GO (2001)

I had to watch this film for an university class. I liked how the main character was neither this nor that- He was neither Japanese, nor Korean. Neither South nor North. At the end of the movie he seems to accept that he is a Japanese born Korean, which shocked me. What shocked me more was that he was temperamental to all hell, but he was shown actually applying to schools and whatnot. While this movie does embody some patriarchal strains, to classify it as a "sterotypical Japanese" film would be incorrect as it is a movie told from a teenage boy's perspective. The quirks that the main female character has is a quality that endears her to him. Likewise, it is his ability to act out of context with societal roles that endears him to her. She admits to being attracted to his eyes after a fight- because they symbolized the wildness she sees in him. It's a sweet romantic film. Would I read deeper into it? No. Nice, sweet, fluffy and dramatic, but in the end it illicits the same "aw" if you can overlook the mixed in sadness, anger, and violence that subtly permeates the film.

When I first saw this movie I was kind of turned off by it. It can be kind of confusing the first time around. But as with most good things it gets better with time and familiarity. The movie basically revolves around a Japanese born but fully north Korean teenager who struggles to find his place in society and come to terms with his tough father. As a Japanese-born Korean or "zainichi" he often feels alienated both by Korean and Japanese culture. The movie follows the trials and transformations in his life and his desire to find who he is and where he belongs. I think a lot of people who are the second or third generation of immigrant families will really get this movie. It's like being stuck between two worlds sometimes. But regardless of background people will be able to relate to the story (manic as it is). If you like say fight club, you will probably like this movie. There are quite a bit of action and fight sequences, a lot of introspection, and also romantic elements. The movie tends to segregate these elements to some extent which makes the film seem lop-sided but in the end everything balances nicely. This is probably one of my favourite movies, Japanese or otherwise.

I love this movie. Not only is Yusuke Kubozuka the man but this movie is just done really really well. It is a very good combination of stylistically surreal scenes such as the basketball scene and the race against the train, along with a plot that delves into issues that are very prevalent in Japanese society. A good friend of mine has experienced quite a bit of this prejudice in Japan being of partially Korean descent. It's actually been a little while since I've seen the movie so I can't really comment on too much of the specifics, but I just remember it as being a very intense experience that came through on a number of levels, combining an interesting love story, cool action sequences, humor, social commentary, and a coming of age story all into one amazing movie. Also it was great to see the actor who played the father again because he was so cool back in "Tampopo".

i saw this film at the berlin film festival where it was part of the 'panorama' showings (not in the actual competition itself). it was perhaps unhelpfully billed as a film about the 'taboo of relationships between japanese and koreans'. i wouldn't say that it was particularly about that at all - more like a teenager's struggle for identity.i found it to be an excellent film. funny, touching and well-played. it deserves some international success.