The Game (2014)

As always ; the mood, atmosphere and production are top notch, as you would expect from the bbc. Brilliant character acting, good story (as you would expect) and amazing effects, camera work and editing. The impact is immediate and realism of the sets and effect grip the senses.. That is until a feeling of disappointment takes over. I would like to make a bold attempt to explain the slight dissatisfaction that comes up within some of the other reviews . Firstly; the bbc no longer really exists. Instead; programs are made by independent companies from a huge list, vetted by a managing body, chosen, kept and classified within certain 'standards'. This is why there seems to be a regularity to all new production. 'The game' is a good example of why the 'direction' of new production is becoming more disappointing. For anything to be exceptional, there needs to be a bit of genius. Sometimes wild. (as an example of what I mean - the group 'Pink Floyd' eventually lamented the loss of Syd Barrett ). And pure inspiration cannot be replaced by gimmick, style, effect or wackiness. What 'the Game' has is let down by what is missing. The bbc system may well be run by people with little creative interest and production made within limitation , simply because they don't know. The attempts a\t humour and being different , in 'the game' make me think of the kind of people with the ambition to work for advertising agencies. In fact, the production values are also similar and some people may well say, 'what's wrong with that'. Which could well be an indication of what has gone wrong with the system and of the way it is going. Were there was once rebellion against the system, it is now the goal , with larger audience, more programs, less range and tighter control. Ambition is a poor substitute for innovation.

One part 'Tinker, Tailor', and one part 'Spooks', moody thriller 'The Game' tells the story of an attempt by the British government (in a thinly fictionalised 1970s) to spoil a major Soviet intelligence operation. There's the possibility of at least one mole, office politics, and a brooding air of tension amid general social decay. But what made John Le Carre's story so brilliant was its minimalism: not one thing happened that wasn't necessary for the plot. 'The Game' needs too many set pieces and seems to present an intelligence agency repeatedly guilty of both bizarre judgement and operational incompetence. The love story woven into the story has its own tragic conclusion; but none of the subtlety of George Smiley's complicated, broken relationship with Ann. Tom Hughes is underpowered in the lead role; the supporting cast, however, at least play their (somewhat stereotyped) parts with gusto.

Set in the early 1970s MI5 operative Joe Lambe is given the task of overseeing the defection and debriefing of Soviet agent Arkady. He quickly learns that the Soviets have a major operation planned, 'Operation Glass', but Arkady doesn't know the details. If MI5 is to thwart the KGB's plan they will have to uncover who is behind Operation Glass as well as its eventual aim. Matters are complicated when Joe learns that one of the KGB men behind the operation is 'Odin' the man responsible for the death of his girlfriend before the events of the series. A further complication is the revelation that a mole within MI5 has been leaking details of their counter-operation to the Soviets.This gripping cold war thriller nicely captures the feeling of the 1970s and more importantly the sense of paranoia within the Security Services as agents wonder who they can trust; they don't even know if Glass is real or just a ploy to make Arkady's defects seem real. The cast does a fine job making us believe in the characters while still wondering whether or not they are the traitor. The only big name in the cast is Brian Cox, who is great as MI5 head 'Daddy', however the rest of the cast more than hold their own; most notably Tom Hughes who plays Joe and Shaun Dooley, who plays DC Jim Fenchurch, a policeman brought into assist MI5. These spies certainly aren't in the James Bond or even the 'Spooks' mould; they are almost bland in their ordinariness; something that suits the story perfectly. As the series approaches its end the tension mounts nicely as we learn just how dangerous Operation Glass is. Overall I'd say this is well worth watching and hope BBC2 continues to provide us with more quality drama like this in the future.

The Game is a frustrating watch. It kind of wants to be Tinker Tailor but you think hold on, maybe they will subvert the genre a little. After all Toby Whithouse was the show runner for the amazing Being Human.Things start of slowly and blandly. Talking about bland, Tom Hughes might had been cast to remind you of Benedict Cumberbatch but he lacks dynamism to carry the series and George Smiley he is not, neither is he Harry Palmer. I felt it might had been better if the series was shown from the point of view of DC Fenchurch (Shaun Dooley) a policeman who ends up in the secret service and finds that most of them are treacherous rats, in some cases betraying their country for the most banal of reasons.As in Tinker Tailor, the secret service here are looking for a longtime mole and believe that the suspect is deep inside the bowels of MI5. Unlike Tinker Tailor this series places more emphasis on females working for MI5, kind of overlooked in 1960s and 1970s spy thrillers.The series is well shot and borrows the visuals from the recent movie version of Tinker Tailor. There was a nice explosion scene in one of the episodes but that same episode also borrowed a scene from opening of The X Files movie.Instead of subverting the spy thriller genre it sort of became a greatest hits packaged remixed and not that well mixed.