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The Best Little Whorehouse in Texas

The Best Little Whorehouse in Texas (1982)

July. 23,1982
|
6
|
R
| Comedy

When a big TV crusader Melvin P. Thorpe threatens to expose the Chicken Ranch to public scandal and close it down, Miss Mona doesn't go down without a fight.

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Benedito Dias Rodrigues
1982/07/23

Here you have two situation completely different to judge,one hand you have the movie itself...in other hand you have a proper Whorehouse called Chiken Ranch which actually existed in the past and and we knows how it worked in those days....but let's forget the past and talk about the movie...even having a fine musical numbers with beauty and sexiest girls and a fine performance of Dom DeLouise as sensationalist guy who play dirty to get high audience to your TV show and also the main cast Reynold and Parton has a good performance,despite this the end is very disappointing....no a single revenge to hypocrite Melvin who end up winning the glory...however the movie is really funny...but claimed that the Whorehouse pay taxes is too much!!Resume:First watch: 1988 / How many: 3 / Source: TV-DVD / Rating: 6.75

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dglink
1982/07/24

Colorful, tuneful, lively, and, above all, good-natured, "The Best Little Whorehouse in Texas" delivers. While certainly not as good as it could have been, director Colin Higgins adaptation of the Broadway musical hit seldom falters and fondly recreates most of what delighted audiences on stage. Casting Dolly Parton as Miss Mona, the madam of an historic Texas bordello, known as the Chicken Ranch for having accepted poultry in trade during the Great Depression, enhanced the film both visually and musically. While not an actress of great depth, Parton looks the part, does fine in the musical numbers, and penned a couple of additional numbers; one of Parton's songs, "I Will Always Love You," later became an enormous hit, when Whitney Houston covered it, although both the song and Parton were mysteriously ignored by the Motion Picture Academy for a well-deserved Oscar nomination. Burt Reynolds lends his charm to the role of Sheriff Ed Earl Dodd, a likable guy, who enjoys a long-term relationship with Miss Mona and rides to her aid, when the Chicken Ranch is endangered by a TV muckraker, played by Dom DeLuise. Jim Nabors is "aw shucks" Gomer Pyle as the naive deputy, and Charles Durning turns in an inspired song-and-dance routine, "Dance a Little Sidestep," that won him an Oscar nomination.The songs by Carol Hall, most of which were carried over from Broadway, are catchy, and the choreography by Tony Stevens is energetic and infectious, although most of the male dancers seem somewhat disinterested in the charms of the young ladies. William A. Fraker's cinematography is crisp and colorful, and director Colin Higgins keeps the song and dance numbers moving along at a brisk pace. Higgins, who also directed Parton in "Nine to Five," showed a flair for glossy comedy and musicals; sadly, he died at age 47, cutting short a promising career. The film only falters badly during one scene between Parton and Reynolds that takes place under the stars; the semi-serious discussion involves religion and feels forced and out of place. Despite the bawdy title, the film suggests more than it shows; only a few flashes of nudity and some implied sexual situations merited the "R" rating. If a movie about a house of prostitution could be made for a family audience, "The Best Little Whorehouse in Texas" is about as close as possible to that. As one of the songs says, "There's lots of good will and maybe one small thrill, but there's nothing dirty going on." Neither the stage musical nor the film are classics, but both have good music, captivating choreography, and an entertaining story loosely based on true events. Despite losing some songs, the film adaptation benefits from the star power and chemistry of Reynolds and Parton and Higgins's inspired direction. Perhaps most families will pass on any musical with "whorehouse" in the title, but liberal-minded adults will likely have a good time and maybe one small thrill.

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dimplet
1982/07/25

5.3? The problem, I suspect, with this movie is that the wrong people are watching it, and the right aren't.Let's see, who does this movie offend? Christian fundamentalists, politicians and Texans. I don't know how many of the former are watching it and then rating it (perhaps they just rate first, watch later), but it looks like some Texans don't have a sense of humor.And then there are Burt Reynolds fans who might be shocked to find this is not a typical Burt Reynolds movie, and hate it. But folks who aren't Burt Reynolds fans will probably enjoy it. Reynolds' excellent acting is natural, understated, and properly nuanced to the scenes. I think Reynolds and Parton are very well cast together and have real chemistry.As to Dolly Parton, who knows? All I know is you don't have to be a Dolly Parton country music fan to love this movie. My estimation of Ms. Parton went up enormously after first seeing this movie. She is one smart lady and a fine actress.So, to add it up, if you are not from Texas, not a Bible-thumper, not a politician, not a Burt Reynolds fan and not a Dolly Parton fan, you should definitely watch The Best Little Whorehouse in Texas.Oh, and folks expecting porn are going to be disappointed, though there is the briefest of cameos by none other than Kay Parker, dressed. Don't blink. Too bad she didn't get a speaking part. This lady can actually act! I saw her reciting Shakespeare, for some reason I can't recall, in one of her movies, and she was real good.Watch this movie because it is laugh out loud funny. You need to watch closely at the details because the scenes are beautifully crafted. Watch the one of Dom DeLuise getting dressed in front of Reynolds before going on air. It is hilarious, especially the sock. But the most memorable scene is of "Governor" Charles Durning doing his "Sidestep" number. It is a masterpiece.It is easy to forget this is a musical, perhaps because the storyline is so strong it could survive as a movie without music. But a musical it is, in the tradition of Seven Brides for Seven Brothers and Oklahoma! with its masculine cowboy acrobatics dancing, though with an 80s twist, given the locker room dance number.Thats what makes this movie great: It takes the concept of the musical comedy and brings it out of the Fifties and into the Eighties in a way that is still relevant and pretty outrageous today because of its swipe at hypocrisy. Did I say swipe? Perhaps dagger thrust or kick in the face to hypocrisy would be more accurate. In this regard, The Best Little Whorehouse is hardly subtle.So perhaps I should add to the list of people who will not like this movie, hypocrites. For them, there is "Hello, Dolly!"

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bichyjojo
1982/07/26

OK, so I just watched this movie in its entirety for the first time. I watched bits and pieces of it growing up when I could while Mom was not at home. Because of course, I wasn't allowed to watch it.Seeing bits and pieces of it growing up, I thought it was a great movie. To actually sit and watch the entire movie was awesome. It was a great, light-hearted comedy. I have always loved Dolly Parton, since I was a little girl, and playing Ms. Mona just made me love her that much more. Her voice is one of the most memorable ever. I also love Burt Reynolds, and he played the sheriff to a tee.I know this is not a great comment on my part. I just want everyone to know that I LOVE this movie and I think if you have never seen it and love comedies/musicals, you will adore this movie as much as I did.

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