Touchy Feely (2013)

Between Ellen Page, Allison Janney, and Rosemarie DeWitt, you have a great filmography between the three in which you will likely find the best drama or comedy movies of the past few years; and between DeWitt and Janney, you'll also find some of the best television of the past few years. Leading to the question of how come this film seemed to not really pop up anywhere? Is it simply that Magnolia Pictures wanted to focus on their other projects more, like Blackfish, or simply a general lack of interest? To find out if you should be interested in this movie, look below.Characters & StoryIn this awkward little family, Abby (Rosemarie DeWitt) is a massage therapist, who has an interest in alternative medicine; her brother Paul (Josh Pais), who at first meeting comes off as Abby's father, is a dentist who speaks in monotone and is very plain; and then there is Paul's daughter Jenny (Ellen Page) who simply is a young girl, likely fresh out of high school, who is unsure what to do with her life. Leading to the main story which deals with Abby's sudden phobia of being touched, or touching people, as her brother magically starts getting the healing touch. Something which turns his dying dental practice into the place many believe a miracle worker practices at. And while Abby adjusts to losing her ability to make people feel better, she has to deal with her boyfriend Jesse (Scoot McNairy), who originally was supposed to be a rebound from her ex Adrian (Ron Livingston). Then, as for Paul, as he discovers the power of his touch can help people, he starts to meet more and more with Abby's friend Browyn (Allison Janney) who teaches him Reiki, among other things. Leaving Jenny who pretty much spends most of the movie either working with her dad or wanting her aunt's boyfriend.PraiseWhen it comes to praise, the nicest thing I can say is that the aforementioned actresses, and their co-stars, seem to fit their characters well. DeWitt playing a normal woman put in a weird situation seems in her comfort zone; Page being a teen who is on the cusp of adulthood and unprepared for the burden seems like something she is comfortable with; and then Janney playing an sort of eccentric character who rolls with the punches, once more, seems like something she has done before and is very comfortable in doing again and again.CriticismProblem with that is, with their performances all feeling like a character they have played before, and with them playing these new characters without enthusiasm, it makes for a rather boring watching experience. Something which isn't helped by a story which never really explains why Abby gained her phobia of touching people, much less why Paul suddenly has magic fingers. There is no medium who makes them switch abilities, nor are there any concrete reasons. Then, when it comes to Paul, he is so boring that even as he meets with Browyn and tries to become a more interesting character, it feels more like a last ditch effort more than anything. Plus throughout the film I just felt like there was this big elephant in the room dealing with who in the world was Jenny's mom and where did she go? Since Paul, in the state we meet him, honestly seems more realistic as a 50+ year old divorcée, with two kids, rather than a guy in his 40s who has Abby as his sister and Jenny as his daughter. The story as a whole though does not in any way makeup for these dull characters unfortunately. For between the aforementioned switch, and then the personal drama, you are left wondering what is the point of the film, or the story they are trying to tell? With Abby's relationship with both Jesse and Adrian, there doesn't seem to be any real direction, conflict, much less resolution. Then, when it comes to Jenny, the whole her liking Jesse thing was very weird and it also felt a bit slapped together. Almost like they knew it should have been cut, but they wanted Ellen Page in the movie, so they threw something together so that the role was just big enough for her to justify showing up, learning her lines, and maybe mentioning the movie hopefully.Overall: Skip ItI was meandering between saying this was "TV Viewing" or "Skip It" when I first started watching this, but as the plot continued on, no characters began to draw me into their drama, and the story showed that it was all downhill from the beginning, I honestly wanted to stop watching this movie. And even though I did finish it, I can't honestly imagine this being worth more than background noise for a good Sunday nap. For while I like the female leads of the movie, and think they are brilliant, in each and every one of their filmographies you'll find films like these which seem more made for them to say they were actively working than really part of something you can imagine them openly, and repeatedly, promoting.

Well, like I'm sure many have, I also claimed to wanting to watch DeWitt in almost anything. 'YSS/Your sister's sister' was followed by that fracking movie with Matt Damon and John Krasinski, in which DeWitt didn't have much to do, but hey, she was there, the voice of Damon's conscience (mm-hmm). Well, she's in this one too, re-teaming with her YSS director, Lynn Shelton. It's a surreal kinda tale, with the tone weaving more towards the comedic rather than the dramatic, which was the strength of YSS. It spins 2 parallel tales of siblings, where one's fortune in their chosen profession takes off, along with cementing certain personal relationships as well, while the other's fortunes nosedive in parallel. While observing both these whimsical tales is interesting, strangely enough, there's a connection lacking between the protagonists and us, the audience. The cast's fantastic, with Alison Janney having a nice coupla scenes (but not enough, esp. towards the end), along with Ellen 'Juno' Page, Scoot 'Killing them softly' 'Argo' 'In search of a midnight kiss' McNairy and Ron 'Office Space' 'Swingers' 'Drinking Buddies' Livingston (who's in this for 1 scene, sorry RL fans).All of that casting comes to naught though, and I classify this under being one of those 'missed efforts', of which there seem to be so much floating out there. Still, its an Indie, and its got Rosemarie DeWitt, and I'd watch her in anything, even repeatedly.Its also surprising that the movie doesn't use one of its key conceits (that kinda makes its appearance a little bit towards the end) to more effect, in spite of its having been 'used' by both of its key protagonists. And what does each 'learn' from their predicament - no answer. Where is their arc? Maybe there was one, but I definitely missed it. Why don't we go deeper into the metaphors for 'massage', 'Reiki' (one needs touch, and the other uses your 'aura', therefore needing no touch - what do they mean to one another in the context of this flick) and even 'dentistry' - no clue. All of this came across as kinda half-baked, but perhaps Shelton was leaning towards being abstract, the way most Indies wanna get to be. I did not get it the way it was perhaps intended.Well, all that being said, I need to watch it for DeWitt once again, though its kinda surprising that Pais gets more screen-time than she does.

'TOUCHY FEELY': Two and a Half Stars (Out of Five) Another comedy-drama film about relationships from writer/director Lynn Shelton. Shelton also wrote and directed the 2009' film 'HUMPDAY' and 2011's 'YOUR SISTER'S SISTER' (which was a better movie). One of the stars of 'YOUR SISTER'S SISTER', Rosemarie DeWitt, also stars in this film along with Ellen Page, Josh Pais, Scoot McNairy, Allison Janney, Tomo Nakayama and Ron Livingston. The movie is about a dentist and his daughter struggling to revive their dental business and the dentist's sister, who's a massage therapist, that suddenly loses her ability to touch another human being (out of fear). It's quirky and oddly funny at times but never very touching or as emotionally moving as it would like to be.DeWitt plays Abby, a massage therapist who's boyfriend Jesse (McNairy) just asked her to move in with him. This scares her, as her last relationship was a hard breakup, and she starts having panic attacks that prevent her from doing her job. Her brother Paul (Pais) is a very conservative and anal dentist who lives in their parents' old house with his daughter Jenny (Page). Jenny is Paul's assistant at his dental practice, where business has been extremely slow. One day Jenny invites her friend Henry (Tomo Nakayama) in for a free cleaning and when her father heals his long time tooth pains their reputation picks up and so does their business.The movie is interesting and entertaining enough while you're watching it but once it's over it doesn't really leave you with much to think about. That's good enough for some movies but I think a film like this really wants to accomplish a lot more. The cast is all great (I think DeWitt is gorgeous and I've been a fan of Page ever since 'JUNO') and the characters are likable but I don't think the resolutions to their problems are very satisfactory. It's oddly funny but never hilarious and is frequently on the verge of being emotionally moving but never quite gets there. It all seems just a little too uneventful in the end. Not a bad film but not an especially good one either.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=nDElhat3XPM

I don't "get" Touchy Feely, is there a message one can learn from watching this movie? The Characters are dull and it's as if we're watching a movie that's been put on because the late night infomercial tapes aren't working, at no point is any relevant plot established and the acting is awkward at best. When the Dentists unexplained phenomenal healing touch diminishes and the professional massage therapist decides she is sickened by the thing she has chosen as a career the characters turn to drug use to solve there problems, the most meaningful conversation is when the father and daughter sit at the table after there one night bender and don't say anything at all.One redeeming factor is Ellen Page she is as cute as always she earns all 3 stars I give this midday (watch as you cook or background noise) movie.