Third Man on the Mountain (1959)

A Walt Disney Production, released by Buena Vista in the USA: November 1959. New York opening at the Normandie: 11 November 1959. U.K. release through Walt Disney: November 1959. Australian release through Metro-Goldwyn-Mayer: 17 March 1960. 105 minutes. U.S. TV title: Banner in the Sky.SYNOPSIS: A juvenile re-make of "The White Tower" which was based on a 1945 novel of the same name by — guess who? — James Ramsey Ullman. The bitterness and astringency of the 1945 novel has been considerably toned down here. The engagingly hard, lead characters, played in the 1950 film by Glenn Ford and Alida Valli, have been translated into porous teenagers, whilst the embittered philosopher (originally enacted by Claude Rains) has been transformed into a slightly physically handicapped but overall unconvincingly comic figure (Laurence Naismith). The less said about the rest of Ullman's self-bowdlerizations, the more you will enjoy "Third Man on the Mountain".NOTES: Location scenes filmed in Zermatt, Switzerland. Although the story is fictitious, the events closely parallel the first ascent of the Matterhorn by Edward Whymper, an Englishman, in 1865. Four members of the expedition were killed after reaching the summit. But the remaining three — including Whymper and a Swiss youth — returned safely. (Available on an excellent Walt Disney DVD).COMMENT: Despite all the compliments handed out to "Third Man on the Mountain" by contemporary critics, it is possible to justify a few negative comments: Though set in 1865, disappointingly little use is made of the period background; James Macarthur and Janet Munro are hardly convincing as Swiss peasants; but then neither are James Donald or Laurence Naismith; and my final gripe is that the story is both derivative and ridiculously clichéd, whilst the dialogue is often embarrassingly, amateurishly theatrical.Fortunately, none of these quibbles really matter. All told, they do little to undermine the breathtaking suspense of the mountaineering sequences and the stark beauty of the alpine scenery.OTHER VIEWS: Comes near being a primer for incipient climbers, and it stays exciting to the end...Like so many Walt Disney productions in this genre, it maintains a 'boy's book' tone... The suspense, which is high, springs from the very authoritativeness of setting and incident. — Paul V. Beckley in The N.Y. Herald Tribune.

I saw this movie around 1962 and never forgot it. At that time I lived in a small country town and the cinema was practically our only entertainment. One weekend, Saturday, I went to see "Third Man on the Mountain" and I was completely entranced with the movie. The story touched me deeply impressed me and landscapes. It was as if, somehow, I always had that picture in mind, then, suddenly, I saw on the screen. It was an amazing experience. Back then, in my small town, the film screened on Saturday was repeated on Sunday afternoon and there I was again. In the following years I tried a lot but could not find it. Time passed. Only now fifty years later could see him again and the feeling was the same. It's a film that I bring in my heart forever.

I am in my 30's and I never heard of this film but after a night out I came home and watched it on television. How lucky I was. What a great cast. James MacArthur is as solid as it gets in the history of Disney films. He plays Rudy Matt, the son of the famous mountain climber Joseph Matt who tragically lost his life while climbing the famed Citadel mountain. Rudy's father sacrificed his own life to save the climber that he was responsible for as his guide. People talk about Harry Potter's character Hermoine, but she cant' hold a candle to the great Janet Munro playing Rudy's love interest Lizbeth. Janet Munro could melt any mans heart. She is sweet, fun, spunky and outgoing. A beautiful ball of energy. It's easy to realize why Walt Disney saw so much in her. The great Micheal Rennie as the famous climber captain Winter helps Rudy with his support when his uncle, played by James Donald, does not want him to be a guide and meet with the same fate as his father. Laurence Naismith as always gives a great performance as Teo; the older friend and climber of Rudy's father who was there when he died. Teo's bark is worse than his bite and his warmth and love for both Lizbeth and Rudy is seen in many ways. There chemistry is fun and sweet. The acting is amazing, the cinematography is breathtaking. As is said this was filmed on location in Zermatt Switzerland where the 14,000 foot Matterhorn stands. Walt Disney named the famous ride after the Matterhorn. It still remains one of the most beautiful climbing films of all time. If you are a fan of Walt Disney, this is a must see film. Rarely is there a film that I never tire of, and this one is it. If you have even half a heart, you will love this film.This is the way movies should be made. It's sad Hollywood does not do it like this anymore.

I was eight years old in 1970, when our primary school in Northern Ireland assembled all the students into the gymnasium to see "a film". The film was Third man on the Mountain. A quiet loner who detested the boredom of sports that chased an object around an enclosed playing field, I was captivated by this film, and knew that I wanted to climb. I am 43 years old now, and have spent my life climbing and enjoying the beauty of the mountains. I have just purchased this film on DVD but will wait until Christmas Eve, to see it for the first time in 35 years.In an age where Hollywood gratifies violence, profanity, and promiscuity, caring parents would do well to, not only let their children see this great adventure story; but to sit with them and watch it as a family. As a teenager, I never once attended a 'house-party', drank, or engaged in the trash that often creates arrogant, ungrateful, and belligerent adolescents. The memory of this film never left my mind, and kept me focused in life. Honour, self discipline, respect for our elders and caring about what others think of us; as well as a great story of personal determination and effort, young people today need to be presented with the values that used to be 'normal' in society.The real locations used in the filming provide a welcome relief from the slick, computer-animations and green-screen fakery of modern celluloid, and the climbing depictions are far, far superior to anything that has since been passed off by Hollywood, as 'mountaineering'. Having to EARN respect, working and striving for goals, personal sacrifice, and a good story: parents owe this film to their children.