Deadly Sweet (1967)

The film centers around Bernard (Jean-Louis Trintignant) an actor who gets involved with 17 year old Jane (Ewa Aulin). Jane's dad was recently killed in an auto accident. She thinks it was blackmail and murder. Prescott, the club owner shows up dead, Jane claims she didn't do it. She gets kidnapped by a "midget" and ransomed to her brother Jerome (Charles Kohler). The plot was a bit confusing and the actions taken by the characters stopped making any sense long ago.The film has English subtitles and comments by Tinto Brass options.Guide: No f-words. Brief nudity. Sex scenes were blurred with Vaseline on the lens, a popular effect that passes for art and overused by Penthouse Magazine.

When I see Tinto Brass, I think of Cheeky and Salon Kitty. T&A features, not traditional giallo. I am willing to be surprised.You are going to be reminded by a current jail occupant in Orlando, Fl, who was dancing the night away after her daughter went missing. The children. Jane (Ewa Aulin) and Jerome (Charles Kohler) Burroughs, in this film are in a nightclub right after they visit their father in the morgue. Guess death can't interfere with life.Bernard (Jean-Louis Trintignant) discovers her with his dead partner and takes her away.They go looking for the killer. It's not as bloody as most giallo, and there is no nudity to speak of, but it is worth watching. It had an almost comic book air at times, and the music was definitely upbeat.The cinematography was outstanding on this print and really made it worthwhile.

This pop psychedelic giallo is an early film by the Italian "master of eroticism" (he's definitely "master" of something), Tinto Brass. Unfortunately, it's VERY derivative of Michaelangelo Antonioni's "Blow-up" from the previous year, and while some find that movie borderline pretentious, this movie is well over the borderline. It also compares pretty unfavorably to the OTHER pop psychedelic giallo released in 1967, "Death Laid an Egg", which also features French actor Jean Trintigant and Swedish nymphet Ewe Aulin. But just because it isn't as good as two excellent movies like "Blow-up" and "Death Laid an Egg" doesn't necessarily make it bad. It's well filmed, and it has good acting and good music. I actually liked it better than "Salon Kitty", "Caligula" or any of Brass' other later, more erotic, but much more tedious ventures.The story is pretty insubstantial. A man spots a a young girl at a disco and is immediately drawn to her. Later he finds the disco owner dead and the young woman standing over his body. Since the disco owner was apparently blackmailing her recently deceased father, the girl suspects that the killer might be a member of her own oddball family--her androgynous twin brother, her grasping mother, or her sinister gangster stepfather. As the couple are chased all over Swinging late 60's London by all kinds of colorful characters, including a hulking black man and a dwarf, they try to piece together the bizarro plot (while the viewers try even less successfully to do the same thing). Brass also throws in a lot of black and white footage--perhaps in an homage to American film noir--however, this style really clashes with the colorful psychedelic pop art and the principal story, which far from being downbeat and noirish, is often as light and airy as a soufflé.Trintigant was one of the most famous French actors of the period. He was kind of in the same mold as Jean-Paul Belomondo, Jean Sorel, and Alain Delon. But he didn't seem to rely as much on his good looks as some of his fellow French leading men, and he was often in more interesting, offbeat films like Robbe-Grillet's "TransEuropean Express", "The Angry Sheep", and, of course, "Death Laid an Egg". Ewe Aulin, who was only seventeen at the time, did this film as part of a 1967 trifecta which also included "Death Laid an Egg" and the big-budget celebrity-train-wreck sex comedy "Candy". Only one of these was really a good movie, but SHE is definitely very memorable in all three of them. If nothing else, this is certainly a prime example of a European co-production of the era--an Italian film shot in London with a French leading man and a Swedish leading lady.This is by no means a great film, but it is worth seeing.

A rather unusual agenda from tinto brass who obviously found later his niche in "t&a" movies. Col cuore in Gola is a psychedelic, pop art giallo that can just come from the great era of the late 60´s/70´s. Starting from the nice credits and music you immediately like this film and this is just the beginning! Trintignant founds in a nightclub a corpse beside the lovely aulin who just says "i wasnt it" Convinced that she is innocent he wants to help her and want to find out the murderer, Aulins brother should solve this case and both are searching for him. Though not quite without problems..a dwarf in raincoat is following them in companion with some gangsters who kidnap Aulin. Jean is now searching for aulin, aulins brother and (of course) the murderer. The Story itself is not that convincing (rather unimportant) but what here is really of interest is the unconvential style of brass : splitscreen(even tripple split screens!) some scenes in black and dark yellow filter and more.., and in the "middle" of course the presence of two very convincing leads: cool Trintignant and hot Ewa Aulin. (somehow priceless here in white fishnet stockings) the result is a quite good giallo with (obviously) strong references to pop art. In the same year Aulin and Trintignant appeared in the avantgarde giallo masterpiece "Death laid an egg", Col Cuore in Gola is not great as Giulio Questis film but is definitely entertaining.