Sinners' Holiday (1930)

Quite short even for the time period at 60 minutes, this film is notable only for being James Cagney's film debut, and for being the first of seven that paired him with Joan Blondell. The film titillates us early on with pre-Code naughtiness; for example, a penny arcade game, "Hit The Bull, Up She Goes", which has a woman seated next to a bulls-eye that, when hit with a ball, causes her to flip 90 degrees upwards and reveal her legs. Another is seeing a bathing outfit on leggy Evalyn Knapp that would fit right in in 2016. Unfortunately, the story is pretty simple and the film is marred by poor acting, most notably by lead Grant Withers, who's hard to watch. Even Cagney is uncharacteristically off in his performance. The only exception is Blondell, 24 years old and in her second film role, appearing as a tough-talking brunette, who steals every scene she's in.

James Cagney made his cinematic debut as a reckless, irresponsible, narcissistic bootlegger who conceals his criminal endeavors from his long-suffering mother in director John G. Adolfi's "Sinner's Holiday," co-starring Joan Blondell. This early black & white movie is an adaptation of Marie Baumer's stage play "Penny Arcade." Since I haven't read Baumer's play, I cannot attest to the film's fidelity to its source material. This Warner Brothers/First National release concerns the activities of a Penny Arcade in New York City and the various hucksters who operate on W.C. Fields' credo that "There's a sucker born every minute." Character actor Grant Withers, who you might have seen in John Ford's memorable westerns "Fort Apache," "Rio Grande," and "My Darling Clementine," takes top billing as smooth-talking Angel Harrigan, and he has his eyes on pretty young Jenny (Evalyn Knapp of "His Private Secretary"), whose mother (Lucille La Verne of "Orphans of the Storm") owns the premises and rents out booths to various entrepreneurs. One of those entrepreneurs is a shady guy, Mitch (Warren Hymer of "Meet Joe Doe"), who bootlegs beers on the side. Ma Delano's son Harry (James Cagney) has fallen under Mitch's evil influence. Appropriately enough, Harry has learned not only the ropes of the bootlegging business, but he also plans to double-cross Mitch after the latter is pulled in a warrant by the police. Mitch happens to like Jenny, but she won't give him the time of day. One day when Angel irritates Mitch, Mitch gives him the boot, but Angel quits before he is officially fired. Ultimately, Angel and Jenny become a couple and she persuades her mother to hire Angel as a mechanic. After Mitch gets out of the slammer, he discovers that treacherous Harry has been swindling him. They encounter each other in an ally with firearms, and Harry plugs Mitch and then stashes the body out of sight in a building on the premises. Ironically, Harry's sister witnesses the shooting, but she clams up about it until the police decide to arrest Angel for the homicide. As it turns out, the revolver that Harry used to ice Mitch belonged to Angel. Ma Delano, who has already lost her husband, doesn't want to lose Harry. Initially, she tells Harry to put the revolver back in Angel's suitcase. Reluctantly, Jenny informs the police about the identity of real killer. Since the cops had closed down the arcade during their painstaking investigation, business resumes as usual with Angel back at work. This dated outing has some interesting period flavor, particularly in its blue-collar argot. At one point, Cagney's sniveling Harry perches himself on his mother's knees just as he would do decade later as Cody Jarrett in Raoul Walsh's classic "White Heat." Joan Blondell plays a woman who allows men to have their pictures taken with them. One of the most amusing sights—pretty risqué if you think about it—is a game where you get to sling balls at women sitting on chairs to win a prize. If you like old Warner Brothers' melodramas, you cannot do better than the 60-minute "Sinner's Holiday."

I could tell from the trailer for SINNERS' HOLIDAY that this is a film I could very well do without viewing--but I tuned in to see Cagney in his debut performance.This is a museum piece, creaky in plot and development with abysmal stage dialogue and unnatural performances from GRANT WITHERS and EVELYN KNAPP, both of whom get top billing but neither one able to act their way out of a paper bag.JAMES CAGNEY has the thankless role of the son caught up in a murder charge, a n'er-do-well punk with a trampy girlfriend (JOAN BLONDELL in unflattering make-up and hairstyle), and a harridan for a mother (LUCILLE La VERNE), the woman who gave The Witch a voice in Disney's "Snow White" several years later. None of these characters have any depth or engage the viewer for more than a few seconds. La Verne is particularly unpleasant in the central mother role.Summing up: Nothing good to say about this one, except that Cagney alone deserves praise for his crying scene. He really throws himself into the part.This is obviously a quickie churned out by the Warner factory in the early '30s as a part of their crime drama series.

In 1929, James Cagney and Joan Blondell (neither of them well-known at the time) played supporting roles in a Broadway drama called "Penny Arcade". Warner Brothers bought the film rights and brought Cagney and Blondell to Hollywood to repeat their stage roles in the screen version, retitled "Sinner's Holiday". This was the first movie for both of them. (Blondell's second film, a quickie, was released before "Sinner's Holiday", a more prestigious picture.) The actual star of this film is Grant Withers, playing a gangster who's made a lot of enemies and needs a place to hide before he gets rubbed out. Withers is pretty good, and he deserves to be better known. Cagney's role is much smaller, but he's absolutely electrifying. As soon as he steps on screen, there's no question that he's the best actor in this movie ... one of the best actors in the history of films, in fact.Joan Blondell is boring in this film, as usual. Her appeal has always eluded me. At least in her other films she usually had something to do; here, she doesn't. There are good performances by Lucille LaVerne and Warren Hymer, in his usual typecast role as a dim gangster. Hank Mann, who was one of the original Keystone Cops (and who eventually outlived all the other Keystone Cops), is excellent here in a small role."Sinner's Holiday" suffers from the usual Warner Brothers complaint: low budget-itis. I saw the trailer for this film before I saw the movie itself. The trailer features a shot of amusement park rides in a funfair. This is obviously stock footage, but at least I expected the stock shot to turn up in the movie itself. Surprisingly, it doesn't. There's almost nothing on screen to convince you that this movie takes place in an amusement park. It looks like a stage play recorded on film, rather than a movie in its own right. Still, "Sinner's Holiday" has much to recommend it, and Cagney's performance alone is worth your time. I'll rate this movie 6 out of 10 points, or 7 if you're a Cagney fan. If you're a Joan Blondell fan, I don't want to know about it.