Annie Oakley (1935)

Annie Oakley (1935): Dir: George Stevens / Cast: Barbara Stanwyck, Preston Foster, Moroni Olsen, Chief Thunder Bird, Melvyn Douglas: Inspiring comedy about the legendary fast shooter Annie Oakley whom is discredited for her gender but quickly proves herself when up against famed shooter Toby Walker. It is done with a lot of flair and enthusiasm, much of which is provided through the lead. Directed with skill by George Stevens who is lucky enough to have characters that rise above the conventions, and a screenplay that does the landmark of inferior versions. Barbara Stanwyck brings out the cheer and determination of Oakley who discovers romance and the ability to give second chances. Preston Foster steals scenes as Walker whose ego surrenders to his competition. Thankfully this isn't reduced to some cliché ridden bore, but rather done with wit and charm. Moroni Olsen as Buffalo Bill the promoter is more straight forward yet amusing. Chief Thunder Bird is hilarious as native Sitting Bull who struggles to adapt to the complicated simplicity around him. Many of his scenes provide the film's biggest laughs. This may be just about the best version of this story to be made. It is a well made film that would be redone countless times, but this is just about the best the story can receive. It addresses gender differences and the ability to unite despite our differences and personalities. Score: 9 ½ / 10

I was intrigued by the opening narrative introducing the story as it paid tribute to Annie Oakley, a legend who made her mark a 'half century' ago. Here it is more than seventy years since the film was made, and it still holds up as an entertaining if highly fictional Western based on the life of the sure shot artist and her days with Buffalo Bill Cody's Wild West Show.Though Barbara Stanwyck is best know for her role as Victoria Barkley, matriarch of 'The Big Valley' TV Western family, it's easy to see how she naturally fit in with the Western genre as she raises her rifle to knock clay pigeons out of the sky. Historically, I'm not sure if it would have gone down that way, but Annie admitting she didn't have the heart to beat Toby Walker in the shooting contest because he was 'just too pretty', was a neat way to set up the rest of the story.What adds a lot to the film in entertainment value are the humorous bits thrown in by a host of characters. I was surprised to see Willie Best as the second cook attempting to pilfer a quail for himself early in the picture, while Andy Clyde worked his expressive face for maximum effect as hotel owner MacIvor. The best though, was Chief Thunder Bird in his characterization of Sitting Bull; he had a couple of clever bits with the disappearing bed and the 'scalping' scene. I don't think the real Sitting Bull would have been as amusing, but it works here.At the center of the story is the subtle hint of a romance on the part of Annie's manager Hogarth (Melvyn Douglas), and a more overt one between Annie and her big top rival, Toby Walker (Preston Foster). Toby starts out the story as the guy you want to hate, but manages to come through the story as a decent guy. The film's abrupt finish with Toby and Annie in warm embrace is the kind of ending that I'm sure made movie goers of the era believe they got their money's worth.

While I am a history teacher and my friends and family HATE watching historical films with me because I often find fault with the way movies often handle the facts in a fast and loose manner, I still managed to like this film and kept my mouth shut about its many inaccuracies! Part of this is because when I watched the film I didn't know that much about Annie Oakley and another was because I was having too much fun to complain. I spotted a few errors but in researching more about her after the film was over, I found that most of the film was fiction. Despite this, I still am not complaining because I liked the film so much plus Miss Oakley is a rather mythic figure already and little impact on history (though she did a lot for women's rights--at least indirectly).It's interesting that Oakley (Barbara Stanwyck) is not the sole focus of the film. It's much more of an ensemble film and the movie is not about her entire life--just one small fictionalized portion involving her falling in love with another sharp shooter. Now the facts and the fiction aren't all that different in a few key ways, so it's obvious that the facts did at least inspire the film. According to the film, Toby Walker (Preston Foster) is acknowledged as the world's greatest shooter. However, when a contest is arranged with an unknown local girl (Oakley), she allows him to win but is invited to join Buffalo Bill's Wild West Show as a featured star. Then, her budding love for Toby is hidden by her and Toby so that they can foster a publicity campaign that they are rivals. In reality, the real sharpshooter was Francis "Frank" E. Butler and Oakley beat him during this shoot-off. However, they did marry and they did travel with Buffalo Bill, though they first traveled with a different and less famous show. The romance, at least the way the film portrayed it, is pretty bogus.Another bogus aspect of the film is the involvement of Sitting Bull. While he did apparently know Miss Oakley and did nickname her "Little Sure Shot", he was only with the show a few months. Sadly, almost all the wonderful scenes featuring him in the film didn't happen and it's too bad, as he was the best character in the film! For an American Indian in the 1930s, this portrayal was amazingly sensitive and showed him as a rather decent and clever guy.There's a lot more to the film that is bogus, but as I said the film is so well written and fun, I found myself uncharacteristically NOT complaining as the truth wasn't quite as fun and exciting as fiction. A lovely film thanks to good but distorted writing, excellent acting and brisk direction.Interesting facts: Andy Clyde plays the hotel owner. In the 1920s, he was a big silent comedy star as well as director and writer. Also, Pert Kelton plays the lady who likes Toby at the beginning of the film. She was the first 'Alice Kramden' in the Honeymooner's segments of "The Jackie Gleason Show".

Barbara Stanwyck, as I have mentioned in other reviews, was a tough woman but a likable one, at least with me. I don't normally go for those tough dames but her voice and personality she brought to a lot of roles always attracted me. A case in point was this movie. I doubt if another actress would have made this a better-than-average film, which Stanwyck did.Preston Foster's character in here, meanwhile, undergoes one of the fastest transformations I've ever seen on film, from arrogant pig to very likable good guy in no time at all. In fact, he turned out to be such a good guy that parts of this film, where "Toby Walker" was wronged, are difficult to watch.There's a little humor also thrown in this western, mainly involving "Sitting Bull." It's been a long time since I've seen this film but I would definitely watch it again if it came out on DVD.