Holt Of The Secret Service (1941)

When they made this film, Jack Holt was 53 and Evelyn Brent 42. You might suspect they'd be a bit creaky. Anything but. This is the only serial I've seen where the leads are actually fine actors. As a result, their byplay, highly unusual in serials, is a breath of fresh air. Brent is just as tough as Holt and each does most of his/her own stunts. Not since films like The Hazards of Helen has the heroine been an equal partner of the hero, climbing rope ladders, socking bad guys with a gun, tied to a post while a real, large fire blazes behind her. She should be better known as a feminist icon. Brent and Holt run, climb, drive like maniacs and generally put persons 20 years younger to shame. If you can imagine putting your heart and soul into a piece of celluloid trash, this is it.That said, Holt and Brent are the only reason to see this film. It is quite cheaply made, despite that Columbia could have spent a little money dressing standing sets. Locations are used repeatedly when logic would presume the bad guys would choose new locations after the old ones were discovered by the good guys. The bad guy leads are disappointing, particularly the leader of the gang. Without the leads I'd give this mess three stars.

In 1941, Jack Holt was strictly a contract actor at Columbia where ten years previous, he had been one of their leading stars. I have it on good authority that Jack made the serial to fulfill his contract commitment to Columbia. He and Harry Cohn bumped heads constantly and I think this was one way Cohn was getting back at him. Holt had made some serials in the silent period, where his tight lipped histrionics probably made more sense. I have seen the serial and where it may not have been up to Columbia's standards, you got to admit old Jack went through an awful lot of fights, being dunked in the water, and general scuffling just to have his suit looking nice like that. He fared a little better in some of the westerns he did in the late Forties at Republic and in Arizona Ranger, in which he co-starred with son Tim.

Serials were the staple of production for the middle tier studios. Columbia, Republic, Universal and the poverty row independents. Universal featured competent actors, well thought out plot lines and had the Flash Gordon franchise. Republic had the best in action, special visual effects and stunt-work. So what did that leave Columbia? Not much and they did not put much into this effort. Columbia was not called at that time "the Germ of the Ocean" for nothing and this serial is a perfect example.Fifthteen (15) chapters of drudgery and what for? To find some plates used in counterfeiting money. No super weapon to conquer the earth like in 'THE ADVENTURES OF CAPTAIN MARVEL'. No super villain from outer space like 'MING THE MERCILESS'. No Nothing! There is not SeventyNine (79) minutes worth of plot here let alone 279 MINUTES! The featured players of Jack Holt and Evelyn Brent are particularly joyless and not very attractive. Holt's glory days were long over and Brent's were over by 1930.We can only recommend picking up this one (1) if you can find a copy for $02.00 or less. Better yet con one (1) of your friends or your library to get.

Jack Holt and Evelyn Brent comprise one of the most unusual tandems of heroes in serial history, long in the tooth but also plenty long on toughness. Masquerading as "Nick Farrel", escaped tough guy, and his wife, Holt and Brent infiltrate a gang of counterfeiters. The setting is surprisingly widespread for a chapter play, as the action moves from the gang's hideout in a lost canyon to a gambling ship on the high seas to a small island country where the gang hopes to escape U.S. extradition. The main villain is a fellow named Arnold, but he hides behind the facade of one of his men, Quist, to shield himself from the Secret Service, and lets another one of his men, Valden (frequent serial henchman Tris Coffin), do most of his dirty work. The island nation has its own pocket dictator, who is also trying to rub out our boy Jack.Jack Holt is, simply put, the toughest leading man in serial history, the type of guy who could swallow nails and crap thumbtacks. When he gets in a fistfight with four of Arnold's boys and beats the hell out of the entire quartet, you can believe it.As this is a James Horne serial, some of you might wonder about the "comedy" content. There is little of the funny stuff that you'll find in such Horne classics as TERRY AND THE PIRATES or THE SPIDER RETURNS, unless you count the occasional "undercranking" that makes everybody look like they are rushing out of a burning house, or the fact that, unlike the Republic serials in which bands were used to keep the Fedoras on during fights, Columbia apparently just instructed their actors and stunt men to crush their hats down tightly on their heads, making everybody resemble two-fisted Buster Keatons.I give HOLT OF THE SECRET SERVICE a solid *** and recommend it highly.