Night Monster (1942)

"Night Monster" is a minor but effective horror film from "Universal."There aren't many well known people in the cast except Bela Lugosi and Lionel Atwill. Even so , they have little to do.There is an aura of mystery with this film and a fair amount of intrigue.Nothing is quite what it seems.

Whipped together in just eleven days, director Ford Beebe created one of Universal's great fright films: "Night Monster.". Made in 1941, he was lucky in casting the film colony's top performers in every role. Just as good, he had Universal's great production team to help him along. The result is a great movie to watch at night, or a rainy or foggy or wintry afternoon. The setting is the remote Ingston Towers, inhabited by the crippled and reclusive Ralph Morgan, his emotionally distraught daughter, Fay Helm, an over-protective house keeper, Doris Lloyd, a sleazy chauffeur, Leif Erickson, and a too-talkative maid, Janet Shaw. Several esteemed doctors are invited to spend a weekend at the towers along with a noted psychiatric, Irene Hervey, who was secretly invited by the troubled daughter. Don Porter is a frequent visitor along with Nils Asther as Adolph Zing, a medium. We're treated to a great musical score, lifted from The Wolfman, beautiful, shadowy photography, especially in the library scenes where a fireplace throws flickering shadows over the faces of the inhabitants. When famed director Alfred Hitchcock visited the set one day--he was interested in casting Janet Shaw in a movie--he was astonished at what director Beebe was doing in camera shots, the moody lightning and photography. What always fascinates me about Night Monster is the dynamic work done by the great Doris Lloyd as the sinister Sara Judd and cult actress Fay Helm, who steals the acting honors with her harrowing portrayal of a desperate woman trapped in a house she hates. Irene Hervey as the psychiatrist is wonderfully warm and strong. Although Bela Lugosi is top-billed, it is cringe-worthy to see him doomed to play the butler's role--which means he bulges his eyes, smiles strangely and is like wallpaper in terms of acting. The doctors are all doomed for extinction by their failure to cure the invalid of limb paralysis. A fabulous touch of menace is when the frogs stop croaking in the swampy grounds, whenever the night monster appears to murder. You can see the terror in the eyes of the victims. This sudden silence of the frogs and the billowing fog enhances a movie that reminds me much of the 1932 masterpiece, The Black Cat. This is a black and white treat with one of the most amazing casts in Universal history.

Thinking this was a horror movie (billed as such) and starring guys like Bela Lugosi and Lionel Atwill, I wound up disappointed.....even more so because this movie started off pretty well and had promise. However, that "promise" was never delivered. There wasn't enough suspense or action to keep my interesting after the first hour. It got way too talky for what it should have been.Fans of the two guys mentioned above will be very disappointed. Lugosi plays the butler and does very little and Atwill literally disappears halfway through. Yet, both men got pretty good billing on the opening credits. It's misleading.The story isn't bad but, outside of some good sound effects like the frogs and the crickets, is not the creepy movie it's advertised as being. Maybe in 1942 this creeped out audiences, but it wouldn't today. Then again, I only saw this movie when it was on TV and commercials were continually interrupting things. That's a big reason I don't even watch TV shows any more unless they are on DVD. Perhaps if this film ever comes out on disc, I'd give it another shot.

This movie really surprised me. In the 1940s, Bela Lugosi made a huge number of grade-Z horror films. They might be fun to watch, but all too often the films have tons of plot holes and they were obviously made with practically no budget. This film, however, has very good production values and is quite original--and as a result, I had a very good time watching it.Now before I go any further, it's important to note that although Lugosi got top billing and the videotape cover prominently shows his face, the film really ISN'T a Bela Lugosi film. His role, unfortunately for "Lugosi-philes" is amazingly small and ill-defined. He never seems to be the star nor does he have much to do with all the weird murders that are occurring in the film. In many ways, this is like the appearance of Lionel Atwill in the film--he's there but his part is terribly small.Despite this, the film is still excellent and most of this is due to the excellent writing. The story is quite original and although I could guess early on who was committing all the murders, the way it was handled was very clever. Probably the best part of the film, though, was the part played by Robert Homans, as the Constable. He has so many wonderful and funny lines that I thoroughly loved watching the old curmudgeon investigate the crimes.Finally, a bit of trivia. The rich old man in the film is played by Ralph Morgan. He bears a lot of physical resemblance to Frank Morgan (the Wizard from the Wizard of Oz) because they were brothers.