Siberia (2018)

Everybody expects John Wick 3. The internet space is full of teasing pictures for upcoming hit. What if Keanu Reeves using his time wisely had created the diametral, antagonist exactly opposite personification of this hero. Call him Lucas Hill- he has no will. When Wick is running or riding a horse, Hill stays, making phone calls. When Wick fights for his survival with russian mobsters - Hill just getting lost in Siberia. Just put a minus for every good thing John has and you will get the character strings of Lucas Hill- John loves his wife, Lucas is unfaithful. John drives his car - Lucas has a driver. John takes everything personally - Lucas didn't give even a candle, a soup for his lovers. What do you think? Which one deserves to live?

Don't watch it, you will be very disappointed. Even Keanu Reeves can save this poor, poor screenplay.

OMG ! this mediocre film, pure waste of time! amazing to see Keanu Reeves in a turnip. The story is nil, very confused, not exciting despite the sex lol scene Nothing is likely. This film will quickly confuse, sound and fury signifying nothing, we learn nothing about the characters and I have not compatible, because we stay away, it's cold, the camera is also very cold; I did not see any interest, this film is rotten. The actors too and even keanu, which is limited, but it's still the best, only an actor can not save a movie. Move along, there is nothing to see here!

I don't understand this kind of film, it's a flatness. It has no direction, two films in one, but Neither of these of these 2 stories are develloped. Matthew Ross would have been choosing which story he wanted to tell. That of diamonds is slightly better. The other (romance) is interest, the couple Lucas (Keanu Reeves) Katya (Ana Ularu) doesn't work. No complicity between them, no listening, it's a story I don't believe. It lacks a lot of deeds or words, maybe time to make credible this superficial relationship. Keanu Reeves is an ice cube and Ularu imposes nothing, no character, this woman is transparent, no real personality, I just perceived her pride and like all good the proud person thinks that hes only presence is enough, why do when you are the best? that's what I felt. The director should have chosen a real actress because there, the film is already painful to watch but more than the actor is bad ,it quickly reaches the horror. My language to her is strong, but after the movie, it was so disgusting that I went to see on the web to understand who was this woman, during my research, I came across some interesting facts on her instagram, she could only tell people to go on IMDb to show their love (those are his words) so shameless craving must have a shameful nay. I have never seen something like that before. Very badly polished, everything is a must have for she and "love is for the beings to decide what they will do". Her request was without respect for the "public", I do not tell you all that I read that confirms are my pride, I just explain to you why I do not spare this woman, that may sound a bit extreme . So with that, I continue my criticism ... The end, the exchange is pathetic, especially since Katya, one of the big concerns of this scene, shows an indifference to what she saw, to be more precise, she shows insane things. If Lucas on the other hand is very genious, very anxious Katya not at all, decidedly (I know I add a layer, but facing so much pride ...on the other hand, I am honest in what I say, I'm not excessive, I see in my life, I don't judge. In addition, I don't have the abitance to treat others badly because it doesn't go to a man when he is down, still when he is dead and gone. )this woman dream completely, no charisma, she played in inferno (very mediocre film too, none of this was Ana Ularu's fault, of course.) I don't remember her at all. you the truth, her presence on screen reach the almost to nought (that's her fault). The other characters are a little more aggressive. In a film, it is not enough to explain to us that this woman is strong, if she does not live it. Boris (Pasha D. Lychnikoff) could have been convadictive, but scriptwriting weakness does not allow him. I hesitate to talk about dialogues ... probably a child wrote this scenario, blah, blah, blah that bring nothing concrete to the film. A great disappointment for me, to flee without turning around. I was long and I deviated a little bit from my criticism of Ana Ularu, but I thought it was important to write it, I apologize if it distresses you. Take care of yourself. Jacob