A Reason to Live, a Reason to Die (1974)

Una ragione per vivere e una per morire (AKA: A Reason to Live, A Reason to Die & Massacre at Fort Holman) is directed by Tonino Valerii, who also co-writes with Rafael Azcona and Ernesto Gastaldi. It stars James Coburn, Telly Savalas & Bud Spencer. Cinematographer is Alejandro Ulloa and the music is scored by Riz Ortolani. Plot sees Coburn as Union Colonel Pembroke, who during the Civil War is given a rag-tag group of criminals to go win back the fort he lost to Confederate Major Frank Ward (Savalas). For him it's a chance to regain his honour, for them it's a chance to avoid execution for their crimes. Joplin Gazette, Joplin Missouri, April 10, 1872 ---Today I walked through the ruins of what was once Fort Holman. 10 years ago, this Civil War fortress, thought to be impregnable, was destroyed by a wild bunch of marauders. Eli Sampson, a survivor of that massacre, revealed in an interview that the raid was the result of a blood feud between two bitter men: Colonel Pembroke, a Union officer, thought to be a traitor and a coward, led the mission to recapture the fort he had once surrendered. Major Ward, a ruthless "Mad Genius," who joined the Confederacy solely to gain command of Fort Holman, so that he could rule the vast surrounding Santa Fe territory after the war. But what motivates these two men and what caused this incredible blood bath, was explained by Eli Sampson in the story that follows--- It's a written opening that grabs the attention straight away, it has all the promise of a spaghetti western done Peckinpah style. Then early in proceedings a grizzled James Coburn walks along a line of men about to be hanged, being introduced to them and calmly wondering if said scum-bags would like to stave off execution by accompanying him on a suicide mission? OK, it's derivative of The Dirty Dozen five years earlier, but if this is blending Peckinpah with Robert Aldrich at his best then it will be worth every second spent with it. Sadly it doesn't come close to living up to that particular promise. But it does have points of worth within. If you are willing to invest some patience with the slow narrative and get to the carnage finale unscathed? Then it's actually worth the wait as regards action. There's also some fine photography from Ulloa around Almeria in Spain, while Ortolani's soundtrack score blends well in context to the story. However, away from Coburn the acting is sub-standard, especially from Savalas who is miscast, while some suspension of disbelief is needed once the group reach the fort. But all in all it's a safe recommend to fans of Westerns, spaghetti or otherwise. And certainly a must for Coburn fans. 6.5/10 Footnote: The full cut of the film now runs at just shy of two hours in length, film buyers should ensure that they buy home format discs that run at around the 113/114 minute mark.

I watched this film yesterday evening on ITV4 when I could have tuned into "The Hairy Bikers' Cookbook".Well,nobody's perfect. I can only imagine that ITV in its wisdom cut huge swathes of the storyline in order to fit it into their Saturday dead - time slot. Set during the War between the States the story opens on the eve of a mass hanging in a fort occupied by Union soldiers.For no reason that was apparent Mr J.Coburn and Mr B.Spence are brought to the fort in a waggon and the C.O. immediately seizes on Mr Coburn as the ideal man to lead a suicide raid on an enemy - held fort."I'll need 12 men" says Mr Coburn between drags on his cigarillo and delicate sips of his red wine that he has already pronounced as "good",denoting that he is a man of some culture. You see,Mr Coburn had been the officer in charge of the fort but had surrendered to the Rebs and been considered "yeller" although the fact that the Reb colonel had threatened to murder his wife and child might have concentrated his mind somewhat.Despite being handed his prize the odious colonel (Mr T.Savalas) went ahead and slaughtered Mr Coburn's family just for the fun of it. He doesn't get twelve men but plucks seven from the shadow of the gallows (including one wearing his late wife's crucifix,a point that is never explained or referred to again)and,with the promise of untold riches ringing in their ears,they set off,pausing only to have lunch at an isolated farm occupied by a family of psychos who they discover have trapped unwary Confederate soldiers and stolen whatever unwary Confederate Soldiers carry on their persons.then killed them.We don't actually see the bodies - a touch of sensitivity rather negated by the wholesale murder that occurs later in the film. They execute the Addams Family(There were four of them but I only counted three shots so possibly they lined them up one behind the other) and hop on a convenient passing Iron Horse. An awful lot of time is wasted as Mr Spence ingratiates himself with the reb grunts but eventually Mr Coburn and his scurvy crew get inside the fort and kill near enough every damn living thing except Mr Savalas who,with the dignity of an injured bull on its knees submits to the killing stroke of the sword wielded by Mr Coburn. That's the Code of the West - I guess. The music is intrusive,the guitar sounds a little flat to me,and the actual recording of the soundtrack is blurred. The dubbing is poor,the colour variable and Mr Savals's jacket as he faces his executioner is very untidy below the waist.He must have put it on in a hurry. Perhaps if anyone has seen a full - length version of "A reason to live,a reason to die",they can tip me the wink about Mr Coburn's wife's crucifix.It would be nice to know.

"A Reason to Live, A Reason to Die" (1972) is a exciting, Civil War-set Spaghetti Western, directed by Sergio Leone's protégé Tonino Valerii and stars James Coburn, Telly Savalas and Bud Spencer.The script by Rafael Azcona, Ernesto Gastaldi, Jay Lynn and Tonino Valerii is hardly original, amounting to nothing but a "Dirty Dozen" rehash, but it is adequate: during the American Civil War, the disgraced Colonel Pembroke (James Coburn) tries to retake a heavily defended fort that was taken by the Confederates from him without a shot fired, a mystery that helps drive his character, by using twelve recruits who he has saved from death sentences.Despite the lack of originality in the screenplay department, the spirited direction makes the story rattle along at a breathless pace to the expertly staged, wholesale carnage at the end. Throughout, the the three leads fare remarkably well and are the only ones who are given any sort of more than superficial examination of their past. The music by Riz Ortolani, all powerful horns, is masterly, compensating for uninteresting photography.The fast pace and direction help raise this Spaghetti Western into a higher plane, turning it into a very, very enjoyable film.

You know, I must have missed something here because this story just didn't make much sense. During the Civil War, Union Colonel Pembroke (James Coburn) surrenders his position at Fort Holman to Rebel forces, and once court martialed, makes an offer to Major Charles Ballard to take the fort back with a handful of men. When asked why he surrendered in the first place, he stated that it wasn't important, so we never do find out. Huh?With five outlaws saved from the gallows, and a soldier thrown in for good measure by the Major, Pembroke makes his way back to Fort Holman, dangling a five hundred thousand dollar promise of hidden gold to his rag tag band. Curiously, it seemed to me that once the bullets started to fly, Pembroke lost more men than he started out with, but then again, I wasn't counting. In what looked like the complete reverse of the situation at the end of "Butch Cassidy and The Sundance Kid", it appeared that Pembroke's bunch had the entire Rebel garrison at Holman surrounded, managing to destroy everything in sight while picking off a swarm of soldiers who never seemed to be seeking cover from all the gunfire. Holman's commander, General Ward (Telly Savalas) must have figured that being this close to the end of the flick, he might as well take Pembroke's sword to end it all. The set up seemed to suggest that Ward and Pembroke were mortal enemies, but if they were, I'm not going back to find out why.The print of the film I viewed probably didn't help matters any, it was a cheap DVD I picked up for a buck, and was quite dark and muddy throughout. I will give credit though to Pembroke's military ally Eli Sampson (Bud Spencer), he got an awful lot of mileage out of the old, hey the War is over gimmick. As for the half million in hidden gold - nope, it never turned up.