Reel Bad Arabs: How Hollywood Vilifies a People (2006)

The point of this documentary: Arabs, Palestinians, and Muslims are unfairly portrayed in cinema. Sure. I believe that. But so are most minorities. Everybody knows this.There are many, many flaws in this documentary. First, it assumes that we are stupid, and that we believe everything Hollywood tells us. Wrong. I am friends with quite a few Muslims, and I don't think they're terrorists. Nor do I watch many movies with Arab stereotypes. In fact, of all the movies cited in the documentary, I've only seen "Aladdin." And when I do see stereotypes, I can differentiate them from real life. This documentary even gives existing examples of positive Arab portrayals in films like "Syriana," "Three Kings," and "Kingdom of Heaven." Gee, how groundbreaking. If Shaheen can find the good Arab roles, then any movie audience can, too. And they can recognize them.Secondly, this documentary poorly made. "Reel Bad Arabs" is, as another reviewer said, a talking head giving examples. And it's only one talking head. Any work of nonfiction, whether it be a documentary or a news article or a book, cannot survive on one expert opinion alone. And this documentary definitely doesn't. The narrator, Jack Shaheen doesn't even have screen presence. This documentary is just 50 minutes of him whining into a camera in an effort to advertise his book on the same subject.Thirdly, this movie is unnecessary. Here's the basic point: Some movies stereotype Arabs, but there are also some movies that don't. What Jack Shaheen should have done was just to give us a list of the "bad" movies and a list of the "good" movies and leave it at that. That would have taken two minutes at most, instead of this fifty-minute run-on. We would have been able to figure out what the stereotypes were (once again, we're not stupid), and that the good portrayals were the ones where Arabs acted like actual human beings.P.S. Did anyone else notice how Shaheen used the original line from "Arabian Nights" (Aladdin)--"Where they cut off your ear/ If they don't like your face"--when nobody sees that version anymore? All video released use the line: "Where it's flat and immense/ And the heat is intense." That controversy was closed off long ago and is now irrelevant. Like the rest of this documentary.

Hollywood's treatment of Arabs on screen is actually often gentle and politically-correct, thanks to fear of protests like Mr. Shaheens.If the depiction of Arab terrorists seems over-the-top in a dumb action-adventure, try looking at pictures of Islamic men about to decapitate a hostage or the carnage after a suicide bombing. Or listen to a Bin Laden video urging Americans to join his efforts to establish a new caliphate. And does Shaheen really want Hollywood to show daily life in Iran, where women have to make sure they are not seen in public with nail polish on their fingers lest they be sent home or even beaten by religious enforcers who roam the streets and shopping centers? How about the stoning of adulterers, or punishment of rape victims, or limb-amputation of petty thieves? Until Islam itself confronts and truly tries to stop the use of random violence against civilians and the application of medieval laws to modern citizens, it's going to have a problem getting good press.

There is no doubt that Arabs, like almost any non-White group, have been stereotyped and demeaned in countless films. But Dr. Shaheen's argument - that any portrayal of Arabs as terrorists is inherently racist - is a flawed one. The fact is that there are Arab terrorists out there, just as there are Irish, Basque, Japanese, and home-grown White American terrorists in the world, and as long they continue to commit atrocities they are fair game to be movie villains. What is needed, however, is more "normal" roles for Arab actors (i.e. characters that White actors could play with no change to the script). When, in Sin City, Irish mercenaries planted explosives in an attempt to kill the protagonist there was no out-cry from public, no protestations that the movie attempted to stereotype all Irish Catholics as IRA members and terrorists. This is because everyday we see in television shows and movies perfectly normal Irish Catholic characters. Shaheen is right that ubiquitous images of Arab terrorists, especially since they already play into our existing stereotypes, do nothing for our national discourse nor our sense of tolerance. But I wish he had stayed away from proclaiming ALL such representations off-limits. It's hard enough to keep up with existing PC taboos...Note: While I have devoted this review to an evaluation of the documentary's argument, my score of 4/10 comes also from the poor technical aspects of the "film." It is really just an extended interview with a talking head. Expect to see it in college classrooms but rarely elsewhere.

Kudos to Dr. Jack Shaheen for his no nonsense and uncomforting look at how not only Hollywood movies but even children's cartoon shows have demonized, dehumanized and wrought havoc on the peoples of the Middle East, Islam, Iran and Palestinians. From the early pre-20th century colonial images of Arabs and Iranians as the aggressive, sub-human Other, Reel Bad Arabs dives into 100 plus years of movies that have stereotype Arabs as lecherous, dangerous and lesser from both children and adult movies. The saddening part of this demonization is that most of these stereotypes are practically unnoticeable to any movie goer or viewer. No matter how many time one watches movies where the Middle East is automatically associated with terror or oppression of women will one think of an alternative more positive or balanced view of the region or the peoples who live there. The negative stereotype of Arabs and Iranians have passed through so many generations continuously through frequent television stations such as FX, Spike TV, TNT, & even Cartoon Network (older repeating cartoon shows from the early 30's & 40's vilify and insult the culture and hertiage of the Middle East) it is little wonder the War on Terror wasn't criticized until four to five years after it started on September 11! As Shaheen argues we have been so ingrained, propagandized and filled with the negative images of Arabs and Iranians as people who are lesser or "The Other" that it is little wonder wars in Iraq, Palestine-Israel, Sudan continues and the deaths of Iraqis, Palestinians, Israelis and Darfuris do not matter or count as newsworthy to the general public. High recommendation for all students, parents and politicians who fail to see what generations of negative stereotyping can have on a society as a whole!