On Guard (1997)

I just finished watching On Guard and the first thought that went through my mind was "why don't they make films like this anymore?"This is swashbuckling tale, yes but its more than that. This film has a refined, beautiful soul, that makes it as much as tale of love between two people, as its is a tale of action and adventure. There a happy thread of down to earth playfulness and definite humour that runs through this film too, further infusing it with warmth and character. Speaking of characterizations, they are right on the money. Daniel Auteuil is perfect as the chivalrous but humble lead, whilst Marie Gillain offers charm and innocence, as the girl he pledges to protect. I really adore this film and wish we could see more like it, in a decade that seems long on cynicism and short on hope and love. Ten out of ten from me.

The previous comment (about the ending) is valid, from a contemporary standpoint. However, there is such a history, both in literature and in real life in 1700 (and indeed later), of exactly this sort of situation (dancing around a spoiler here) that it didn't bother me... as of course it would have in a more realistic, less fairy-tale-ish movie.I just plain loved it, without the caveat, which is considerably more plausible than, e.g., one brilliant swordsman defeating eight or nine simultaneous attackers <g>.This movie falls somewhere between the Princess Bride and Rob Roy on the realism scale -- two other movies I loved. It has a definite fairy-tale feel to it... but for those like me who love fairy tales, that actually makes it more appealing.Dafydd ab Hugh

If you want to escape from the world Le Bossu is a brilliant holiday.The subtitles are badly done as usual - give us Literal Translations please - we are not idiots!The story is a great romping swashbuckler that would make Errol Flynn proud. Perez and Autiel are especially good but the man that steals it is Fabrice Lucini - his voice would give anyone a lesson in French and he is very funny and diabolical - he should be a massive star.This film rollocks along and just shows you don't need complex plots to have a great movie - once again Hollywood scriptwriters - read it and weep... The French and the British are the only ones that can truly do justice to this sort of film.

Alexandre Dumas made a reputation for himself writing stories chiefly about the uncommon man who had to rise to the occasion in extraordinary circumstances. Arguably, THE THREE MUSKETEERS and THE COUNT OF MONTE CRISTO stand as some of the best literature of the ages, and the film adaptations have created some of the most incredibly swordplay put to the silver screen.The little heard of and rarely seen ON GUARD ("Le Bossu," 1997, from the French novel by Paul Feval of the same name), by far, features some of the most exciting swordplay with a story that compares to Dumas' best work in many ways.Daniel Auteuil stars as Lagardere, a budding swordsman who can't back down from a fight. One evening, upon trying to best the Duke of Nevers, he inadvertently falls into the duke's good graces and joins him -- as a sidekick -- on a journey to rescue the man's infant daughter, Aurore. However, as the duke is soon murdered by his villainous cousin Count Gonzague (played with ample creepiness by Fabrice Luchini), Lagardere escapes with the infant and, along with the help of a traveling circus, raises her as his own child for sixteen years ... until Aurore takes up the sword and performs a move only her real father could've known, alerting the now-in-power Gonzague to the fact the the daughter has survived. Now, Legardere is faced with the ultimate challenge of devising a masterful plot to put the woman back on the throne and into her position of prominence!Much of the film is pure plotting and humor, some of which can only be the product of the French ("Ever try sodomy, my friend?"), and I'm quite certain several of the jokes might be lost on an American audience. Still, Auteuil as Lagardere is the film's masterful stroke; he proves himself capable of a Musketeer-like defender, a loving father, and a pining lost soulmate to the lovely Aurore, all the while maintaining his sense of duty coupled with a great sense of humor.The film is presented widescreen, filmed on beautiful locations, and the sound is very crisp and vibrant. ON GUARD is a wonderful adaptation that deserves to be discovered by a much larger audience.