Grow Your Own (2007)

I didn't expect a movie about asylum seekers and allotments to be one of my favourite movies. But it's British quirkyness is absolutely charming. Where else in the world do they have allotments? but more importantly, I think it perfectly captures the great British love-hate of foreigners. We like them but hate them at the same time. In this movie we have the typical mistrust yet somehow that's broken down. Partly it's through food - yes we do love our takeaways here in the UK don't we? and partly through skills (yes we are short of a few) and partly through romance.It's a movie that I think is really topical and all UKIP supporters should see!

I was thrilled by the fresh (pun intended) synopsis of this film and looking forward to watch it. The first few shots introduce some of the characters as well as the main location where the stories take place; the gardening allotments. The movie looks fantastic. Colorful yet simple. Magical yet genuine. Unfortunately, it only takes a few minutes to figure out where the movie will go. We quickly figure out this will be a manipulative, sappy tale illustrating a bunch of jaded people set in their ways confronted by "nice victimized" refugees and that it will have a happy ending where the jaded people realize the error of their ways and accept these people. The characters, particularly the prejudiced ones, are very "comic-booky" in nature. The story focuses mainly on two refugee families. One of them is headed by a single mom played atrociously by Diveen Henry. I am saddened to say that any emotion that might have been felt toward her struggles were defused by what was memorably bad acting.The other story is much more interesting and focuses on a father and his two children. All are scarred by their journey to this country by way of containers, where the wife and mother died but it is the husband who suffers the most. Benedict Wong gives a mind-blowing performance here. At first, his emotions are very subdued but as the story develops, he subtly makes us aware of the inner-struggles of his character. Unfortunately, the rest of the movie is just extremely boring. There were so many possibilities with this movie. There are several characters to keep track of, many of which might have potential but none of it is realized. Even worse, despite this movie being very much not Hollywoodian, some of the main plot threads are solved cheaply in a Hollywood b-grade way. Example:Character A likes character B Character B rejects his advances No problem! Let's have character C declare her love for character A so we can all have a happy ending. Yawn. I liked very much the plot thread of the Asian family. That was well done. Unfortunately, the whole allotment business, the communal aspect of it, the dynamic involving a large cast are all under exploited.What you're left with is a movie that has very little worth.

While it's not exactly a film that is going to set the world on fire with it's originality, "Grow Your Own" is a perfectly OK drama/comedy. (Note, it is a drama/comedy rather than a comedy/drama. There is a difference.)The trailer would have you believe that "Grow Your Own" is a film concerned with British eccentrics, stuck in their ways, perturbed by the influence of foreigners on the little piece of England they call the Allotment. Er... Actually that is exactly what it is about (clichés ahoy!), but it is the sometimes very tragic human stories behind the clichés that make "Grow Your Own" interesting enough.The cast is made up of the same faces that are always turning up in British films. (Philip Jackson, Eddie Marsan, John Henshaw, Olivia Colman, Omid Djalili, et al.) All of them perfectly, and probably obviously, cast.Not world breaking, but a perfectly amiable film for a quiet afternoon at the cinema. Yes, it is another, I'm assuming, lottery funded British movie of no interest to anybody outside of the British Isles, but give it a go. You might like it.

Wow! A genuinely funny and moving film that lingered in my head for days. Probably the most unsexy list of ingredients to make a movie from - gardening, immigration, telephone masts - but it links all these plots with an amazing cast of characters who it is impossible not to care for. It's a bit like Little Miss Sunshine - why should a road movie about a dysfunctional family on their way to a beauty pageant work? - because you care about every single one of them and the same thing happens here. Rather than laying the politics of immigration on with a trowel the writing and directing insinuate it throughout the stories. A great piece of British Indie Cinema - It left me with that feeling you get after an impromptu warm summer evening sitting outside the pub.