Riffraff (1936)

I love this movie. I'm sorry I didn't detect the same level of enthusiasm among the other reviewers. Tracy is at his blustering best. You might call it overacting but, to me, it's classic gung ho Tracy. Maybe his character made some poor impulsive decisions, such as quitting his job and union, but he also made some good decisions, such as seeing that calling a strike was just what the boss((Joseph Calleia, as Nick) wanted, so that he could void their 5 year contracts and bring in cheaper labor. Also, he worked out a plan for Jean's prison break. True, that was a very risky undertaking and, at the end, she (and he)was still being hunted by the police. The scene of the escape is exciting, with women screaming and running every which way after a rat was released in the laundry room. This provided Jean and her 2 accomplices diversion so that they could hop down the big storm drain pipe during a heavy rain, and get carried to outside the prison wall, to a waiting car. Later, Tracy detects a plan to blow up an oil tanker, while serving as the night watchman, and knocks out the 3 of them! As to why Jean favored Tracy over Calleia, as some wonder. Partly, it's a matter of history, Clearly, they have been romancing on and off for some years. Looks like she wants a bully, who can fight with his fists as well as his brains, who alternates between loving her and fighting(mostly verbally)with her. During one of their fights, Jean labels him as riffraff. He's a man who doesn't want the bother of children, but is pleased when he sees the son Jean presents to him. Apparently, he's the most productive tuna fisherman of the lot, which counts for something. In contrast, to me, Calliea comes across as too oily. Apparently, Jean thought so too.Tracy typically talks very fast and with certitude, although occasionally he admits he may not be as smart as he thinks. The recently released "You are my Lucky Star" composed by Arthur Freedman and Nacio Herb Brown, is sung by a male chorus during the July 4 celebration, later reprised by Jean when in prison. It was also sung in "Broadway Melody of 1936" and, of course, in the later "Singing in the Rain".As one reviewer pointed out, the plot seemed more in keeping with a Warner-type film. But, that doesn't keep it from being grand entertainment.A young Mickey Rooney, and Una Merkel have subsidiary roles as Jean's younger brother and sister, respectively. Mickey puts a small firecracker in each ear, then wonders why it hurts when they go off!See it at YouTube. The film was in excellent condition...Several reviewers claimed that "Libeled Lady", also costarring Tracy and Jean, but Myrna Loy and William Powell, as well, is much superior to this film. I haven't seen it, but doubt I would agree.

Though this is incredibly dated, it's also a very sincere and bizarre cross between a rags-to-riches drama and social commentary on unfair work practices/rights of workers/unions. And just so fans could see sexpot starlet Jean Harlow (the film's from Warner Archives' 7-film boxed set put out for the recent 100th anniversary of her birth in 1911) in as many costumes and gowns as possible, they have her married and involved in romances not simply with strait-laced activist Spencer Tracy but also their rich, slimy boss, tuna cannery owner Joseph Galleia (most famous in 'Touch of Evil' and 'Gilda'). Women loved her because she was lippy, brazen, glamorous, loyal and had a heart of gold, and men loved her because...she was Jean Harlow. This also sports an early appearance by Mickey Rooney in comic relief as her 15-year-old punk nephew; hard to belief he had already spent 10 years by that time on the silver screen! Not the worst film you would ever see, and her charisma with both starring actors is extraordinary. If you're a fan of either Harlow or 30's drama, don't miss it for the world.

There's a certain time in the late 1930s when, in my view, movies come of age. This film does have some substance, although it is not quite of that very slightly later Hollywood when films became "modern". And, the same can be said of Spencer Tracy (one of my two favorite actors; the other being Cary Grant). This was the film just before his breakout role in "Fury" and a series of truly impressive starring roles. This is the Tracy that seemed to feel he had to yell to make a point (or was that the direction he was receiving?). He hadn't quite learned what I'll refer to as simmering-subtlety. Nevertheless, Tracy has his moments in this film.Jean Harlow is impressive, even without her platinum blond hair. You'll recognize quite a few of the supporting actors (including Una Merkel and a young Mickey Rooney). I was interested to see Joseph Calleia as the bad guy here...a common role for him at the time, although I remember him best as the papa from the Martin & Lewis film "The Caddy" more than a dozen years later. Although not a large role, there's a strong performance by supporting actor J. Farrell MacDonald (if you watch old movies, you'll recognize him, although you probably never knew his name).The portion of the film that is most interesting is about midway through. After we learn that the major characters are sort of low class yellers, and after Tracy and Harlow split, it's the scene at the hobo camp that brought real substance to the movie...quite touching. And speaking of the hobo camp, it's a reminder that this film was made right in the middle of the Great Depression, and its depiction of labor unions is quite impressive. But then the film once again sinks into that pre-GWTW immaturity that I spoke of earlier. Harlow steals money from the bad guy to help Tracy, gets caught, goes to womens' prison, escapes through a drain pipe in the middle of a thunderstorm, at about the same time that the poor night watchman at a dock (Tracy) saves the union workers' jobs by foiling a sabotage attempt (why was there such an attempt by hobos???). Yes, it gets kinda dumb, and oh, I forgot to mention that while in prison, Harlow has a baby which nobody tells Tracy about. And believe it or not, despite Harlow breaking out of prison, they all live happily ever after. Dumb, dumb, dumb...but somewhat entertaining!

The main problem i had with the film is the screenplay. It was just badly written and you didn't believe a lot of the things the characters did. The plot really doesn't come together like it should and the movie is just pretty bad. It stars out with Spencer Tracy talking some workers out of a strike that would of hurt them and he also p***es off his boss. Both Tracy and the boss are interested in Jean Harlow but Harlow only goes with the boss because, i just forget and who really cares anyway. Mickey Rooney is also in here and Spencer Tracy is a great actor but he's only OK in here. Jean Harlow does a pretty good job and you should watch Libeled Lady instead.