Lonely Are the Brave (1962)

I can understand why this movie was Kirk's favorite. Lonely Are the Brave can easily take a place at the top of modern cowboy movies for many reasons. It shows the variation from the old western culture to the modern lifestyle through the dialogues and the close-up shots, it also manages to criticize the governmental work. And one of its strengths is the outstanding performance by Kirk, might even be his best, plus the always good work of Walter Matthau. Yet, Lonely Are the Brave is one of the most underrated films I've seen recently, and I highly recommend it.

Released in 1962 and directed by David Miller from a novel by Edward Abbey, "Lonely are the Brave" is a Western taking place in modern times (the early 60s, that is) starring Kirk Douglas as Jack Burns, an independent New Mexican cowhand who's a likable loner. He lands himself in jail in order to help his old friend, Paul (Michael Kane), who is doomed for the penitentiary for a couple of years; but Paul doesn't want to escape because it would add several years to his sentence if caught. So Burns breaks out on his own and is chased by Sheriff Johnson (Walter Matthau) and others (George Kennedy) with the aid of a military helicopter, etc. Will he get away? Gena Rowlands is on hand as Paul's wife.This modern Western cogently conveys how civilization with its corresponding government and never-ending laws naturally squelches personal independence and freedom. The bigger the populace means the bigger the governing regulations, and the less the liberty. One starts to suffocate in a world of borders, fences and laws. These are human-made inventions that don't even exist. Fly over the USA and you'll see no state or county borders or city limits. They're all human-made inventions that don't exist, except in a legal sense. Burns hearkens back to an earlier era where one didn't even need an ID. He doesn't fit into the mold of the modern world. All he has is his mare, Whiskey, the clothes on his back and his basic necessities. They're all a real cowboy needs, but the cowboy was a vanishing breed circa 1961.Director Miller wisely accentuates Gena's curvy beauty as Paul's wife, Jerri. The nature of her relationship with Burns is initially a mystery, but all is revealed before the final act and it's well done. Whether someone is married or not, it doesn't mean s/he can't love someone else who's single or married. But marriage itself is a border that cannot be lawfully crossed except by the person's spouse. The film acknowledges this and so do Burns and Jerri. They're people with feelings, but they're also wise and hence don't allow their passions to compel them to trespass marital fences.All these items amongst others (like the quality score) make "Lonely are the Brave" a minor near-masterpiece. Unfortunately, it's flawed by some tedious stretches, like the overlong jail sequence, and unconvincing or dumb elements; for instance, the idea that Burns wouldn't know enough to make sure there weren't any cars before crossing a highway on horseback (Seriously?). It's also marred by B&W photography, which would've really come alive if shot in color. The basic plot and theme were done later by the superior "First Blood" (1982) and "The Electric Horseman" (1979) respectively. The film runs 107 minutes and was shot in the Albuquerque, New Mexico, area.GRADE: B+

John W. 'Jack' Burns (Kirk Douglas) is an old fashion cowboy who rails against the modern world. He visits his friend's wife Jerry (Gena Rowlands). Jerry's husband Paul Bondi has been put in prison. Jack works to get into prison to break Bondi out. He gets into a bar fight. The cops are unwilling to put him in prison until he starts fighting them. He gets a year in prison. Inside, he finds Bondi unwilling to escape. Jack breaks out by himself. Sheriff Morey Johnson (Walter Matthau) leads the hunt for the decorated Korean vet fugitive as he heads for the hills.Kirk Douglas is magnificent. The story is a little thin. Fugitive Jack reminds me of Rambo in First Blood. His journey is compelling. His relationship with his horse starts to grow on me and that ending got to me. The ending raises the movie an extra point.

Jack Burns personifies the true authentic man. Inner-directed, questions society's rules, its prejudices and desire to beat into submission the individual. He belongs to a race of men who no longer fit in. This movie also highlights the constant march of man v. technology, individual freedom v. governmental interference and desire to control. So many sub-plots and themes that are so timely in today's world. Open your eyes and look around you.Great character actors and actors early in their careers. The black and white adds to this film's rich texture. No fancy special effects to distract from the message.