Stranger on the Run (1967)

One of Henry Fonda's best films from the Sixties is this made for TV film Stranger On The Run. In fact it's better than some of the films that did get a theatrical release. It's a western directed by Don Siegel who among other of his films directed John Wayne in his swan song The Shootist.This one is more like The Most Dangerous Game out west. Henry Fonda is hardly the big game hunter type. A whole lot of luck and the kindness of some strangers is what makes him survive.As Henry Fonda remarks when he gets kicked off a freight train where he hitched a ride, there's a whole lot of law for a town that's hardly a whistle stop. That's because this is a railroad town and railroad cop Michael Parks and a flock of deputies have made it their headquarters.Fonda gets noticed by Parks and his deputies when he asks about a woman played by Madelyn Rhue. When Rhue turns up dead later, Fonda is the one immediately suspected and he runs.But there are other issues here. The men are bored and Parks for his own amusement gives Fonda a horse and a head start and then sends a posse after him. But Fonda finds help from a few people and it gets a whole lot more difficult than he thought.Some other good performances that Siegel got from his cast were from Anne Baxter as the farm widow who has a son Michael Burns with the posse, but Fonda helps her and she helps Fonda. There's also Dan Duryea as an old marshal who realizes Parks is developing a real taste for the sanguinary aspects of his job.Fonda is no wild west hero, he's at his best playing a Mr. Every Man as he does here. Somebody up there likes him however, you can't explain his survival any other way.

When you see the cast, the director and the writer, the single thought is that this has got to be a great Western. Fonda rarely made a bad film. The director was at times masterful. But Hollywood is an industry. It makes films like Ford makes cars and every now and the you get the motion picture version of the Edsel. The best thing in it is Fonda's wig. Henry never had a lot of hair but what he carries on his head looks like a busby gone wrong, like the picture itself. Dull. Unimaginative. Utterly unbelievable. I am only spending time writing this to suggest that you might want to spend your time watching the same cast in other movies.

I was very impressed with this, and nearly gave it an 8. (I can't remember the last time I gave a film 9.)Henry Fonda (wearing a rather obvious wig) proves again his versatility, this time as a drunk. It's not giving much away to say that he does redeem himself, but not in a super-heroical way. Dan Duryea is always excellent value, though I did wonder at his apparently wearing the same glasses (furtively)to read newsprint and for distance vision. (Usually one needs different prescriptions.)I saw the film courtesy of Youtube, and the sound wasn't great in places, so I didn't grasp why the men that Fonda came across were so keen to ambush the railroad police (and some of them did seem rather rash in the gunfight when it came to firing in full view of the other side).The "town" where much of the action took place looked realistic, and Anne Baxter as Valverda Johnson was reasonably attractive as a self-sufficient homesteader without having the unbelievable glamour of so many leading ladies in Westerns.The photography was good, especially a panoramic scene of a train entering the town.Well worth viewing.

Seemingly unlimited by its humble origins as a TV-movie, STRANGER ON THE RUN delivers at every level. This project is tautly and intelligently directed by Don Siegel, with every scene counting for both characters and storyline. A great deal of Old West atmosphere is generated by the production, and there is a good score by Leonard Rosenman. But for most viewers, the cast will be the biggest draw for this movie. It's a mighty impressive lineup: Henry Fonda, Dan Duryea, Anne Baxter, Michael Parks, Lloyd Bochner, Sal Mineo. Everyone gives a committed performance, with Fonda (reprising a variant of the 'wrong man' role), Parks and Duryea especially impressive. This is one of Michael Parks best acting turns on film, a must-see for all his fans. In supporting roles there is solid work from Zalman King, Walter Burke and Tom Reese, all stalwarts of TV westerns. Only Sal Mineo seems underused here: he simply doesn't have enough to do, and it's frustrating to see him wasted like this. STRANGER ON THE RUN makes a perfect case for the quality TV-movies could achieve.