Official Rejection (2009)

As someone who has visited a couple of film festivals, I have always been curious about how they find the films for the festivals. This film lets you in on some of the secrets and shows you just how competitive it is. It's interesting, but only really for hard-core indie film fans. You could probably add another star or two, if you're a filmmaker yourself and this is more your milieu.

I was impressed w/ what Paul Osborne and his team were able to do w/ this film. Of course, if you've been involved in the Indie film scene for any period of time, the idea that the fest circuit is a bit of a scam has been pretty well known for a long time. Never the less, makes for a fun and engaging watch still.I was astounded and flabbergasted at some of the absurd naiveté (and stupidity) of some of the filmmakers, in particular Blayne Weaver.... Seriously bro? Why would you even bother flying from LA to Chicago to attend the 2nd annual Chicago Indiefest? Chicago Int FF, yes, Chicago Underground (CUFF) maybe, but some mickey mouse fest no one's ever heard of? Chicago's a great town but talk about walking around blind w/o a cane, not to mention emails like 'your film may be pulled if you don't sell it out..." I may love, and have roots, in the NY Metropolitan area but ask me if I'd fly from LA to NY to attend the Ozone Park film festival, come on:) What that whole scene in Chicago speaks to, as well as the festival circuit in general, is this self aggrandizing, ego stroke that many Indie filmmakers are looking for. Something the OR filmmakers seemed unaware of is the fact that so many of these scam, mediocre festivals exist because there's an endless supply of self serving, ego maniacal saps who want to get in on the circle jerk of saying, "hey, I made a film, check it out." At a certain point filmmakers have to look in the mirror and be realistic about their place in the Industry, if any at all.

I was one of the few who endured this movie at the Phoenix Film Festival- which, big surprise, is largely featured in this mediocre film.The root of this film is what other reviewers seem to be ignoring- it's about trying to get the film TEN TILL NOON into festivals, and TEN TILL NOON is quite simply a bad film. Netflix it and see if you disagree.So you have the filmmakers, the director and writer, trying to get it into festivals. Who cares? We sure didn't. Certainly not after the forced pep rally that the head of the Phoenix Film Festival tried to lead.The whole event made us a. want to avoid film festivals, especially sad little local ones who court bad movie makers thinking we'll find value in them and b. never see a movie made by Paul Osborne again.The quality of the film is poor. Some of the interviews are fairly interesting, but I guarantee you can find a brief interview with Kevin Smith et al on youtube in under 10 minutes- saving your time and money.

Funny and great if a bit overlong towards the end. Very revealing and intimate doc about the filmmakers own personal struggle in bring their film to the world. I was shocked to see just how much everything costs and emotionally,perhaps the price is too high. One poor gut seemed to have buy tickets to his own film in some festival just to stop them form taking it off and replacing it with another. Jeesh - what's that all about?! Poor them and thank god I'm not one!! My niece was thinking of becoming a director and on the way out she said no way! We did talk for a long time afterwards about it and if that is the mark of a well put together doc then they certainly succeeded there. A great film and we had a great night. Well done guys and keep shooting!