Bombay Beach (2011)

Should a piece of film stand on its own merits or is it okay to be informed by the intentions of the film maker? In this case, I recommend that viewers read the interview of director Alma Har'el by philconcannon which can be found on a message board.This film is not a documentary. It is not a drama. It is, indeed, part musical because some sequences are choreographed. But director Har'el advises that she wants to transcend genres. The result is a hybrid form that must be analyzed to be understood.The film centers on three individuals who actually exist. They live near the Salton Sea--a decaying area that is part desert wasteland and part deteriorating infrastructure. Those who live in this isolated and forgotten area might be considered detritus that has washed up on the beach.However, a society does exist there and many of the individuals make the most of their unfortunate circumstances. One character, Red, is an elderly gentleman who says he enjoys life, but seems to spend much of his time smoking and dealing cigarettes. Cedric is a black teen who relocated from LA out of desperation, trying to escape urban violence. Benny is a young boy who deals with mental imbalances and the debilitating effects of the drugs he takes to combat them.Some have suggested that the film is a condemnation of the American Dream. On the contrary, the film celebrates those who endure hardships and still dream. Cedric has aspirations for the NFL. Benny wants to be a fireman. Har'el uses their comments as voice overs, giving the film a philosophical tone.The end result is a sometimes sad, sometimes hopeful portrayal of an area. A slice of life. And a frank look at a world populated by misfits and survivors. In the credits, director Har'el gives a nod to the "surreal and beautiful Bombay Beach", providing a clue to her feelings.

I have reviewed a ton of films...more than anyone else so far on IMDb. So I obviously love movies...all sorts of movies. And, with nearly 20,000 reviews I am going to admit something I've almost never done...I bailed on this movie and never finished it because I simply was having a miserable time watching "Bombay Beach"...a documentary about three very different sorts of poor people living in a hellish moribund town along the banks of the dying Salton Sea in Southern California. Now a documentary about the Salton Sea can be very interesting...and I've seen one that kept my interest. After all, an ENORMOUS lake was formed in the middle of the desert and became a paradise, of sorts, for several decades. Folks flocked here because of the beachside communities and there was a tremendous land boom in the 1950s. But over the years, the salt level of the water has continued to increase to the point that many of the fish species have been wiped out and the once terrific place is now a smelly dead zone. This is very fascinating. But the makers of Bombay Beach have chosen instead NOT to tell the story of this area but instead focus on three trashy sorts of guys....and therein lies the problems. Listening to a crazy old guy rant and rave or a high school student talking about scoring with girls or an emotionally disturbed little boy from a bizarre family simply isn't entertaining...it's just sad. It's also about as enjoyable as chewing on an electric cord that IS plugged in...that's what I felt about this meandering and often annoying film. To make it worse, sometimes the cinematography was fuzzy...making it annoying AND tough on the eyes. No thank you.

It is probably better sometimes to see a film after the buzz is over in order to appreciate it - its good as well as its weakest parts. The break-through film of Alma Harel was very much talked about when it was released a couple of years ago. I have seen it only now and I can probably better enjoy its best parts, as well as wonder about other without necessarily being influenced by the chorus of praise (some justified) which accompanied its release.The landscape seems to belong to a post-apocalyptic film. On the deserted shores of a sea that was born by an accident a small community of people deprived of almost everything tries to survive. Yet this is not the planet after an atomic war, and this is not the Sea of Aral either, but a real landscape and real people in the state of California, in a place located at measurable distances from all the services available in one of the most sophisticated states of the USA. The destinies of several people are being followed in parallel. A boy with behavioral problems whose parents went to jail are may be in danger of being denied parenthood if they get in any kind of more trouble. A teenager who was born and raised in the violent suburbs of a big city and has seen death and violence, and came here in the search of the right path for overcoming his social condition. An old man who survived a life of working in the oil fields but never abandoned his passion for booze, smoking, women. All the stories are human and credible and real. This may look like art fiction, but is actually a documentary of a special kind.The art dimension of the film is provided by the each of the characters dancing at some point in time. Each of the dancing episodes is so well integrated in the whole movie that it looks quite natural. Dancing may not be part of their real life, but Alama Harel made it look like it is. Yet here comes also the problematic aspect of the film. We get a glimpse of life in one very extreme area of today's America, with its people. It's real life and yet there is some manipulation here, because there was a cameraman (maybe the director herself) some place to catch what looks like pieces of truth. It's beautiful but I could not escape a feeling of artificiality. Yet Alma Arel is certainly a film-maker to follow, Let us see what subjects she will pick next.

Very well made and innovative docu drama. Most important to all films of this genre, the subject is utterly fascinating and contains people with genuine quirkiness and character. The story and the people are captured in a unique and compelling way too which adds to its wonder. Rightly acknowledges and thanks the great Werner Herzog in the credits as his ability to look beyond characters and create drama through them has clearly influenced the feel of this film. Thoroughly enjoyable throughout. I wish it had received more coverage and will hopefully get Oscar acclaim this year if submitted. A real gem and very much worth watching.