My Brother's Keeper (1948)

This low budget film is an early version of The Defiant Ones.Jack Warner does a villainous turn who along with George Cole are handcuffed prisoners on the run. Warner is smart, cunning and amoral. Cole is naive and dim, pretty soon he is stitched up for murder that Warner committed. Warner even manages to have a meet up with an old flame, even though his wife is fretting over him.Comedy is provided by David Tomlinson as a reporter on his honeymoon persuaded by his editor to cover this breaking news story.Warner provides an energetic even complex performance, a world away from PC George Dixon, but the film is too uneven, the comedy sections with Tomlinson and his editor just gets in the way. The film has some nice location shooting, appearances from some familiar British actors and even a social conscience.

Surely not you say.However before he was resurrected to play George Dixon,Warner often played villains as in this film.On the run from prison with a rather anaemic looking George Cole.He ends up commuting murder and quite happy to let poor George pay for it.There is a fairly exciting pursuit over the countryside.The finale is a sort of Cody Jarrett moment.Knowing that he is walking into a minefield he continues till he is blown up in the presence of his wife.David Tomlinaon in an early role as a journalist who is pressured into use his honeymoon to track down Warner.Bit like His Girl Friday.Anyway immortality was a waiting Warner.

MY BROTHER'S KEEPER is one of the earlier 'handcuffed together' type thrillers in which a couple of convicts elude the police and struggle to overcome their situation. This scenario has been done to death in the cinema with De Niro's MIDNIGHT RUN perhaps the best known of its type, but this low budget production is worth a look as the plot is an interesting and appropriately suspenseful one.The story boasts Jack Warner in a rare villainous turn as a murderer who finds himself handcuffed to a youthful George Cole, a simpleton whose performance reminds one of John Hurt in 10 RILLINGTON PLACE. The story plays out as you'd expect, but there are some memorable set-pieces dotted throughout, such as the hide-out in the wood or the fine climax. Alfred Roome was something of an inexperienced director but he acquits himself well here; he was better known as an old-hand editor who worked hard on the CARRY ON franchise in the 1960s.The cast is generally interesting, with Cole and Warner given the most screen time and thus coming off the best. David Tomlinson and Yvonne Owen play a newlywed couple whose spousal humour feels staged and shoe-horned into the story, so their presence is a detraction. Elsewhere, you get an unrecognisable Bill Owen alongside the likes of Maurice Denham, Wilfrid Hyde-White, Reginald Beckwith, and even Valentine Dyall in a cameo.

An interesting piece of casting, having Jack Warner playing the bad guy, but he is a good enough actor to pull it off. He plays a war hero George Martin, who with another convict, Willie Stannard, (George Cole) break loose from police custody, while handcuffed together. David Tomlinson as the young reporter, who is called in to work on the story. A film from another era, that is well worth watching.