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Don't Look Back

Don't Look Back (1967)

May. 17,1967
|
7.9
|
NR
| Documentary Music

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

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steelblue55
1967/05/17

I wonder how many of the people saying how Dylan put Donovan in his place singing "baby blue" are really saying that because either they think it's a better song, or they just like Dylan better? Expecting down votes, but in that scene Donovan's song was much better - guitar work nothing major for either one, but his voice and singing was much better.With that out of the way, Dylan is not a favorite. But I still found this pretty interesting as a snapshot of the times and to see the debates with the press. It kind of confirms how Dylan wanted to play the 'artist' but knew that being difficult with the press would actually sell more records and help give him the credibility he wanted so much.So even if you aren't of a certain age, or don't think Dylan was the big thing, you might still like this as a look back to a different time.

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Rainey Dawn
1967/05/18

OMG what can I say about this documentary that hasn't been said already? This is an outstanding film for fans of Bob Dylan, Joan Baez and Donovan. Of course the main focus is Bob Dylan and his 1965 tour of England.There are quite a few funny moments that had me literally laughing out loud, some moments that are intense, other times it's very peaceful just to kick back an listen to the beautiful songs.I knew I would enjoy this film - but I can't believe just how much I thoroughly enjoyed it. So much behind the scenes footage that I felt I was right there with them. The concert footage had me feeling like I was sitting in the front row.This is well worth watching if you like Dylan, Baez and Leitch. Highly recommended.10/10

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gavin6942
1967/05/19

Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.I confess I know very little about Bob Dylan. I know his real name is Robert Zimmerman, and I know some of his bigger hits. But this is the first time I ever really saw him interacting with anyone... and it is a very strange sight.You might presume that this documentary would be trying to show Dylan in a positive light. And in a way, it does, because we get to see his intelligence and talent. But he also comes off as incredible rude and confrontational, as well as a bit of a braggart, saying he can sing better than Caruso. How much is this an act and how much was the young Dylan sort of a jerk?

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christopher-underwood
1967/05/20

Been listening to a lot of Dylan recently and so I watched this again. Probably not seen it since video days and the only drawback that I remember from that viewing was that some of the dressing room/hotel room conversations were a bit inaudible. Much clearer now and what a superb documentary this is. Again, perhaps, particularly seeing it 45 years after it was shot it is amazing to see Dylan performing the very songs I am still listening to and seeing him in conversation and argument with pals and interviewers. How old the people sent to interview him now seem and how unprepared for the changing times. So fantastic to have such a document without over dubbed narration or nodding heads just a swirling camera glancing from face to face and following Bob down labyrinthine corridors until finally out of the darkness and onto the spotlight stage. Clapping and not screaming greets his songs and the relaxed and jokey style is a joy to watch. Not sure what my favourite bits are but apart from the stage songs there is a great exchange with a journalist from Time magazine and another with a university student/interviewer. Probably best for me, though, was the turn with Donovan who bravely performs a song in front of Dylan and his entourage to quiet appreciate and some success. But, Dylan then borrows his guitar and replies with a devastating performance of It's All Over Now Baby Blue. It wasn't over for Donovan for a few more years but it is still not yet over for the amazingly creative, Bob Dylan.

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