggeratedly good-natured Beelzebub is the centerpiece of this wry fantasy-drama (one with spry moments and tongue occasionally in cheek). Adapted from Stephen Vincent Benet's story "The Devil and Daniel Webster" (the film's reissue title), our hero naturally becomes selfish and greedy with his money, spoiling his young son instead of teaching him, and consorting with a devilish mistress in front of his wife. These latter scenes can practically be checked off a list, what with the farmer building an ostentatious mansion on the hill, alienating his friends and neighbors and mocking the church bells! Luckily, things pick up with a final supernatural trial in with Mr. Scratch plays prosecutor and battles hard-drinking, but lovingly honest, salt-of-the-earth defense lawyer Daniel Webster (Edward Arnold, in a sensational turn). Supporting cast including Jane Darwell, Simone Simon, George Cleveland, and H.B. Warner is first-rate as well...the only character who doesn't come off is the farmer, played by James Craig. Craig, handsome and fitfully animated, is well-enough an actor to handle this role, but all the best lines have been given to the other performers, leaving Craig's Jabez Stone a sketch, a writer's afterthought, without any dimensions or pathos. Bernard Herrmann won the Oscar for his superlative music score, which is matched by sumptuous cinematography and art direction. **1/2 from ****