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Enemies, a Love Story

Enemies, a Love Story (1989)

December. 13,1989
|
6.6
|
R
| Drama Comedy Romance

A ghostwriter finds himself romantically involved with his current wife, a married woman and his long-vanished wife.

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Reviews

Michael Neumann
1989/12/13

Very little in the previous career of director Paul Mazursky gave any hint of the depth and complexity of this comedy drama, adapted from an Isaac Bashevis Singer story about the misadventures of a Jewish refugee (Ron Silver) in New York City shortly after World War Two. Silver has a few problems most men wouldn't mind sharing, including a wife who is more a devoted servant and a mistress as passionate as she is temperamental, but the cozy arrangement is complicated by the unexpected return of his first wife, long thought dead, to act as a ghostly conscience and councilor for her bewildered husband. The film is so well made, with such attention to period flavor and detail, that it seems mean to point out its few nagging shortcomings: the haphazard structure, with too many sudden, incompatible changes in mood, and the equally inconsistent characters (it's never made clear, for example, why all three women are so devoted to this particular nobody). Too bad some of the effort that went into the production didn't first go into the script, but it's still an unusually rich experience, with an added dimension of depth from the specters of the Holocaust still haunting each character.

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xavrush89
1989/12/14

When comedian Alan King passed away last year, I thought of his sweet performance in this should-be classic. One would not expect comedy to come from a story about Holocaust survivors, but this film takes the quirks of human behavior in the wake of tragedy and puts them on display, warts and all. I haven't read Nobel Prize winner Isaac Bashevis Singer's novel, but I can't imagine him not being pleased with Paul Mazursky's winning adaptation. Poor Ron Silver though, he finally gets a lead role, and almost every scene of his is stolen by one of his three outstanding female co-stars.Lena Olin has the showiest part as a fiery concentration camp survivor. Full of passion, bitterness, and paranoia all at the same time, she puts sex back into an era normally depicted as colorless and empty. I don't want to say too much about Anjelica Huston's role for fear of spoiling the intrigue each revelation about her character brings. She pulls off several humorous moments as well. But the real revelation is Margaret Sophie Stein. As Silver's wife whom he married out of gratitude, she is not as naive as she seems, and her performance anchors the film.This movie snuck in under the wire at the tail end of the 'eighties, and seemed to have gotten lost in the shuffle of high caliber end-of-the-year movies all seeking Oscar consideration. Some feel that its Best Picture nomination was stolen by Dead Poets Society. I am one of those people. But keep in mind that this was the year that Do the Right Thing was ignored in favor of more sentimental fare like Field of Dreams. Olin and Huston were nominated for their roles, but they lost to Brenda Fricker's tour de force performance as Christy Brown's mother in My Left Foot.It bothers me that this film doesn't have more votes. Rent it, people!!! (Or better yet, buy a copy. When you see it, you'll want to.) You'll love the characters, and it's a great film to watch after you've seen something like Life is Beautiful. It is an unusual tale, but one I am glad someone thought to tell.

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aromatic
1989/12/15

Singer is a downer (except for the cinematically changed ending of Yentl), and this extremely well-performed and well-directed sado-masochistic tale is no exception. This film truly makes you feel its characters' abundant and excruciating pains. The Holocaust was Hell, and this film convinces me that the only thing worse than getting killed in a concentration camp, is surviving one.

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tao-3
1989/12/16

a hellish tale about a modern jobe from Bashevis Zinger's Novel. Herman Broder(Ron Silver), a holocaust surviver, lives in the 1940's New York with the polish peasant that hid hom during the war, has an affair with Mash (Lena Olin) , a half crazed camps survivor and has to deal with his first wife, supposedly dead, Tamara (Anjeliqua Huston). All of this is brought in a suffocated, sarcastic, sweaty manner, that you feel his suffering. An excellent performance by all of the above in a movie in a very impressive film

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