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Hotel Torgo

Hotel Torgo (2004)

July. 16,2004
|
6.6
| Documentary

A documentary film crew follows Bernie Rosenblum to the El Paso, Texas ranch where he worked in 1966 on what is arguably the worst movie of all time.

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Horst in Translation ([email protected])
2004/07/16

"Hotel Torgo" is a Canadian English-language documentary from 2004 that runs for slightly under half an hour and takes a look at the making of the 1960s Harold P. Warren movie "Manos: The Hands of Fate", what is widely considered one of the worst films ever made. Strangely enough the filmmakers even won awards for their work here, but I cannot share any of the praise for this little documentary. It becomes painfully obvious that the people who made this (directors/producers) had no experience in film before and it does indeed look pretty amateurish. Honestly, the only reason this documentary is known today is because of the film it is about. The interviewees here are all forgettable. There is a film critics rambling on about Manos without telling anything interesting, a judge and I have no clue why he was allowed to give his opinion and finally Bernie Rosenblum (who died recently) and cast and crew member from the movie who had basically nothing memorable to say about the film at all. Maybe they could have included an actress instead as some of them are still alive today. And lets be honest, Rosenblum had such a tiny minor part in the entire project that they really should not have picked him. Shockingly weak documentary we have here. The part with the interviews of cinema-goers at the very end basically summarizes this film perfectly. I guess they needed to get past the 27-minute mark and that's why they included this viewing. They had no idea what they were doing and they were doing it pretty badly. Stay far far away. I see the producers I mentioned earlier are back to working in film after a break of a decade roughly and I really hope they improved since then. For us and for them.

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Michael_Elliott
2004/07/17

Hotel Torgo (2004)** 1/2 (out of 4)Decent documentary about the making of and eventual popularity of MANOS: THE HANDS OF FATE, which is considered by a great many to be the worst movie ever made. MANOS historian Richard Brandt is on hand here talking about the film's production and we get a first-hand account from Bernie Rosenblum who is perhaps the only crew member still living from the film.HOTEL TORGO runs just 28-minutes and for the most part it's entertaining, although there's no question something a bit more polished and detailed would be welcomed. The film does manage to at least give you some basic ideas about the production of the movie as well as what happened to some of the cast members. Rosenblum tells some nice stories about the making of the picture and the highlight of the film comes when we visit the locations where the movie was shot. With such a small running time there's not too many details shared here but for fans of the film it's worth watching.

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TBJCSKCNRRQTreviews
2004/07/18

This is a documentary regarding the infamous "Manos". It does a fine job of both telling the viewer what it is, in case they haven't seen it(I have the feeling it's something you don't forget once you have, though I suppose it's a little early for me to say), and examining why it was and got to be the way it was. I'm not sure I'd claim that this left me with a lot of answers, but the process wasn't bad, and it never lost my interest. It's nicely paced, moves at basically the speed it should. This consists of clips of the flick itself, it even holds a brief spoof of it(some of which relate to the subject or such, and all of them aiding in informing those in doubt of the sheer awfulness of the quality of it) and a few interviews, including one with the person that worked on the piece that they could find, and another with what appears to be a historian on it, both of whom are well worth listening to, and have good things to say. Bernie's got a mouth on him, though, which is really the only language in this, but in spite of the amount being fairly low, it gets pretty rough(apart from strong words, there are a few detailing... male anatomy). He reveals a great many things about the production as well as the crew and cast. This also has footage of the filming locations, and comparisons between how they look, now and then. I recommend this to anyone wondering how the thing got made, and those that are curious about it, in general. 7/10

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Adam (VonCouch)
2004/07/19

Like most people, I found out about Manos when I saw the MST3K episode. It was funny, I had been on a personal hunt for the worst film of all time for quite a while. And when I saw that MST3K episode, I knew my search was over. I own this film both with MST3K and without. I believe that there's a special place in heaven for those who are able to sit through the film without Joel and the Bots cracking wise.So I digress. I first heard of this short documentary a few years back, constantly keeping an eye for it. Finally, the director/s were generous enough to post it for free online just to get some visibility. I was glad I got the opportunity and there was some good stuff in there, but it had it's problems too.First the positive: Bernie Rosenblum tells a damn good story. Playing the guy making out in the car, he (according to him) also helped with nearly every aspect of the film. He even claims to have directed the wives' big brawl. He's very willing to talk about the film and it's creator Hal Warren. The film even finds the filming spots in El Paso and re-visits them with Bernie. Truly a cool moment for lovers of the B Cinema.However, there are two strong problems with the film. First, it's factually inaccurate. It claims that Bernie is the only man involved still living. That's not true, and anyone that knows about Manos could tell you that. Jackey Neyman, just to name one, is still alive and well. I don't know if it was because they just couldn't find them or they refused, but instead they're just counted as dead. Kind of disrespectful if you ask me.Secondly, it leaves you wanting more. I would love to see this on a slightly bigger budget with more interviews, better film quality and just flat out longer. Sadly the audience, while dedicated, is small. So this is probably all we're going to get.And you know what? I was glad to get it.

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