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Mortadelo & Filemon: The Big Adventure

Mortadelo & Filemon: The Big Adventure (2003)

February. 07,2003
|
5.3
| Action Comedy

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

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t_atzmueller
2003/02/07

Now, I understand that this film was quiet a hit in its native Spain and realize that (like the comic) it is considered a bit of a national treasure among comic-book-aficionados, like "Asterix" in France and "Tintin" is in Belgium. But that movie or that comic – namely "Mortadelo y Filemon" is not what I'm going to talk about.I'm going to talk about "Clever & Smart", which is the German title and boy, did they ever butcher that one! The comic was previously rather popular in Germany; mainly during the 1980's until the appeal eventually wore off as the material became more repetitive. It didn't (and didn't strive) to have the intellectual qualities of the series said above. If you're not familiar with the basic story: it's basically a satire of the secret-agent-genre, with two incompetent but sheer indestructible protagonists, said Mortadelo and Filemon. Mortadelo is the more anarchist one of this duo, being able to disguise himself as virtually everything at will, but at the same time the more simple-minded part, despite Filemon not being an intellectual giant either. Filemon is his more rational partner, usually grumpy and seeing himself as the leading man, despite usually bearing the brunt whenever his partner messes up (which is usually the case). Now imagine an episode of "Tom & Jerry". Not the squeaky-clean version of modern times, but the originals, where cat and mouse still fought each other tooth and nail, inflicting more damage and pain to each other than would physically be possible and still continuing the chase – alive and well – two seconds later. And now multiply that by a hundred. There's barely a panel in the comic where somebody involved doesn't get maimed, flattened by steam-rollers, blown up or otherwise mutilated. Rule of thumb being of course, that in the next panel they're up and about as if nothing happened.Granted, to turn this massive orgy of (comical) menace and destruction into a real-life-action movie prior to the new century and CGI would have been virtually impossible – and if attempted, it would have been way more expensive and labor-intensive than most companies could afford. Granted also, that the computer-animation of 2003 wasn't exactly on par with modern standards nowadays, but it sufficed to turn the comic carnage into a real film. The problem is this: since the source-material was already relatively light when it came to complex story lines, relying almost entirely on slapstick and one-liners, it must have been difficult to stretch this thin material into an hour and a half of film. But, as said, one can watch it for the effects if one is willing to forgive the lack of a deeper story. But I have to give it to the producer: optically both our "heroes" couldn't have been better cast and I dare say, from all the comic-adaptations I've seen – which have been plenty – none have fitted a shoe as perfect as Mortadelo and Filemon.Now we get to the reason why this film went completely flat in Germany: somebody in marketing saw it as a wise decision to cast the "comedic" (if you want to call it that) duo Erkan & Stefan as the voice-overs for the two agents. If you've never heard of them and/or are not German, nevermind, you haven't missed a thing. The duo makes a living imitating street- and ghetto-kids (one reason why one has adopted a Turkish name), who imitate the demeanor and attire of teen, wannabe hip-hoppers and their comedic repertoire consists mainly of grimacing and pretending that they only have a semi-illiterate grasp of the language. In short: they play morons who imitate the same crowd whom they cater to. Need I mention that many potential viewers either left the cinema as soon as they heard Mortadelo and Filemon "speak" – and that many more simply refused to enter the cinema in the first place? Perhaps the movie would have a chance if they would simply re-synchronize it with competent speakers (which are aplenty; Germany is known to have developed synchronizing movies into an art of its own), but until that happens, the fate of this movie is to lie on the 1-Euro shelves of dying video-stores and grab-shops – and they'll probably lie there for a long time to come. In that form I'd give it 4/10 and would consider it generous.

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Luis Capote
2003/02/08

This film is a perfect adaptation of PAco Ibáñez characters. Mortadelo, Filemon, Professor Bacterio, The Super, Ofelia, Rompeteños, people from RUE 13 PERCEBE are perfectly represented. Story and development take all the topics of the comic. Pepe Viyuela and Benito Pocino are credible and incredible as the worst couple of secret agent in the history of T.I.A.

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zufre
2003/02/09

This film depicts the exploits of two comic characters highly popular in Spain, Mortadelo and Filemon. They are secret agents able to ruin the most simple mission.This movie was too childish to me. Though the visual jokes are occasionally amusing, several of them are repeated too frequently. Did the writer run out of ideas after 5 minutes? Expect just the most basic humor.The special effects effort is commendable. However, you cannot rely in that only. A good movie require other elements such as a script.Here in Spain it has been heavily publicized, what can explain an initial success but I'm afraid that many will be disappointed.Anyway, if you liked "El milagro de P. Tinto" you might like this.

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Llopin
2003/02/10

Mortadelo & Filemon's first film (and may be not the last because it's going to be a success) is just great. Transforming the comic into a movie was a really hard job, but Javier Fesser has accomplished it very well; the comic's gags, humour and constant violence is here, helped by convincing and hilarious special effects (there are many!); it's a mix between Fesser's humour (shown in El Milagro de P. Tinto) and Francisco Ibáñez one.The comics are quite known, specially around Europe, and of course, in Spain. However, whether you know them or not, it doesn't matter because its fun for everyone, all ages! The movie isn't based in any of the comics, but takes several elements from their first long comic, El Sulfato Atomico (1968), but there are many other references. Benito Pocino and Pepe Viyuela are excellent in their parts; Pocino doesn't perform. He IS Mortadelo. And he does his job fairly well. Viyuela isn't as similar as the comic's Filemon but has the exact psycology, and I think he does the best performance in the film. The other supporting actors, like Janfri Topera (as Prof. Bacterio) and Mariano Venacio (as the Superintendent), are almost identic, and you do really believe that it's the comic translated to the screen. Dominique Pinon plays Fredy Mazas, an invented character, hilariously.There are other funny characters like Rompetechos and the people in 13 Rue del Percebe, that have great cameos in this film. It is, as Francisco Ibáñez (the creator of the comic) said, the comic as a movie. It's really imaginative, with many original ideas and things (like Prof. Bacterio's cool inventions)Finally, must say that the special effects are simply amazing, and really believale (they don't look cheesy or fake), the best in spanish movies, and there are so many details that it's impossible to see them all if you see it only once; there are lots of gags and funny details that you won't notice at first sight, so look sharp!Very entertaining movie, you laugh your pants off ***1/2 of ****

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