Hollywood Cowboy (1937)

"Hollywood Cowboy" is also listed at YouTube as "Wings over Wyoming," and you can find it under either or both titles. But if you look, I'm afraid you won't find a very good print.Which is a shame. I might have given it a 10 if I could have seen it in one piece, without the dark picture, without the breaks and pops and jumps, and without the hiss on the sound track.It has a crackerjack cast, starring the very good-looking and extremely capable George O'Brien, with the beautiful and also talented Cecilia Parker. Hers was another Hollywood story of a beautiful talent who apparently crossed the studio bosses, because she obviously had the looks and ability to have become a star."Wings over Wyoming" is as good a title as "Hollywood Cowboy" because all those words figure in the story, well co-written by Dan Jarrett and director Ewing Scott, who was helped in the directing by the great George Sherman, who helmed many a Western movie.It is a slightly involved story, with bunches of characters including city-slicker gangsters trying to transfer their skulduggery to the ranges of, yes, Wyoming.There have been other efforts with a similar premise, but none better than this one.I highly recommend this, for cast, scenery (actually California), and good story. I just hope you find a better print.

An odd oater, with little hard riding and no fast shooting or flying fists. Instead combat takes place between two old airplanes, plus well-aimed lassoes. Hollywood cowboy Buck (O'Brien) shows his grit off-screen by helping ornery old rancher Violet Butler resist a shakedown by conniving city slicker Kramer (Middleton). Most of the storyline, however, is taken up with talk, maybe too much. But there is some good footage of the fabled Alabama Hills and scenic eastern Sierras. Also, some good bird's-eye footage of the maneuvering airplanes interspersed with process footage of the pilots against a backscreen. O'Brien's cowboy is more affable than tough, a rarity for matinée heroes, while Parker makes a comely blonde sweetie who'd make any guy stick around. Too bad the deliciously evil Middleton doesn't get more screen time, even though he's more subdued than usual. Anyway, it's definitely not a formula western, but has enough appealing novelties to satisfy an old matinée fan like me.A "6" on the Matinée Scale

In Hollywood Cowboy George O'Brien plays a B western star a whole lot like George O'Brien who after shooting a picture on location decides to take a camping trip with script writer and buddy Joe Caits. Though Caits is a city boy he'd like to get as far into the forest primeval as possible as he's ducking a subpoena. Somebody else has left the big city as well, one Charles Middleton whom we all know as Ming the Merciless from Flash Gordon has also moved west and is establishing an old fashioned protection racket involving cattle rustling. He tries to move in on owner Maude Eburne, but she's a tough old bird. O'Brien gets involved when he saves Eburne's niece Cecilia Parker from some of Middleton's men and O'Brien also starts some moving in on his own. Nothing too terribly complex about the part, a story that's been unaccountable times in Hollywood. But O'Brien does this one with tongue firmly in cheek. It's almost like he was setting a mold for James Garner to follow in the future.I think some non-western fans will like this one.

The story has some unusual twists including Kramer, a white-collar criminal who plots to exploit a feud between cattlehands and cattlemen plus fleece cattlemen of money through a dummy Cattlemen's Protection Association.George O'Brien plays Geoffrey Carter, a Hollywood cowboy shooting a western film at Lone Pine, CA. He just happens to rescue Joyce, a cattlewoman's daughter from the city gangsters and falls for her. Then he goes to work for her mother as an anonymous cattlehand.The most interesting plot element is the use of a single-engine, dual wing biplane to frighten cattle and then a subsequent air dual with an aircraft from Hollywood flown by Carter's friend.Final roundup of the criminals has a nice twist but the ending is standard Hollywood schmaltz. There are some holes in the story never resolved. But nothing out the ordinary for a 1937 RKO Radio Picture.George O'Brien is adequate but the supporting cast never have opportunities to rise above predictable or pedestrian, which is simply a fault of the script. However, this is a 64 minute, low-budget B-western, so there was little time or reason to worry about character development. This is a rare film and not many prints exist either as Hollywood Cowboy or Wings Over Wyoming. Showcase Media of Studio City California 91604 has one, good, complete 16mm dupe print.