The Thin Man Goes Home (1944)

I've read comments from other reviewers that as the Thin Man series went on, the quality of the movies went down hill. Well you can't really tell by this, the fifth film in the line up, as this one had me fully engaged right from the start. Asta has a fair share of quality time, Myrna Loy adds a layer of 'I Love Lucy' to her character Nora Charles, and lo and behold, Nick (William Powell) runs the entire show on apple cider instead of booze. The venue is also a nice change of pace, as the Charles's head over to Nick's home town in Sycamore Springs for a restful vacation.As usual, there are a whole host of interesting characters on hand, as the inevitable happens and Nick is drawn into a murder case when someone is actually shot on the doorstep of his parents' home! Never before has wife Nora been so animated in her desire to have Nick get involved in a case, as this time it would demonstrate how clever he is to a father who had become disillusioned over his son's choice of profession. But you know, I didn't think it was very admirable the way Nick took his wife over a knee for that spanking - ouch! Can you just hear the wailing of the war on women folks if this was made today?! Here's a question - what's the shortest amount of screen time on record for a character in a movie? Holy smokes, Ralph Brooke, the actor who portrayed Peter Berton might have been visible for about a minute before he got shot! I fully expected that the actor remained uncredited but he's right there in the cast line up. I hope he fared better in his other movie appearances.Here's what I have to admit though. Whenever Nick Charles goes into one of his illuminating explanations revealing the identity of the killer, I just about completely zone out. I suppose I could back track and try to follow the details here but ultimately it doesn't make too much difference. At least this one had that neat back story with the tampered paintings and the espionage angle going for it. What I was really hoping for though was for Asta to come along and take a whizz on the collie in the windmill painting.

Here we've got a complete change of atmosphere for our city-dwellers Nick and Nora: they travel to Nick's small hometown to see his parents after a long time. And since Nick knows how much his father disapproves of his excessive drinking, he's gone on a 'diet' of... apple cider! But Father also disapproves of something else: that Nick didn't become a doctor like himself, but just a 'cop'... And yet that's exactly what's made him famous in his town: the many difficult murder cases he's solved in the city. And so everybody thinks, as soon as he turns up in the sleepy hole, that he must be here 'on business'... But while he's trying to persuade everyone that he's just on holiday - he DOES get his 'business': a young man is shot right in front of the door of his parents' house! So, whether he wants to or not, he helps investigating (since the country cops are even dumber than those in the city...); and he uncovers not only a whole number of well-kept family secrets, but - with a painting that Nora buys him for his birthday and that seems strangely coveted by some people as evidence - finally a big case of industrial espionage! And as for the identity of the actual murderer: here he makes his father proud at last with his knowledge of forensic medicine...Now, it depends on the point of view: you could call the environment in this movie either unusual or unsuitable for Nick and Nora. Anyway, let's see it from the positive side: William Powell and Myrna Loy are once again in great shape and in the mood for cheeky jokes (Nickie Jr. was left at home this time, so there aren't any parents' issues), Anne Revere gives a great performance as 'Crazy Mary' and Donald Meek as the nutty art dealer and Edward Brophy (who had played 'Morelli' in the original first "Thin Man" movie) as the chatty salesman provide good fun entertainment, and the plot is really quite clever and full of surprises.Still, you can feel the atmosphere changing and drifting further away from the first 'Thin Man' movies; so, for fans of Nick and Nora (as we knew them from the 30s) this one might be a slight disappointment - but as a crime comedy on the whole it's certainly solid, well-made entertainment!

Nick (William Powell) and Nora (Myrna Loy) go on holiday, and end up involved in a murder.While Powell is the title character, Loy carries the picture. Her fast talking and attitude (reminiscent of a certain Howard Hawks heroine) really draws us in and keeps the pace going steady. She was apparently almost replaced... that would have been the death of the series for sure.I enjoyed the spanking scene, with Powell calling this the "power of the press", with that adorable dog clapping -- in fact, the dog in general is definitely a character all his own.Not sure what is up with how the sailor dances -- it looks more like assault at times.I would love to point out that the greatest cinematographer of all time, Karl Freund, photographed this picture. However, there is nothing of his creativity here... perhaps stifled by the studio atmosphere.

Hands down, the best mystery and BIGGEST surprise ending in the series. The jokes and repartee are first class, lots of excellent supporting roles and by keeping a tight rein on the 'Thin Man Formula' it keeps everything fresh. You've got just enough drinking jokes (Nick's on the wagon because they're visiting his folks) but the scenes when his dad thinks he's drunk make up for it. Mercifully, they left Nick, Jr. at home - family stuff hurts the chemistry of Nick and Nora more than anything. Also,there is exactly the right amount of Asta. And of course, as everyone suspects, Asta is their 'real' child.Not as many rough characters interacting with Nick in this one, but Nora herself inadvertently lapsing into criminal lingo as she tells the story about 'Stinky Davis' to her staid in-laws is even better! Also, you got the wonderful Edward Brophy, who specialized in comic gangster roles, posing as as the most improbable of 'greeting card salesmen' - his 'made up shop talk' is hilarious. And the great Anne Revere (later black-listed) acts to the hilt in a small but juicy dramatic role - you'd swear that 'Red Annie' was doing Brecht! I dare you to find one minute of Anne Revere on screen in ANY film in which she was not TOTALLY mesmerizing.Director Thorpe was not quite 'One-Shot Van Dine' the best Thin Man director but he seldom puts his foot wrong. Boring camera placements and indifferent staging if you care about that, but when your listening to Nick and Nora sparring you don't really notice.