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Hollow Reed

Hollow Reed (1996)

June. 24,1996
|
7.2
| Drama

Following the break-up of his marriage after revealing his homosexuality, GP Martin Wyatt loses custody of his son Oliver to his now ex-wife Hannah and her new partner Frank. It is not long, however, until Oliver appears at the house of Martin and his new lover Tom claiming to have been beaten up by boys in the park. After another incident, Martin puts two and two together and comes to the conclusion that Frank has been beating Oliver without Hannah's knowledge. Martin then begins a long courtroom custody battle to win back his son.

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Reviews

yespat
1996/06/24

Everyone did a great job and I'm sure that when it came out, it was very timely. It might even still be timely in the Bible belt or in Muslim countries. But in today's America, it seems dated as the main focus of the film was about whether or not gays should have custody of their children.I suppose if plot is not what you're interested in, you could get lost in the performances as they were all perfect, particularly that little boy. He was really great. I went to see what else he was in on IMDb and was surprised to see that he has not had much of a career. Too bad. He was fabulous.So, see it for historical reasons or for the performances but I don't think it's anything one should rush out to see, if you have not already seen it.

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lovejam
1996/06/25

Oliver Wyatt [Sam Bould], who's at the centre of this drama, felt he would bring on more drama and feel blamed, coupled with the abuse he put up with if he expressed his feelings about it. Martyn Wyatt [Martin Donovan], who's the ex-husband and father to Oliver, battled discrimination from his wife and the court system to save his son. Tom Dixon [Ian Hart], Martyn's boyfriend, who stood by helplessly yet made the occassional attempt, ended up even more frustrated. Hannah Wyatt [Joely Richardson], who was torn between a possible failed relationship with her current boyfriend and the welfare of her son. Frank Donally [Jason Flemyng], the one who's oblivious to his treatment of the boy and trapped wrestling his own demons. All well-played roles by fine actors.

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Mitch-38
1996/06/26

Potent and moving drama, finely performed and well told. The screenplay is solid, and flows realistically, without melodramatic histrionics or overt manipulation of the viewer. The difficult and horrendous subject of child abuse, is intelligently handled, and still evokes a stunning portrayal. Angela Pope directs the film and its characters through many subjects that could involve several films, let alone one. The screenplay is sharp, the actors carry out great performances. Rarely, in a movie, have gay characters been shown to be so human, not a pasted cliche. Don't miss this fine motion picture. Highly recommended.

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pyotr-3
1996/06/27

This film provides some of the best performances and best casting of any film I have ever seen. The child, Oliver, is compelling in a way I have never seen before, and the major roles are exquisitely performed by all. The story will keep you on edge, and the twists and turns of the plot are totally enthralling and surprising. Film-making at its very best. The climax of the film is one of the best scenes I have ever seen in any movie. Superb.

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