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The Hot Rock

The Hot Rock (1972)

January. 26,1972
|
6.8
|
PG
| Comedy Crime

Dortmunder and his pals plan to steal a huge diamond from a museum. But this turns out to be only the first time they have to steal it...

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chrichtonsworld
1972/01/26

From time to time I get a craving for heist movies. And since I have seen most of the popular ones I always am on the search for other heist movies. While this small movie doesn't do anything spectacular I do consider this a classic. Robert Redford is very restrained and pretty serious in this movie. And this added to the hilarious events in the movie which you just have to see to believe it. At one time I even thought it was going to turn into a full mode slapstick comedy with no holds barred. But almost every actor remain straight faced and serious throughout the movie which only added to the fun experiencing this movie. "The Hot Rock" is a typical heist movie that only could have been made in the seventies. But even when the technological aspects in this movie seem outdated it never gets boring. Like any good heist movie you are rooting for the main characters to succeed especially when things don't go the way they planned. This movie has everything you want from a heist movie. And I find it rather strange that this movie is not so well known. A must watch!

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bkoganbing
1972/01/27

The Hot Rock has a soft spot in my heart because the area of Brooklyn where a lot of the film was shot, I know very well, Eastern Parkway, The Botanical Gardens and most of all The Brooklyn Museum I know very well from years of living in the Borough of homes and churches. The Brooklyn Museum is where the elusive Hot Rock resides or at least where it first resides.Robert Redford is released from prison and his brother-in-law George Segal is there to greet him. As Redford says to warden Graham Jarvis there ain't no chance in hell he's going straight. Straight into another caper that Segal has lined up for him with Ron Leibman and Paul Sand.The amiable team is hired by African ambassador Moses Gunn from some fictional central African country to get a national treasure, a rather large diamond on display at the Brooklyn Museum. They do steal the diamond, but through an incredible combination of circumstances have to plan and execute four different break-ins before The Hot Rock is in their hands. Redford and Segal display a good chemistry, as good as the fabled co-starring chemistry of Paul Newman and Robert Redford. Why they were not heralded as a buddy combination is beyond me.Stealing the film in whatever scenes they are in are shyster attorney Zero Mostel and his doofus of a son, Paul Sand. In the first caper at the museum, Sand gets caught and what he does with the diamond sets up the entire rest of the film.As for Zero we find he's an attorney with absolutely no scruples whatsoever, the kind they make excellent lawyer jokes about. But he does give us some excellent laughs.The Hot Rock is something on the order of an American domestic version of Topkapi. The laughs in it are good and strong, although some of the Seventies fashions make me wince. Despite that the film holds up well today. I'm surprised no one is thinking of remaking this one.

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peter-patti
1972/01/28

Okay okay, Westlake's novels are always much better than the respective movies (take for example "What's the Worst that Could Happen"), but I must admit that director Peter Yates did a really good job. Dortmunder (the author was inspired to this name by the German beer!) is not much like Donald Westlake's original in the Dortmunder books, along with some of the other characters. Redford is too handsome. George C. Scott in "Bank Shot" was much more Dortmunderish (Westlake's master-crook John Archibald Dortmunder is worn down and pessimistic), but in the "Hot Rock" movie Yates catches the 'Zeitgeist', or spirit of the times. And that's enough.Brilliant: Quincy Jones' soundtrack (with Gerry Mulligan playing the sax).

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tjnugent
1972/01/29

I saw this movie in its original theatrical release and have seen it again many times since. It is one of the funniest movies ever made. The script, the performances, the direction, and production are all outstanding. Redford's performance is as good as if not better than his efforts in Butch Cassidy and The Sting. Zero Mostel is as always delightful. The soundtrack, hip and jazzy, is perfect. What's not to like? A true gem of a comedy/drama. The high point of virtually all careers involved. Thanks to this review, I have learned that the movie's script was based on a novel, one of a series of novels, which I plan on reading.

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