Side Street (1950)

"Side Street" begins with some impressive aerial shots of New York City and statistical information about its citizens that together signal an attempt to make this, a production that's as realistic as possible. As it continues, the presence of an authoritative voiceover narration and extensive use of location filming successfully ensure that the desired level of authenticity is achieved in a movie which ultimately displays many of the characteristics of a docu-noir. Its story about a young man who, in a moment of weakness, gives in to temptation and does something wrong which he can't subsequently put right is a typical film noir "downward spiral" plot which, as well as being gripping, exemplifies the futility of trying to struggle against the hand of fate.Joe Norson (Farley Granger) is a young man who's devoted to his pregnant wife Ellen (Cathy O'Donnell) and has ambitions to buy her a mink coat and take her to see some of Europe's great cities. This isn't possible however, because following a failed business venture and his inability to get a full-time job, the couple are actually poverty-stricken and live with his in-laws. One day his job as a part-time letter carrier takes Joe to the office of an attorney called Victor Backett (Edmon Ryan), where he sees $200 which has dropped on the floor and is deterred from following his natural instinct to pick it up. On a later occasion, when he calls to make a delivery to the same office, the opportunity presents itself for him to simply take the money from a filing cabinet and so he goes ahead and steals the cash.Joe immediately finds himself in a state of panic and becomes even more scared when he discovers that the sum he's stolen was actually $30,000. To make matters worse, Backett is no ordinary victim as the stolen money was actually the proceeds of a blackmail scheme that he'd carried out with the help of the beautiful Lucille Colner (Adele Jergens) who'd lured a wealthy businessman called Emil Lorrison (Paul Harvey) into a honey trap. In a state of desperation, Joe puts the stolen cash in a package which he leaves with a local bartender for safekeeping.In order to cover his tracks, Backett arranges for his accomplice George Garsell (James Craig) to kill Lucille and dump her body in the East River and after this is done, NYPD Captain Walter Anderson (Paul Kelly) takes charge of the investigation into the murder.Joe tries to relieve his anguish by visiting Backett at his office and confessing what he'd done. Backett suspects that Joe may be working with the police and so pretends that he doesn't know what Joe's talking about. Subsequently though, Backett sends Garsell and a taxi driver called Larry Giff (Harry Bellaver) to retrieve the money. When Garsell catches up with Joe, he learns that the bartender, Nick Drumman (Edwin Max) has absconded with the money and so both men then go separately in search of the guy who Joe had foolishly trusted. Joe's search for Drumman ends when he discovers his dead body in circumstances that put him in the frame for the dead man's murder. Now being pursued by both the criminals and the police, Joe tries to avoid coming to a sticky end by making his own investigations into how and from whom, Backett had originally acquired the stolen money.In "Side Street" the aerial shots of New York City emphasise how insignificant the struggling young couple are in their surroundings and also how trapped Joe is when he tries to escape the attentions of his pursuers. Similarly, because the indoor action takes place in very small rooms and shadowy staircases etc. the fact that Joe always seems to be physically hemmed-in, reflects perfectly the mental torment that he's experiencing and how impossible it seems for him to escape from his predicament.Reuniting Farley Granger and Cathy O'Donnell who'd worked together so successfully in "They Live By Night" (1948) must have seemed an irresistible prospect for both commercial and artistic reasons and they both turn in good performances in this movie which is tense, riveting and ends with an exciting car chase. The supporting cast is also above average and contribute some cameos that make a really strong impression.

Farley Granger and Cathy O'Donnell, upon the success of They Live by Night, were paired together again in this quick and taut film noir. Postman Farley delivers mail to a office building and, when delivering to one office in particular, sees money lying around and getting accidentally dropped on the floor (more money than he's seen in one place.) On his modest income and with dreams to fulfill and his wife and future baby to support, he gets it in his head to break in later and steal the money. Little does he realize, until he gets it home, that the hundreds of dollars he thought it was, was really $30,000.00. Due to his conscience bothering him and thinking it wise not to have it in the apartment, he asks a friend, who's a bartender, to hold it for him. Then, things get sticky.Farley Granger is an adequate actor and nice to look at, and his character is very likable. So the viewer is interested in what happens to him. His kissing scenes with Cathy are appropriately passionate for the newlyweds. Character and 'b' picture actor Charles McGraw is a minor villain, but James Craig is on hand as the "main bad guy," who plays it somewhat convincingly. But somehow I get the feeling he was too nice a guy in real life, to really project nastiness, as what may be called for in such a role. By the way, he too is incredibly easy on the eyes.Director Anthony Mann effectively sweeps the viewer into Farley's world by creating the mood and heating up the intensity, and you'll walk away from this very satisfied and very entertained. But, a lot of that comes from a character introduced about an hour into it. A good actor, a professional actor with some acting chops, you can spot from the moment you set eyes on them, because they know how to walk, how to say their lines in such a way to make them their own, and is in control of everything at all times. I say actor to include all people, but the subject in question is Jean Hagen, who plays James Craig's girlfriend. The moment you see her she captures you. You know she knows what she's doing. She's got it all in control. This movie may not have a reputation as an essential to film noir. I don't know. But it should. If for no other reason, than director Mann's way of telling a story and Jean Hagen's performance, which has to be one of her best in films. "Side Street" tells a story of a path taken in life, may be right, may be wrong, but it's a detour that leads to one of life's lessons.

New York City postman Farley Granger (as Joe Norson) has his youth, good looks, and plenty of hope. He dreams about seeing Paris someday, and wants to buy pretty pregnant wife Cathy O'Donnell (as Ellen) a full-length mink coat. But, Mr. Granger also worries about how he will support his growing family on a meager part-time postal salary. When, during his mail route, temptation presents Granger with an opportunity to take $30,000 in blackmail payoff money, Granger takes it. Alas, he money turns out to be bigger and dirtier than Granger dreamed, turning him into both a murder suspect and potential victim… Watching director Anthony Mann and photographer Joseph Ruttenberg chase Granger around New York City, in beautiful black and white, is marvelous to behold. The three are superb. Regrettably, writer Sydney Boehm's protagonist often comes across as more dumb than naïve; the first obvious example is how Granger leaves his stash with bartender Ed Max (as Nick). Not too smart. The act needed more desperation; simply keeping a police presence on screen would have helped. Still, you can feel the big, shadowy city closing in on Granger's psyche. With a little tinkering, "Side Street" might have been a masterpiece.******** Side Street (3/23/50) Anthony Mann ~ Farley Granger, Cathy O'Donnell, James Craig, Jean Hagen

Can't tell you how much I enjoy Film Noir movies. And just when I think I've seen all the good ones, I find a sleeper like "Side Street". I almost passed on it because Farley Granger was not one of my favorites - I always found him too wishy-washy and sappy, that whatever fate befell him in his films served him right.And so, I was not expecting the taut script and character development that ensued, although I should have; the Director was Anthony Mann and 4 time Academy Award winner Joseph Ruttenberg was his cameraman. The picture moves at breakneck speed as average schlep Granger gets in over his head with the odds stacked against him and nobody on his side except his devoted schlep-wife, played by (who else) Kathy O'Donnell.I didn't even pause it to go the bathroom - it wouldn't let me, so frenetic was the films' pace. Along the way many noir character actors appeared; Edmon Ryan, Charles McGraw, Adele Jergens, to name a few. I am breaking precedent here, as there are too many long-winded reviews already. Just do yourself a favor and watch this B-almost-A picture from MGM, Farley Granger notwithstanding.